Patachitra or Pattachitra is a general term for traditional, cloth-based

scroll A scroll (from the Old French ''escroe'' or ''escroue''), also known as a roll, is a roll of papyrus, parchment, or paper containing writing. Structure A scroll is usually partitioned into pages, which are sometimes separate sheets of papyrus ...

painting, based in the eastern Indian states of

Odisha Odisha (English: , ), formerly Orissa ( the official name until 2011), is an Indian state located in Eastern India. It is the 8th largest state by area, and the 11th largest by population. The state has the third largest population of Sc ...

West Bengal West Bengal (, Bengali: ''Poshchim Bongo'', , abbr. WB) is a state in the eastern portion of India. It is situated along the Bay of Bengal, along with a population of over 91 million inhabitants within an area of . West Bengal is the four ...

and parts of

Bangladesh Bangladesh (}, ), officially the People's Republic of Bangladesh, is a country in South Asia. It is the List of countries and dependencies by population, eighth-most populous country in the world, with a population exceeding 165 million pe ...

. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. Pattachitra is one of the ancient artworks of

, originally created for ritual use and as souvenirs for pilgrims to

Puri Puri () is a coastal city and a municipality in the state of Odisha in eastern India. It is the district headquarters of Puri district and is situated on the Bay of Bengal, south of the state capital of Bhubaneswar. It is also known as ''S ...

, as well as other temples in Odisha. Patachitras are a component of an ancient

Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the ...

narrative art, originally serving as a visual device during the performance of a song.

Etymology

In the

Sanskrit Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cul ...

, ''paṭṭa'' means "cloth" and ''chitra'' means "picture". Most of these paintings depict stories of Hindu deities.

Odisha Pattachitra

Pattachitra is a traditional painting of

, India.http://odisha.gov.in/e-magazine/Orissareview/2010/November/engpdf/46-48.pdf These paintings are based on

Hindu mythology Hindu mythology is the body of myths and literature attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedic literature, epics like ''Mahabharata'' and ''Ramayana'', the Puranas, and r ...

and specially inspired by

Jagannath Jagannath ( or, ଜଗନ୍ନାଥ, lit=Lord of the Universe, Jagannātha; formerly en, Juggernaut) is a deity worshipped in regional Hindu traditions in India and Bangladesh as part of a triad along with his brother Balabhadra, and siste ...

and

Vaishnava Vaishnavism ( sa, वैष्णवसम्प्रदायः, Vaiṣṇavasampradāyaḥ) is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. It is also called Vishnuism since it considers Vishnu as ...

sect. All colours used in the Paintings are natural and paintings are made fully old traditional way by Chitrakaras that is Odiya Painter. Pattachitra style of painting is one of the oldest and most popular art forms of

. The name Pattachitra has evolved from the Sanskrit words ''patta'', meaning canvas, and ''chitra'', meaning picture. Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. The traditions of ''pattachitra'' paintings are more than thousand years old. Ostindischer Meister 001

Origin and History

The paintings of

can be divided into three categories from the point of view of medium, i.e. paintings on cloth or 'Patta Chitra', paintings on walls or 'Bhitti Chitra' and palm leaf engravings or "Tala Patra Chitra' or "Pothi, Chitra'. The style of all these remains more or less the same at a specific time because the then artists were commissioned to work in all these media, it is believed. The painting the 'pattachitra' resemble the old murals of

especially religious centres of

Konark Konark is a medium town in the Puri district in the state of Odisha, India. It lies on the coast by the Bay of Bengal, 65 kilometres from the capital of the state, Bhubaneswar. It is the site of the 13th-century Sun Temple, also known as the '' ...

and

Bhubaneshwar Bhubaneswar (; ) is the capital and largest city of the Indian state of Odisha. The region, especially the old town, was historically often depicted as ''Ekamra Kshetra'' (area (''kshetra'') adorned with mango trees (''ekamra'')). Bhubaneswar is ...

region, dating back to the 5th century BC. The best work is found in and around

, especially in the village of

Raghurajpur Raghurajpur is a heritage crafts village out of Puri district, India, known for its master Pattachitra painters, an art form which dates back to 5 BC in the region and Gotipua dance troupes, the precursor to the Indian classical dance form ...

