Nikolay Koshelev
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Nikolay Andreyevich Koshelev () (1840 – 1918) was a Russian painter, illustrator and muralist. He specialized in portraits and
genre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
scenes, as well as
icon painting An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic, and Lutheran churches. The most common subjects include Jesus, Mary, saints, and angels. Although especially ...
.


Biography

He was born to a peasant family, composed of
serf Serfdom was the status of many peasants under feudalism, specifically relating to manorialism and similar systems. It was a condition of debt bondage and indentured servitude with similarities to and differences from slavery. It developed du ...
s. He spent most of his childhood in the city of
Arzamas Arzamas (, ) is a types of inhabited localities in Russia, city in Nizhny Novgorod Oblast, Russia, located on the Tyosha River (a tributary of the Oka River, Oka), east of Moscow. As of 2024, it has a population of 103,629. History Arzamas ...
, where he frequented the studios of
Alexander Stupin Alexander Vasilyevich Stupin (; February 1776 in Arzamas – in Arzamas) was a Russian painter and art teacher. He founded and led the Arzamas School of Painting, Russia's first provincially based art school. Biography He was the illegit ...
, but lacked the means to take lessons. In 1851, he was apprenticed to a decorative painter named Davydov in Nizhni-Novgorod, but this was not a success, so he was remanded into the service of a local landowner, where he taught himself how to paint. In 1856, impressed by his progress, his patroness took him to the art school in
Kazan Kazan; , IPA: Help:IPA/Tatar, ɑzanis the largest city and capital city, capital of Tatarstan, Russia. The city lies at the confluence of the Volga and the Kazanka (river), Kazanka Rivers, covering an area of , with a population of over 1. ...
where he received lessons from an expatriate Italian artist named Botelli. This was followed by independent work on an
iconostasis In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere withi ...
and a monastery wall. This became the basis for his acceptance at the
Imperial Academy of Arts The Imperial Academy of Arts, informally known as the Saint Petersburg Academy of Arts, was an art academy in Saint Petersburg, founded in 1757 by Ivan Shuvalov, the founder of the Imperial Moscow University, under the name ''Academy of th ...
in 1860. He did not, however, become a full-time student until 1863, when he began to study
history painting History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and B ...
under
Alexey Tarasovich Markov Alexey Tarasovich Markov (, 24 March 1802 - 12 March 1878) was a Russian painter, best known for his history paintings and church decorations, typical of the Neoclassical style. Biography His father was a watchmaker. He studied at the Impe ...
and
Fyodor Bruni Fedele Giovanni Baroffi Bruni,. russified as Fyodor Antonovich Bruni (10 June 1799 – 30 August 1875) was a List of Russian artists, Russian painter and draughtsman of Swiss Italian descent, active during the Romanticism, Romantic period, best kn ...
. That same year, his financial situation improved greatly when he was able to sell several paintings. In 1864, he was awarded a gold medal for his depiction of Hermes lulling Argus to sleep. He also began working with a collective of his fellow students and participated in icon painting projects. The following year, he was named an "Artist First Class". When the collective broke up, he joined
Ivan Kramskoi Ivan Nikolayevich Kramskoi (; – ) was a Russian Realist painter and art critic. One of the most prominent artisans during Tsar Alexander II's reign, he is remembered as co-founding member and public frontman of the Peredvizhniki movement ...
at the
Artel of Artists The St. Petersburg Artel of Artists was a cooperative association (artel) led by Russian artists during 1863–1871. It was founded in Saint Petersburg on the initiative of Ivan Kramskoi following a revolt by fourteen students in the St. Petersb ...
; a group which later formed the basis for the
Peredvizhniki Peredvizhniki (, ), often called The Wanderers or The Itinerants in English, were a group of Russian realism (arts), realist artists who formed an artists' cooperative in protest of academic restrictions; it evolved into the ''Society for Trave ...
. Later that year, he participated in one of the Artel's major exhibitions in Nizhni-Novgorod. He also began doing illustrations. Shortly after he, Kramskoi, Markov and
Bogdan Wenig Johann Gottlieb Wenig, russified as Bogdan Bogdanovich Wenig (30 July 1837 – 13 May 1872) was a Baltic German painter in the Academical style, active in Saint Petersburg Saint Petersburg, formerly known as Petrograd and later Leningrad ...
went to Moscow to paint the main dome at the
Cathedral of Christ the Saviour The Cathedral of Christ the Saviour (, ) is a Russian Orthodox Church, Russian Orthodox cathedral in Moscow, Russia, on the northern bank of the Moskva River, a few hundred metres southwest of the Kremlin. With an overall height of , it is the ...
. The result was a great success and Koshelev received separate commissions to paint the small domes. He worked from drawings made by
Pyotr Basin Pyotr Vasilievich Basin (; 1793, Saint Petersburg – 1877, Saint Petersburg) was a Russian religious, history and portrait painter during the Romantic art, Romantic period. He also served as a Professor at the Imperial Academy of Arts. Biograph ...
, whose eyesight had become too poor for him to do the work himself. As a reward for his continuing efforts, he was named an "Academician" in 1873 and a Professor in 1878. In 1880, he used some of his earnings for a study trip to Rome. Two years later, he worked on restoring the murals at
Saint Isaac's Cathedral Saint Isaac's Cathedral () is a large architectural landmark cathedral that currently functions as a museum with occasional church services in Saint Petersburg, Russia. It is dedicated to Saint Isaac of Dalmatia, a patron saint of Peter the Gre ...
, under the direction of the architect,
Maximilian Messmacher Maximilian (von) Messmacher (, ''Maximilian Yegorovich Messmacher''; 1842–1906) was a Russian architect of German ancestry. He attended the School of Painting of St. Petersburg Society for the Encouragement of Arts and thereafter the Imperial ...
. In 1894, he was one of the founders of the . From 1895 to 1899, he created sketches for the mosaics and murals in the
Church of the Savior on Blood The Church of the Savior on Spilled Blood (, ''Tserkovʹ Spasa na Krovi'') is a Russian Orthodox church in Saint Petersburg, Russia which currently functions as a secular museum and church at the same time. The structure was constructed between ...
. Around 1900, he took an extended trip to create icons at the new Cathedral of the Most Holy Trinity, Buenos Aires. During this time, he also did some teaching and served as an "Inspector" at the
Stroganov Moscow State Academy of Arts and Industry Russian State University of Design and Applied Arts (Stroganov University) () informally named Stroganovka (Строгановка) is one of the oldest Russian schools for the industrial, monumental and decorative art and design. The university i ...
as well as showing his canvases at numerous exhibitions. In 1903, he travelled to
Crimea Crimea ( ) is a peninsula in Eastern Europe, on the northern coast of the Black Sea, almost entirely surrounded by the Black Sea and the smaller Sea of Azov. The Isthmus of Perekop connects the peninsula to Kherson Oblast in mainland Ukrain ...
and, from 1911 to 1912, participated in the first meetings of the All-Russian Congress of Artists. Little is known of him after that time. Due to his close association with religious art, it may be assumed that he retired to private life when the revolutionary movements began.


