Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a

raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...

m in

Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...

(musical scale of South Indian classical music). It is the 51st ''

Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melaka ...

'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is also referred by the name ''Pantuvarāḷi.''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications This rāgam is very popular with musicians who typically sing it in the beginning of a concert. It is called Kāshirāmakriya in the

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar) (, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer, veena player, and a prolific composer of Indian classical music. He was the youngest member of what is re ...

school. The

Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...

equivalent of ''Kamavardhini'' is the '' Poorvi thaat''/ Puriya Dhanashree.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Structure and Lakshana

It is the 3rd rāgam in the 9th ''chakra Brahma''. The mnemonic name is ''Brahma-Go''. The mnemonic phrase is ''sa ra gu mi pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the notes in this scale are ''shuddha rishabham, antara gandharam, prathi madhyamam, shuddha dhaivatham, kakali nishadham'') It is a ''sampoorna'' rāgam – a rāgam that has all seven ''

swara Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively ...

s'' (notes). This rāgam differs from the 15th ''melakarta'' rāgam ''

Mayamalavagowla Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was p ...

'', which is the rāgam taught to a beginner in Carnatic music, only by the ''madhyamam''. ''Kamavardhani'' is the ''prati madhyamam'' equivalent of ''Mayamalavagowla''.

''Janya'' rāgams

It has a few minor ''

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a vari ...

'' rāgams (derived scales) associated with it. See List of ''janya'' rāgams for full list of rāgams associated with it.

Popular compositions

* ''Guruvina Gulaamanaaguva Tanaka'' (also sung in Salagabhairavi) – Purandaradasa * ''Harinama Jihveyolirabeku'' By

Vyasatirtha Vyāsatīrtha (), also called ''Vyasaraja'' or ''Chandrikacharya'', was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the rajaguru of Vijayanagara Empire, Vyasati ...

* ''Vitalayya Vitalayya'' By Jagannatha Dasa * ''Ramanujare Namo'' By Kanakadasa * ''Raghuvara Nannu, Shambo Mahadeva'', ''Saramegani'', ''Appa Rama Bhakthi'', ''Shobhane'', ''Vadaera Daivamu'', ''Sundara Daradeham, Ninne Nera Nammi,'' and ''Shiva Shiva Shiva Enarada'' – Thyagaraja * ''Ennaganu Rama Bhajana'' –

Bhadrachala Ramadasu Kancharla Gopanna () ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu (), was a 17th-century devotee of the Hindu god Rama Rama (; , , ) is a major deity in Hinduism. He is worshipped as the seventh and one of ...

* ''Ramanatham Bhajeham,'' ''Visalaksheem Visweseem'', ''Senapathe Palayamam, Sri Sundararajam and Ucchishta Ganapathau'' –

* ''Ninnarul Iyambalaagumo'', ''Amba Manam Kaninthu'' and ''Neeye Pedai Mukham(

Varnam Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patt ...

)'' –

Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema a ...

* ''Sarasaksha Paripalaya Maamayi'','' Paripalaya Sarasiruha'', ''Matanga Tanayayi Mangalam'' and ''Saroruhaasana (Navarathri sixth day krithi)'' – Swati Tirunal * ''Magalahârathide Nēku'', ''Mahitâtma Sevite'' –

Kalyani Varadarajan Kalyani Varadarajan (8 October 1923 – 28 October 2003), commonly known as Kalyani, was one of Carnatic music's famous twentieth-century composers. She created carnatic compositions in all 72 melakarta ragas, besides scores of janya ragas. Ear ...

* '' Engum Nirainda Paramporule''(

)- Madurai Sri N Krishnan * ''Sharanam tava'' – Mangalampalli Balamuralikrishna * ''Shankari Ninne'' –

Mysore Vasudevachar Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...

* ''Kunjitha Padhathai'' and ''Thenpuliyur Sivakami Nesa'' by Gopalakrishna Bharathi * ''Alli Undidalaam Vareer'' by Dandapani Desikar * ''Nirupama Sundarakara'' and ''Sonnadhai Kel Kanna'' by Oothukkadu Venkata Kavi * ''Adarkulle(Padam)'' by Subbarama Iyer * ''Niddirayil(Padam)'' by Ghanam Krishna Iyer *''Vaddante(Padam)'' by Govindaswamy Ayya

Film Songs

Language:
Tamil Tamil may refer to: People, culture and language * Tamils, an ethno-linguistic group native to India, Sri Lanka, and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka Myanmar or Burmese Tamils, Tamil people of Ind ...

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Kamavardani's'' notes when shifted using ''

Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic (music), Tonic note (''Śruti (music), śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani cl ...

'', yields '' Kanakangi'' (the 1st ''melakarta''). ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. See further details and an illustration of '' Graha bhedam on Kanakangi''. It tends to sound similar to, and is often mistaken for, another ragam called Purvikalyani.

Notes

References

{{Janya, state=collapsed Melakarta ragas