. This old tradition of Odia painting still survives in the places like Puri,

, Paralakhemundi, Chikiti and Sonepur. Lord

in the present from is being taken as the origin of the Patta style. The colour schemes of the deities of Puri are quite similar to those of the Patta style. The oldest record of Patta Paintings does not probably go beyond the establishment of the present shrine of Shri Jagannath at Puri. It may be due to the fact that paintings do not survive like sculptures. The paints inside the shrines of Lord Jagannath at Puri make the date probable. The oldest classical marble paintings of Sitabanji at Keonjhar do not conform to the present style of Patta painting wholly. The wooden statues of the three deities are also covered with cloth and then overlaid with glue mixed with chalk, and then given paint only with four limited colours of red,

yellow Yellow is the color between green and orange on the spectrum of light. It is evoked by light with a dominant wavelength of roughly 575585 nm. It is a primary color in subtractive color systems, used in painting or color printing. In ...

white White is the lightness, lightest color and is achromatic (having no hue). It is the color of objects such as snow, chalk, and milk, and is the opposite of black. White objects fully diffuse reflection, reflect and scattering, scatter all the ...

and

black Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white ha ...

. The deities who are held in high esteem by the

Odias The Odia (), formerly spelled Oriya, is an Indo-Aryan ethnic group native to the Indian state of Odisha who speak Odia language. They constitute a majority in the eastern coastal state, with significant minority populations in neighboring An ...

and who inspire religion, life and activity of the people also carry with them a tradition of art and painting which is as old as the deities themselves. If the Savara origin of

is accepted, the date of the Patta paintings can be dated back to an earlier period. These paintings were originally substitutes for worship on days when the temple doors were shut for the 'ritual bath' of the deity. Two lovers, folio from a Ragamala album

Theme and Style

The theme of Odia painting centres round the

and the

sect. Since beginning of Pattachitra culture, Lord

who was an incarnation of Lord

Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is on ...

has been the major source of inspiration. The subject matter of Patta Chitra is mostly mythological, religious stories and

folk lore Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging fro ...

. Themes are chiefly on Lord Jagannath and

Radha Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also d ...

, different "Vesas" of Shri Jagannath,

Balabhadra In Jainism, Balabhadra or Baladeva are among the sixty-three illustrious beings called '' śalākāpuruṣas'' that are said to grace every half cycle of time. According to Jain cosmology, ''śalākāpuruṣa'' are born on this earth in every ...

and

Subhadra Subhadra ( sa, सुभद्रा, Subhadrā) is a Hindu goddess mentioned in ancient Hindu scriptures like the ''Mahabharata'' and the ''Bhagavata Purana''. She is described as the favourite child of Vasudeva and the younger sister of de ...

, temple activities, the ten incarnations of

Vishnu Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within ...

basing on the '

Gita Govinda The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and '' gopis'' (female cow herders) of Vrindavan. The ''Git ...

' of Jayadev, Kama Kujara Navagunjara,

Ramayana The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages e ...

Mahabharata The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the K ...

. The individual paintings of gods and goddesses are also being painted. The Pattachitra style are mix of both folk and classical elements but leanings more towards folk forms. The dress style has

Mughal Mughal or Moghul may refer to: Related to the Mughal Empire * Mughal Empire of South Asia between the 16th and 19th centuries * Mughal dynasty * Mughal emperors * Mughal people, a social group of Central and South Asia * Mughal architecture * Mug ...

influences. All of the poses have been confined to a few well-defined postures. These are not free from monotonous repetitions, though at times this is necessary to accentuate the narrative character of the style. The lines are bold and clean and angular and sharp. Generally, there are no landscapes, perspectives, and distant views. All the incidents are seen in close juxtaposition. The background on which the figures are represented, is delineated with decorations of flowers and foliages and is mostly painted in red colour. All the paintings are given decorative borders. The whole painting is conceived in the form of a design on a given canvas. The themes may be classified into following categories * Jagannath paintings * Vaishnav Paintings a)Bhagabat paintings b)Ramayana paintings * Saiva paintings * Shakta paintings * Paintings as legends * Ragachitras * Bandhachitra * Yamapati and yatripatas – (sketches of puri temple) Ganjapa playing card paintings and other socials themes on paintings. * Navagunjara

