Pagode De Chanteloup
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Pagode () is a Brazilian style of music that originated in
Rio de Janeiro Rio de Janeiro, or simply Rio, is the capital of the Rio de Janeiro (state), state of Rio de Janeiro. It is the List of cities in Brazil by population, second-most-populous city in Brazil (after São Paulo) and the Largest cities in the America ...
,
Brazil Brazil, officially the Federative Republic of Brazil, is the largest country in South America. It is the world's List of countries and dependencies by area, fifth-largest country by area and the List of countries and dependencies by population ...
, as a subgenre of
Samba Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or ...
. Pagode originally meant a celebration with food, music, dance, and party. In 1978, singer Beth Carvalho was introduced to this music, liked it from the beginning, and recorded tracks by Zeca Pagodinho and others. Over time, pagode has been used by many commercial groups, which have included a version of the music filled with clichés, and there is now a sentiment that the term is a pejorative for "very commercial pop music" (see Pagode Romântico). Samba carioca torna-se patrimônio histórico
Original pagode developed at the beginning of the 1980s, with the advent of the band Fundo de Quintal and the introduction of new instruments in the classical samba formation. Pagode lyricism also represented a kind of evolution toward the tradition of malicious and ironic samba lyrics, with a much heavier use of slang and underground terms. The 4-string banjo, whose introduction is mostly credited to Almir Guineto, has a different and louder sound than the cavaco; that loudness was an advantage in acoustic environments (samba circle), where there are many percussion instruments and people singing along. The 4-string banjo is one of the most characteristic instruments of the pagode sound. The tan-tan, whose introduction is credited to sereno, is a more dynamic type of surdo, used to keep the main beat of the samba, the "heart of the samba", and played with the hands. The hand-repique, whose introduction is credited to Ubirany, is a percussive instrument used specially for rhythmic turnarounds.


See also

* Latin Grammy Award for Best Samba/Pagode Album


References


External links


Samba Pagode history

Samba & Pagode band/history

Samba & Pagode Semba/history
{{Lusophonemusic Brazilian styles of music Samba music genres