Peder Rosenstand-Goiske
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Peder Rosenstand-Goiske (1752 – 6 February 1803) was a Danish playwright and lawyer. As a 19-year-old student in October 1771 he anonymously published the first issue of '' Den Dramatiske Journal'' (''The Dramatic Journal''), the oldest Danish theater magazine. He lived during the time of Denmark-Norway.


Education and career

Rosenstand-Goiske was taught by his father, the theological professor P. Rosenstand-Goiske (1704–69) and graduated in 1769. As a young man deep in
aesthetic Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , acces ...
and in particular dramaturgical studies, Lessing's ''Hamburgische dramaturgie'' had made a strong impression on him, and he decided to give it a Danish counterpart. The first issue of ''Den Dramatiske Journal'' was released in October 1771, making it the first Danish theater magazine, which, despite its short two-season lifespan, became a very important source of national theatrical history. A sharp criticism of theater director Niels Area Bredal's 1771 operetta ''Tronfølgen i Sidon'' egging this to open a polemic against the unwelcome a reviewer from the scene boards with by piece ''Den Dramatiske Journal'', which gave rise to a tremendous scandal with fights and uproar in the theater house. It was this "dramatic war" which spawned Johannes Ewald, Ewald's ''De brutale Klappere''. Another theater historical work of Rosenstand-Goiske, ''Kritiske Efterretninger om den danske Skueplads'' (''Critical news of the Danish Theater'') (1778–80) remained in manuscript until it was published by Christian Molbech in 1839. In 1780 Rosenstand-Goiske became employed as theater censor, and between 1786 and 1792, he was also a member of the theater management. At the same time he worked as a lawyer. In 1775 he took the Danish legal examination, and the following year he was auditor, and in 1783, after passing in Latin-law degree, an attorney by Courts of Denmark, Supreme Court. For three years (1794–97), he served as Deputy Prime Minister and Prime Minister in Norway, and thrived there.


About the understanding of the genre

Gerhard Schepelern wrote that Rosenstand-Goiske harshly judged songs from plays that do not reveal the importance of the music's role as conveyor of action, ideas and mood. The same attitude was shared by Knud Lyne Rahbek, who for many years pursued the music-dramatic genre from the same viewpoint. Rahbek considered it "a devastating poison that not only kills our theater, but spears our National-Character". According to Schepelern, Rosenstand-Goiske was the only person in those years who publicly expressed a deeper understanding of the essence of operatic art.Schepelern s.36f


References


Further reading

* Display of the librarian J. Clausen i
SALMONSEN
(Salmon's Conversation Lexicon, 2nd Edition, Vol. 20, p. 406) and Gerhard Schepelern '' opera in Denmark '' 1634–1975, 1995 *Thomas Overskou, ''The Danish Theater'' II;: ''The dramatic Journal'' is a great informative Notes, released '' The Company of Danish theater history '' by Carl Behrens.


External links


Sticky
in Dansk Biografisk Leksikon, DBL an
Illustrated Danish Literature
(1902)

of ''Den Dramatiske Journal''

on Litteraturpriser.dk * '' Critical Notices of the Royal Danish The scene '' (published in 1839 by Christian Molbech) is available a
Google Books

Peder Rosenstand-Goiske at Den Store Danske
{{DEFAULTSORT:Rosenstand-Goiske, Peder 1752 births 1803 deaths Danish theatre directors Danish theatre critics Lawyers from Copenhagen 18th-century Danish lawyers 19th-century Danish lawyers 18th-century Danish dramatists and playwrights Danish male dramatists and playwrights 18th-century Danish male writers Jurists from Denmark–Norway Writers from Denmark–Norway