Technique

Traditionally the painters are known as ''chitrakars''. A patta painter's home with all the members of family is his studio. Woman members prepare the glue, the canvas and apply colours what we call the fill-in, and give the final lacquer coating. The master hand, mostly the male member, draws the initial line and gives the final finishing. Patta paintings are done on small strips of

cotton Cotton is a soft, fluffy staple fiber that grows in a boll, or protective case, around the seeds of the cotton plants of the genus '' Gossypium'' in the mallow family Malvaceae. The fiber is almost pure cellulose, and can contain minor p ...

cloth. The

canvas Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handb ...

is prepared by coating the clothing with a mixture of chalk and gum made from

Guar The guar or cluster bean, with the botanical name ''Cyamopsis tetragonoloba'', is an annual legume and the source of guar gum. It is also known as gavar, gawar, or guvar bean. The origin of ''Cyamopsis tetragonoloba'' is unknown, since it has ...

tamarind Tamarind (''Tamarindus indica'') is a leguminous tree bearing edible fruit that is probably indigenous to tropical Africa. The genus ''Tamarindus'' is monotypic, meaning that it contains only this species. It belongs to the family Fabaceae. ...

seeds. Then it is rubbed by taking the help of two different stones and then the cloth is dried. The mixture of gum and

chalk Chalk is a soft, white, porous, sedimentary carbonate rock. It is a form of limestone composed of the mineral calcite and originally formed deep under the sea by the compression of microscopic plankton that had settled to the sea floor. Cha ...

gives the cloth's surface a leathery finish on which the artists paint with vegetable, earth and stone colours. The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy. This process of glazing or varnishing is quite interesting. The painting is held over a fireplace so that the back of the painting is exposed to heat. On the surface of the painting fine lacquer is applied.

Colour

Pattachitras are painted in five natural colours - Hingula, Haritala, Kala, Sankha and Geru. There are typical scenes and figures like Krishna, Gopis, elephants, trees and other creatures are seen in these paintings. Krishna is always painted in blue and Gopis in light pink, purple or brown colours. The painters use vegetable and mineral colours without going for factory-made poster colours. They prepare their own colours. White colour is made from the

conch Conch () is a common name of a number of different medium-to-large-sized sea snails. Conch shells typically have a high spire and a noticeable siphonal canal (in other words, the shell comes to a noticeable point at both ends). In North Am ...

-shells by powdering,

boiling Boiling is the rapid vaporization of a liquid, which occurs when a liquid is heated to its boiling point, the temperature at which the vapour pressure of the liquid is equal to the pressure exerted on the liquid by the surrounding atmosphere. T ...

and

filtering Filter, filtering or filters may refer to: Science and technology Computing * Filter (higher-order function), in functional programming * Filter (software), a computer program to process a data stream * Filter (video), a software component th ...

in a very hazardous process. It requires a lot of patience. But this process gives brilliance and premanence to the

hue In color theory, hue is one of the main properties (called color appearance parameters) of a color, defined technically in the CIECAM02 model as "the degree to which a stimulus can be described as similar to or different from stimuli that ...

. 'Hingula', a mineral colour, is used for red. 'Haritala', king of stone ingredients for yellow, 'Ramaraja' a sort of indigo for blue are being used. Pure lamp-

or black prepared from the burning of

coconut The coconut tree (''Cocos nucifera'') is a member of the palm tree family (Arecaceae) and the only living species of the genus ''Cocos''. The term "coconut" (or the archaic "cocoanut") can refer to the whole coconut palm, the seed, or ...

shells are used. There was no blue either cobalt or ultramarine in the earlier colour schemes. The colours used in the Patta paintings are primarily bright colours, limited to red, yellow, indigo, black and white. The brushes that are used by these 'Chitrakaras' are also indigenous and are made of hair of domestic animals. A bunch of hair tied to the end of a

bamboo Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, ...

stick make the brush.