Artistic heritage

Most of Koshelev's paintings and watercolours are in the Russian Museum, State Russian Museum. Early works can be found in the Tretyakov Gallery, State Tretyakov Gallery. Many of the works the artist gave to the Nizhny Novgorod, Nizhny Novgorod State Art Museum. There are separate pictures in the Donetsk, Donetsk Regional Art Museum, the Saransk, Mordovia Republican Museum of Fine Arts. The picture gallery created by the artist at the Alexandrov House in Jerusalem has been preserved. Many frescoes from the cathedral in Warsaw were taken to the Intercession Cathedral in Baranavichy, Belarus.


Selected paintings

File:Снятие с Креста.jpg, Descent from the Cross File:Кошелева Н.А. Первое число.jpg, Scene from the Life of a Bureaucrat File:Меркурий усыпляет Аргуса.jpg, Hermes Putting Argus (king of Argos), Argus to Sleep File:Утро в деревне.jpg, Morning in the Village


References


External links


Biography
@ "Russian Painting" (Russian)
Biography
@ RusArtNet (English) {{DEFAULTSORT:Koshelev, Nikolay 1840 births 1918 deaths People from Nikolsky District, Penza Oblast 19th-century painters from the Russian Empire Russian male painters 20th-century Russian painters Emigrants from the Russian Empire to Brazil 19th-century male artists from the Russian Empire 20th-century Russian male artists Academic staff of Stroganov Moscow State Academy of Arts and Industry