Ollin
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Nahui Ollin is a concept in
Aztec The Aztecs ( ) were a Mesoamerican civilization that flourished in central Mexico in the Post-Classic stage, post-classic period from 1300 to 1521. The Aztec people included different Indigenous peoples of Mexico, ethnic groups of central ...
/
Mexica The Mexica (Nahuatl: ; singular ) are a Nahuatl-speaking people of the Valley of Mexico who were the rulers of the Triple Alliance, more commonly referred to as the Aztec Empire. The Mexica established Tenochtitlan, a settlement on an island ...
cosmology Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe, the cosmos. The term ''cosmology'' was first used in English in 1656 in Thomas Blount's ''Glossographia'', with the meaning of "a speaking of the wo ...
with a variety of meanings. Nahui translates to "four" and Ollin translates to "movement" or "motion." Ollin was primarily portrayed in
Aztec codices Aztec codices ( , sing. ''codex'') are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico. Most of their content is pictorial in nature and they come from ...
as two interlaced lines which are each portrayed with two central ends. Nahui Ollin has been used as an educational framework, particularly in
social justice Social justice is justice in relation to the distribution of wealth, opportunities, and privileges within a society where individuals' rights are recognized and protected. In Western and Asian cultures, the concept of social justice has of ...
and
ethnic studies Ethnic studies, in the United States, is the interdisciplinary study of difference—chiefly race, ethnicity, and nation, but also sexuality, gender, and other such markings—and power, as expressed by the state, by civil society, and by indivi ...
institutions.


Philosophy

The concept is also described as alluding to the four preceding suns or ages in history. Nahui Ollin has been described as the fifth sun over our current world. Nahui Ollin has been described as "the sun (
Tōnatiuh In Mesoamerican culture, Tonatiuh (Nahuatl: ''Tōnatiuh'' "Movement of the Sun") is an Aztec sun deity of the daytime sky who rules the cardinal direction of east. According to Aztec Mythology, Tonatiuh was known as "The Fifth Sun" and was gi ...
) in its four movements." When the fourth sun ended, Nahui Ollin emerged "from the remnant matter of an earlier age of humanity." It is believed that Quetzalcoatl traveled to
Mictlān Mictlan () is the underworld of Aztec mythology. Most people who die would travel to Mictlan, although other possibilities exist (see " Other destinations", below). Mictlan consists of nine distinct levels. The journey from the first level to ...
(underworld or land of the dead) to gather bones from the previous age and initiate a process of re-birthing humanity after its previous catastrophic end. According to sources describing Aztec belief, the fifth world will too be destroyed through a series of catastrophic
earthquakes An earthquakealso called a quake, tremor, or tembloris the shaking of the Earth's surface resulting from a sudden release of energy in the lithosphere that creates seismic waves. Earthquakes can range in intensity, from those so weak they c ...
or one large earthquake that will lead to a period of
famine A famine is a widespread scarcity of food caused by several possible factors, including, but not limited to war, natural disasters, crop failure, widespread poverty, an Financial crisis, economic catastrophe or government policies. This phenom ...
and darkness. Nahui Ollin is also described as referring to the four directions, although not being limited to these directions in a static or rigid way. Scholar Gabriel S. Estrada states that "as cosmic movement, ollin is all movements at once that are both orderly and chaotic. Paradoxically, it defies human understanding even as it motivates all human movement."