Palm leaf Pattachitra

Palm leaf ''pattachitra'' which is in Oriya language known as ''Tala Pattachitra'' drawn on palm leaf. First of all palm leaves are left for becoming hard after being taken from the tree. Then these are sewn together to form like a canvas. The images are traced by using black or white ink to fill grooves etched on rows of equal-sized panels of palm leaf that are sewn together. These panels can also be easily folded like a fan and packed in a compact pile for better conservation. Often palm-leaf illustrations are more elaborated, obtaining by superimposing layers that are glued together for most of the surface, but in some areas can open like small windows to reveal a second image under the first layer. File:Papier-mâché mask at Odisha Crafts Museum, Bhubaneswar, Odisha, India 01.jpg, Papier-mâché mask of Goddess Kali painted in the Pattachitra idiom, Kala Bhoomi Odisha Crafts Museum, Bhubaneswar. File:Exhibits at the Odisha Crafts Museum 17.jpg, Wooden Ramalila masks painted in the Pattachitra style, Kala Bhoomi Odisha Crafts Museum, Bhubaneswar. File:Konark palm leaf manuscript.jpg, Tala Pattachitra, palm leaf painting showing the architectural plan of the

Sun Temple of Konark Konark Sun Temple is a (year 1250) Sun temple at Konark about northeast from Puri city on the coastline in Puri district, Odisha, India.Ratha, Puri, Odisha. File:Narasimha Mural Puri.jpg, Modern wall mural of

Narasimha Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end r ...

in a street of Puri, Odisha.

Saura painting

Saura painting Saura painting is a style of wall mural paintings associated with the Saura tribals of the state of Odisha in India. These paintings, also called ''ikons'' (or ''ekons'') are visually similar to Warli paintings and hold religious significance f ...

is a style of wall mural paintings associated with the Saura tribals of the state of

in India.Saura Tribal Art in the form of Pattachitra hold religious significance for the Saura tribes. These paintings, also called ikons (or ekons) are visually similar to Warli paintings and hold religious significance for the Sauras. SAURA INSPIRED ROYAL BLACK PATTACHITRA HANND-PAINTED PURE SILK SAREE 2

SAURA INSPIRED ROYAL BLACK PATTACHITRA HANND-PAINTED PURE SILK SAREE 2

Bengal Patachitra

Extrait de Chandi Mangal de Meena Chitrakar (Naya Bengale) (1439706046).jpg, Patachitra of Naya village Extrait de Ramayana de Hazra Chitrakar (Naya Bengale) (1438842569).jpg, Patachitra of Naya village Medinipur Patachitra - durga.jpg, Goddess Durga and her family in Medinipur Patachitra Manasa, the Snake Goddess (6124609239).jpg, Manasa in Kalighat Patachitra The Bengal Patachitra refers to the painting of

and

. It is a traditional and mythological heritage of

. The Bengal Patachitra is divided into some different aspects like ''Durga Pat'', ''

Chalchitra Chalchitra (বাংলা- চালচিত্র) is a part of ''Bengal Patachitra''. It referred to the ''Debi Chal'' or ''Durga chala'', the background of the Durga Pratima or idol. Originally, these were used to give a proper proportion ...

'', ''Tribal Patachitra'', ''Medinipur Patachitra'', and '' Kalighat Patachitra''. The subject matter of Bengal Patachitra is mostly mythological, religious stories, folk lore and social. The Kalighat Patachitra, the last tradition of Bengal Patachitra is developed by Jamini Roy. The artist of the Bengal Patachitra is called Patua.Giusti, M. and Chakraborty, U. (ed.). ''Immagini Storie Parole. Dialoghi di formazione coi dipinti cantati delle donne Chitrakar del West Bengal''. Mantova: Universitas Studiorum, 2014, Patachitra of Naya village in

is now collected in National Museum of Ethnology (henceforth MNE) in Lisbon.

Origin and History

Patachitra is known for its excellent play of colour. It is a traditional folk art form of rural Bengal. There are some controversial opinions about the dates of ancient Patas. But it has been suggested on the basis of historical themes connected with the accompanied songs like Patua Sangeet. It dates back to the Pre- Pala period which is still tucked away with small villages of

Midnapore Medinipur or Midnapore (Pron: med̪iːniːpur) is a city known for its history in the Indian state of West Bengal. It is the headquarters of the West Medinipur district. It is situated on the banks of the Kangsabati River (variously known as '' ...

