Pathakam
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Pathakam (; ;
IAST The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that ...
:Pāṭhakam) (also transliterated as Padakam, Padhakam, Patakam, Padakom, Paadakam, Paadhakam etc.) is a traditional temple art form of
Kerala Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile ...
in which stories from Hindu
Purana Puranas (Merriam-Webster's Encyclopedia of Literature
(1995 Editio ...
s are narrated .


Background

Pathakam is considered as a typical Keralite model of mythological story telling. This art form is similar to
Koothu Koothu, or Therukoothu, is an ancient Tamil art form, where artists enacted scenes from epics and folklore with dance and music. It is a form of storytelling art that originated in the early Tamilakam, and served as an entertainment and a mediu ...
in its presentation style. Pathakam is traditionally performed by the Ambalavasi Nambiars. It is also performed by the Chakyar community. It is a bilingual art form in which a combination of
Sanskrit Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...
and
Malayalam Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of ...
is used. The language used in Pathakam is generally referred to as Semi-Sanskrit (Ardhasamskritam). The stage setting and costumes are very simple. Only a lighted traditional lamp known as "Nilavilakku" is used in the stage, and there is no curtain. It has only one actor. Costumes of the actor are very simple and are predominated by the red colour. The costumes of the actor include a red "Kireetam" (or a red silk garment with a knot) on the head, "Chandanatilakam" and "Kunkumatilakam" on the forehead, "Bhasmakkuri" on the body, garlands on the neck and a loose piece of upper body clothing called "Uttariyam". The person who presents the Pathakam are eloquent in Sanskrit and Malayalam languages and have a sense of humor. There are no musical instruments or other associated rituals.


Legend

This art form is believed to be originated from the
Koothu Koothu, or Therukoothu, is an ancient Tamil art form, where artists enacted scenes from epics and folklore with dance and music. It is a form of storytelling art that originated in the early Tamilakam, and served as an entertainment and a mediu ...
. There is a legend behind this belief. Traditionally, during the
Koothu Koothu, or Therukoothu, is an ancient Tamil art form, where artists enacted scenes from epics and folklore with dance and music. It is a form of storytelling art that originated in the early Tamilakam, and served as an entertainment and a mediu ...
performance by Chakyar, the
Mizhavu A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, whe ...
, a form of drum used in Koothu, is played by Ambalavasi Nambiars. In earlier days, Koothu, in which a story is told continuously, was performed in temple from noon to evening. Once, Chakyar was unable to reach the temple for performing Koothu. After waiting for Chakyar for a long time, the
Pothuval Ambalavasi, more properly Ampalavasi, (IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, ...
, who manages the temple matters, asked Nambiar whether he can perform the Koothu. Since, the Koothu is traditionally performed by the Chakyar community, Nambiar refused to perform Koothu by saying that only the Chakyar has birthright to stand on the Koothambalam, the traditional stage for performing Koothu, and perform Koothu. However, on the compulsion of Pothuval, he agreed to tell the story to the audience in a simple form, without entering in the Koothamblam. Nambiar performed the story-telling outside the Koothambalam, in his own style, mixing Malayalam and Sanskrit languages, with simple costumes. By the time of his performance, the Deeparadhana in that temple was over. In modern days also, Pathakam is performed only outside the Koothambalam, somewhere near Pradakshina Marga (പ്രദക്ഷിണവഴി), after the Deeparadhana ritual. The grooming and ceremonies are different from Chakyarkoothu but the stories told are similar to those of Koothu. Like Chakyarkoothu, the Pathakam performer sometimes becomes the narrator, sometimes the character, and sometimes becomes one of the audience by conversing with them.


Gallery

File:Koodalmanikam image 1.JPG, A Pathakam Performance from Koodal Manikyam Temple File:Padakam @ Mahadeva temple, Chirakkadavu 01.jpg, A padakam performance at Chirakkadavu Sree Mahadeva Temple File:Padakam @ Mahadeva temple, Chirakkadavu 02.jpg, At Chirakkadavu Mahadeva Temple


References

{{reflist Arts of Kerala Hinduism in Kerala Puranas