Educational framework

Nahui Ollin has been adopted as an educational framework by various social justice and ethnic studies institutions to guide students through a process of "reflection, action, reconciliation, and transformation." Utilizing the framework has been described as an effective way to combat historical trauma, particularly for
Chicano Chicano (masculine form) or Chicana (feminine form) is an ethnic identity for Mexican Americans that emerged from the Chicano Movement. In the 1960s, ''Chicano'' was widely reclaimed among Hispanics in the building of a movement toward politic ...
and Latino students. Educators at the Xicanx Institute for Teaching & Organizing describe the concept as follows:
The Nahui Ollin represents the cyclical movement of nature with respect to the four directions. The Nahui Ollin is a fundamental concept in Aztec/Mexica cosmology, a guide for everyday life and decisions. The objective is to constantly strive for balance, even when there is struggle. The Nahui Ollin uses cultural concepts representing community, knowledge, education, will power, transformation, and most importantly,
self-reflection Self-reflection is the ability to witness and evaluate one's own cognitive, emotional, and behavioural processes. In psychology, other terms used for this self-observation include "reflective awareness" and "reflective consciousness", which or ...
. The Nahui Ollin is composed of traditional Aztec ideologies, including the concepts of
Tezcatlipoca Tezcatlipoca ( ) or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict. He was considered one of the four sons of Ometecuhtli and Omec ...
, Quetzalcoatl, Huitzilopochtli, and
Xipe Totec In Aztec mythology, Xipe Totec (; ) or XipetotecRobelo 1905, p. 768. ("Our Lord the Flayed One") was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the sea ...
. The Nahui Ollin is used as a culturally responsive method of teaching and ultimately supporting the development of harmony and balance of the mind, body, spirit, and community.{{Cite book, last1=Isabel Cortés-Zamora, first1=María, title=Educating for Social Justice: Field Notes from Rural Communities, last2=Charupe-García, first2=Elizabeth, last3=Nuñez-Gonzalez, first3=Nora, publisher=Brill, year=2020, isbn=9789004432864, editor-last=Cordova, editor-first=Rebekah A., pages=115–16, 138, chapter=Building Intellectual Warriors: Engaging Students in a Culturally Relevant Learning Environment, editor-last2=Reynolds, editor-first2=William M.


Tezcatlipoca

In the educational framework, Tezcatlipoca represents self-reflection, "silencing the distractions and obstacles in our lives, in order become intellectual warriors." Tupac Enrique Acosta describes Tezcatlipoca as "a reflection, a moment of reconciliation of the past with the possibilities of the future... It is the 'Smoking Mirror' into which the individual, the family, the clan, the barrio, the tribe and the nation must gaze to acquire the sense of history that calls for liberation." Scholar Martín Sean Arce describes this as "a process to regain the historical memory at the individual and community collective levels, which leads to individual and community liberation." This process of coming to know oneself through an Indigenous epistemology has been notably successful among Xicana/o youth in leading them to "embrace their identities and foster their academic success."


Quetzalcoatl

Quetzalcoatl is both the end and the beginning, and is described by scholar Curtis Acosta as representing "precious and beautiful knowledge... nd the need tolisten to each other with humility, respect, and love in order to become mature human beings who walk in beauty." Arce states that this involves the work of guiding students through "critically analyzing the social realities that are steeped in their collective historical memory," and from this positionality being able to form what Emma Pérez describes as a "decolonial imaginary" which will allow them to transform their realities. Tupac Enrique Acosta describes Quetzalcoatl as follows: "from the memory of our identity, the knowledge of our collective history, we draw the perspective that draws us to the contemporary reality ndfrom this orientation we achieve stability o becomea mature human being."


Huitzilopochtli

Huitzilopochtli represents the will to act, encouraging students "to act with a spirit that is positive, progressive, and creative." The willingness to act is described by Tupac Enrique Acosta as essential to the physical act of survival and the work of sustaining oneself through self-discipline, which provides "a means of maximizing the energy resources available at the human command which in order to have their full effect must be synchronized with the natural cycles." Arce describes that Huitzilopchtli "as praxis, presents students with the will and courage to enact their positive, progressive, and creative capacities to create change for themselves as well as for their community."


Xipe Totec

Xipe Totec represents transformation, which is described as the ultimate purpose of the Nahui Ollin educational framework. Transformation the need to "have the strength to discard what hurts us
n order to N, or n, is the fourteenth letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages, and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
identify what will help us make progress and move forward." Xipe Totec was described by Tupac Enrique Acosta as "the source of strength that allows us to transform and renew. We can achieve this transformation only when we have learned to trust in ourselves." This brings together all three preceding concepts, in which transformation is a central aspect. Arce states that "transformations must be embraced and not resisted, the former ways of being and knowing must be shed, and new ways of being and knowing must be embraced, for to resist these transformations is to remain static and not develop, to be left behind, to be unevolving and out of synch with the natural lifecycles."


References

Aztec mythology and religion Ethnic studies Religious cosmologies Aztec philosophy