Bankura Bankura () is a city and a municipality in the state of West Bengal, India. It is the headquarters of the Bankura district. Etymology In the Mahabharata, Bankura was described as Suhmobhumi. The word or (in Nagari: rāḍh) was introduced a ...

Purulia Purulia is a city and a municipality in the Indian state of West Bengal. It is the headquarters of the Purulia district. It is located on the north of the Kangsabati River. Geography Location Purulia is located at . It has an average el ...

Howrah Howrah (, , alternatively spelled as Haora) is a city in the Indian state of West Bengal. Howrah is located on the western bank of the Hooghly River opposite its twin city of Kolkata. Administratively it lies within Howrah district, and is t ...

, Hooghly and

24 Parganas 24 Parganas district (''cabbiś pargaṇā jēlā'') is a former district of the Indian state of West Bengal. The district was split into two districts — North 24 Parganas district and South 24 Parganas district, with effect from 1 March ...

. In his book Folk Art of Bengal, author ''Ajitcoomar Mookerjee'' has mentioned that there are some Jadu-Patuas painting of mural style in the temples of

Bankura District Bankura district (Pron: bãkuɽa) is an administrative unit in the Indian state of West Bengal. It is part of Medinipur division—one of the five administrative divisions of West Bengal. Bankura district is surrounded by Purba Bardhaman dis ...

Theme and Style

Swarna Chitrakar - Kolkata 2014-02-14 3080

There are many types of Pots like religious, secular. Religious pots encompass the story of Hindu epics like, mythology, Ramayana, Mahabharata narrating stories of Hindu gods and goddesses like

Radha Krishna Radha-Krishna ( IAST , sa, राधा कृष्ण) are collectively known within Hinduism as the combined forms of feminine as well as the masculine realities of God. Krishna and Radha are the primeval forms of God and his pleasure poten ...

Chaitanya Chaitanya or Chaithanya may refer to Philosophy *Chaitanya (consciousness), Hindu philosophical concept People *Chaitanya (name) *Chaitanya Mahaprabhu (1486–1533), founder of Gaudiya Vaishnavism Media * ''Chaitanya'' (film), a 1991 Telugu film ...

Kali Kali (; sa, काली, ), also referred to as Mahakali, Bhadrakali, and Kalika ( sa, कालिका), is a Hindu goddess who is considered to be the goddess of ultimate power, time, destruction and change in Shaktism. In this trad ...

, Shiba and the indigenous Bengali folklore of Manasha and Chandi, Behula and Lakshinder being the most popular. Secular pots depicts important news events, scandals accidents etc. such as bus accidents at Narayangarh, rural elections, the rationing system, family planning, evils of the dowry system etc. Every Patachitra has a song related to it, which the artists sing while unfurling the Patachitra. Singing pot in Bengal is called Patua Sangeet. Patua Sangeet or Poter Gan is a cultural tradition of the singing Bengal Patachitra. It is performed by Patua. It is famous in the village part of

like Birbhum, Jhargram,

Bardhaman Bardhaman (, ) is a city and a municipality in the state of West Bengal, India. It is the headquarters of Purba Bardhaman district, having become a district capital during the period of British rule. Burdwan, an alternative name for the city, ...

and

Murshidabad Murshidabad fa, مرشد آباد (, or ) is a historical city in the Indian state of West Bengal. It is located on the eastern bank of the Bhagirathi River, a distributary of the Ganges. It forms part of the Murshidabad district. Duri ...

as a folk song of

Aspects of painting

Bengal Patachitra painting has a different type of motive and aspects that unrolled the Bengali culture. Using the mythological epic and the natural color it is one of the individual characteristics of the Bengal Patachitra.

Chalchitra

is a part of ''Bengal Patachitra'', It referred to the ''Debi Chal'' or ''Durga chala'', the background of the

Durga Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around comb ...

