Oscar Pereira Da Silva
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Oscar Pereira da Silva (August 29, 1867 – January 17, 1939) was a Brazilian
painter Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with ...
, draftsman,
designer A designer is a person who plans the form or structure of something before it is made, by preparing drawings or plans. In practice, anyone who creates tangible or intangible objects, products, processes, laws, games, graphics, services, or exper ...
, and instructor. He was active from the end of the 19th to the mid-20th century. He is noted for his depictions of historical events in
Brazil Brazil, officially the Federative Republic of Brazil, is the largest country in South America. It is the world's List of countries and dependencies by area, fifth-largest country by area and the List of countries and dependencies by population ...
, but also completed numerous
portrait A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better r ...
s, religious works, genre scenes,
still life A still life (: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, human-m ...
s, and landscapes. He "paid no attention to Brazilian folk tradition" and painted in an "antique style." After a period of study in
France France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlan ...
, he pursued a lucrative career in
São Paulo São Paulo (; ; Portuguese for 'Paul the Apostle, Saint Paul') is the capital of the São Paulo (state), state of São Paulo, as well as the List of cities in Brazil by population, most populous city in Brazil, the List of largest cities in the ...
, where his works are displayed at the Pinacoteca do Estado de São Paulo and the Museu do Ipiranga.


Early career

Pereira da Silva was born in São Fidélis. He showed an early interest in drawing and painting. He enrolled at the Imperial Academy of Fine Arts in 1882 and studied with Eliseu Visconti, Eduardo de Sá, and João Batista da Costa. He became a student of Zeferino da Costa, Victor Meirelles, Chaves Pinheiro, and José Maria de Medeiros. He assisted Zeferino da Costa assistant in the interior painting of the Candelária Church (Igreja da Candelária), Rio de Janeiro, in 1887. Based on this experience, he completed paintings of the interior of the Church of Santa Cecília São Paulo. Numerous churches and chapels of the colonial period were replaced by
Gothic Revival Gothic Revival (also referred to as Victorian Gothic or neo-Gothic) is an Architectural style, architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half ...
or neo-colonial buildings in the early 20th century. This movement provided Da Silva and contemporaries such as Benedito Calixto commissions to work in religious buildings. In addition to the Church of Santa Cecília, both worked in the Church of Santa Ifigênia, the Church of Our Lady of Consolação and the Church of Our Lady of the Rosary. Pereira da Silva also carried out decorative works for the Church of Our Lady of the Conception.


Study in France

Pereira da Silva won the last prize for study abroad granted by the emperor
Pedro II of Brazil ''Don (honorific), Dom'' PedroII (Pedro de Alcântara João Carlos Leopoldo Salvador Bibiano Francisco Xavier de Paula Leocádio Miguel Gabriel Rafael Gonzaga; 2 December 1825 – 5 December 1891), nicknamed the Magnanimous (), was the List o ...
. He moved to Paris in 1889, and was a student at the
École des Beaux-Arts ; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts architecture, Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth centu ...
, studying under Jean-Léon Gérôme and Léon Bonnat. He rejected the artistic movements of the Paris school, but produced several studies and paintings.


Later career

Pereira da Silva returned to Brazil in 1896. He held a solo exhibition in the hall of the Escola de Belas Artes (School of Fine Arts) in Rio de Janeiro, where 33 of his work completed in Europe were presented. In the same year, he moved to São Paulo and taught at the São Paulo School of Arts and Crafts (LAOSP) and at the State Gymnasium of São Paulo. In addition, he taught private classes in his studio and completed portraits of the elite of the city. In 1897, he founded the Núcleo Artístico, which later became the School of Fine Arts. He completed three murals between 1903 and 1911 for the Municipal Theater of São Paulo: ''O Teatro na Grécia Antiga'' ("Theater in Ancient Greece"), ''A Dança'' ("Dance"), and ''A Música'' ("Music"). Da Silva's main works located in the city of São Paulo. They include ''Escrava Romana'' ("The Roman Slave", 1894) and ''Infância de Giotto'' ("The Childhood of Giotto", 1895). He turned to historical paintings in response to nationalist trends in Brazil at the beginning of the 20th century. This initially resulted in ''O Desembarque de Cabral em Porto Seguro'' (" The Landing of Cabral at Porto Seguro", 1900), and soon the ''Fundação de São Paulo'' (" The Foundation of São Paulo", 1909). Da Silva, like numerous artists and architects of Brazil, was influenced by the Modern Art Week in 1922; his artistic production was further transformed by a trip to Paris in 1930. His daughter, the artist Helena Pereira da Silva (1895–1966), observed that Da Silva's work became more carefree in this period; he used a lighter palette than his earlier works. However, the importance of drawing as a basic and fundamental structure of his compositions never ceased to exist in the execution of his paintings.


Death

Oscar Pereira da Silva died of cardiac arrest while working in his home studio in São Paulo on January 17, 1939. Many of his works are preserved and displayed at the Pinacoteca do Estado de São Paulo and the Museu do Ipiranga of the
University of São Paulo The Universidade de São Paulo (, USP) is a public research university in the Brazilian state of São Paulo, and the largest public university in Brazil. The university was founded on 25 January 1934, regrouping already existing schools in ...
.


References

{{DEFAULTSORT:Pereira da Silva, Oscar 1867 births 1939 deaths 19th-century Brazilian male artists 19th-century Brazilian painters 20th-century Brazilian male artists 20th-century Brazilian painters Brazilian designers Brazilian expatriate academics Brazilian expatriates in France Brazilian landscape painters Orientalist painters People from São Fidélis Brazilian portrait painters Religious painters Still life painters