Background
Pauline Hall was born at Hamar in Hedmark, Norway. She was the daughter of Isak Muus Hall (1849–1914) and Magdalena Catharina Agersborg (1854–1934). Her father was a pharmacist who operated several pharmacies in Hamar, at Kabelvåg in Lofoten and in Tromsø. From 1908 she studied piano with composer and pianist Johan Backer Lunde (1874–1958) in Kristiania (now Oslo). From 1910 to 1912 she studied the theory and composition of classical composers with music educatorCareer
Hall's debut as a composer came in 1917 with a full-length concert evening in Oslo featuring solely her works. Hall was initially known as a composer of romances, but today her orchestral works, and in particular 1929's ''Verlaine Suite'', stand out as centerpieces of her compositional output. French impressionism and literature would prove to be key sources of inspiration for Hall, an influx that would not necessarily resonate well with the prevailing national romanticism sentiment of 1930s Norway. Throughout her compositional career, Hall would find it challenging to introduce new stylistic impulses to the Norwegian music scene. In addition to her orchestral output, Hall also composed a number of choral works and music for stage productions. Theatre remained close to her heart, and Hall translated a number of major works into Norwegian includingPersonal life
Pauline Hall received the King's Medal of Merit (''Kongens fortjenstmedalje'') in gold in 1938. She died in Oslo and was buried at Vestre gravlund.Selected works
Hall composed orchestral works, theater and film music, chamber music and vocal works. Selected compositions include: *1929 ''Verlaine Suite'', for orchestra *1933 ''Cirkusbilleder'', for orchestra *1949 ''Suite av scenemusikken til «Julius Caesar» på Nationaltheateret'', for orchestra *''Foxtrott'', for orchestra *1950 ''Markisen'', ballet, première: 1964, Oslo, Den Norske Opera *1947 ''Ro ro te rara'', for male choir *''En gutt gikk ut på elskovssti'', for male choir, text: Gunnar Larsen *''Nachtwandler'', for 6 part mixed choir and orchestra, text: Falke *''Til kongen'', for mixed choir *''To Wessel-tekster'', for male choir, op. 7, text: Johan Herman Wessel *1945 ''Fangens aftensang'', for voice and piano *1961 ''Fire Tosserier'', for voice, clarinet, bassoon, trumpet and French horn *''Du blomst i dug'', for voice and piano, text: Iens Petter Jacobsen *''Rondeau'', for voice and piano, text: E. Solstad *''Tagelied'', for voice and orchestra *''Tango'', for voice and orchestra *''To sanger'', for voice and piano, op. 4, text: Knut Hamsun Auerdahl *1945 ''Suite'', for wind quintet *''Liten dansesuite'', for oboe, clarinet and bassoon Her music has been recorded and issued on CD, including: *''Pauline Hall: Verlaine Suite/Julius Caesar Suite/Suite for Winds/4 Tosserier'' (June 26, 2007) Simax Records/Premiere, ASIN: B000027ALUReferences
Other sources
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