Pratima or idol. Patua, the artists of Chalchitra called it as Pata Lekha, means the writing of Patachitra. 300–400 years old idols of Nabadwip Shakta Rash used Chalchitra as a part of Pratima. At a time, the use of Chalchitra became fade, but now it has a great popularity. Chalchitra artist of Nabadwip, Tapan Bhattacharya said-

Durga Pot

Durga pot or Durga sara is recognised as the worshiped patachitra. It worshiped in the ''Hatsarandi Sutradhar society'' of

Birbhum district Birbhum district () is an administrative unit in the Indian state of West Bengal. It is the northernmost district of Burdwan division—one of the five administrative divisions of West Bengal. The district headquarters is in Suri. Other imp ...

on Durga puja time. This type of patachitra is also worshiped is Katwa. Durga Pot has a hemispherical Patachitra where Patachitra of Durga is in the middle position. Ram, Sita, Shib, Nandi-Vringi, Brahma, Vishnu, Shumbha-Nishumbha are painted on this kind of Chalchitra. Krishnanager Rajrajeshwari Durga is seen to be uniquely noticed. In the middle of the Chalchitra, there is Panchanan Shib and Parvati is beside him, on one side there is Dasha-mahabidya and the other side, there is Dashabatar.

Technique

The Patachitra of different districts of

are characterized by many peculiarities in colour and design. The patachitra of

Manbhum Manbhum District was one of the districts of the East India during the British Raj. After India's independence, the district became a part of Bihar State. Upon re-organisation of the Indian states in the mid-1950s, present Purulia district was ca ...

, now known as

can easily be distinguished by their preference for one particular shade of burnt sienna relieved by white and yellow patches and densely packed composition. The seated figures of

Dasaratha Dasharatha (Sanskrit: दशरथ, IAST: Daśaratha; born Nemi) was the king of the Kosala kingdom and a scion of the Suryavamsha dynasty in Hinduism. He ruled from this capital at Ayodhya. Dasharatha was the son of Aja and Indumati. He h ...

and Chand Sadagar of Medinipur crowning the

and Kamale-Kamini scrolls are impressive and monumental. In the scrolls of pot of Birbhum,

and

Burdwan Bardhaman (, ) is a city and a municipality in the state of West Bengal, India. It is the headquarters of Purba Bardhaman district, having become a district capital during the period of British rule. Burdwan, an alternative name for the city, ...

preference for Indian red background usually found, the scrolls of Hooghly preferred a dark brown. The Hooghly and

'pats' are peculiar and definitely modernistic with the abstract linear treatment.

Colour

Use of natural color is one of the individual characteristics of the Bengal Patachitra. In general, blue,

green Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 Nanometre, nm. In subtractive color systems, used in painting and color printing, it is created by ...

, red,

brown Brown is a color. It can be considered a composite color, but it is mainly a darker shade of orange. In the CMYK color model used in printing or painting, brown is usually made by combining the colors orange and black. In the RGB color model use ...

and

are used in the Patachitra of

. Chalk dust is used for white color, pauri for yellow color, cultivated indigo for blue, bhushakali for black and mete sindur for red color.

Artists

Bengal Patua artists carry the occupational surname of 'Chitrakar'. They are concentrated in the village of Naya in Medinipur district of

. Prominent artists include Khandu and Radha Chitrakar and their children Bapi, Samir, Prabir, Laltu, Tagar, Mamoni and Laila Chitrakar. Monimala is known for her use of bold, primal colours and the development of her own iconographic style.

Geographical Indication of Pattachitra

Geographical indication A geographical indication (GI) is a name or sign used on products which corresponds to a specific geographical location or origin (e.g., a town, region, or country). The use of a geographical indication, as an indication of the product's source, ...

of Patachitra is registered under to different state of

India India, officially the Republic of India ( Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the ...

as the style and motif of

and

Patachitra are so different. The Patachitra of Odisha is registered as ''Orissa Pattachitra''. The Patachitra of

is registered as ''Bengal Patachitra''.

References

Citations

External links

Patachitra of Medinipur (Midnapore)

Past of Pattachitra

Essential Ideas on Pattachita

Pattachitra Painting

{{Authority control Geographical indications in West Bengal Arts of Odisha Geographical indications in Odisha Culture of Odisha Schools of Indian painting Culture of West Bengal Indian folk art

Etymology

Odisha Pattachitra

Origin and History

Theme and Style

Technique

Colour

Palm leaf Pattachitra

Saura painting

Bengal Patachitra

Origin and History

Theme and Style

Aspects of painting

Chalchitra

Durga Pot

Technique

Colour

Artists

Geographical Indication of Pattachitra

References

Further reading

External links