Nikolai Golovanov

Nikolai Semyonovich Golovanov (August 28, 1953) PAU, was a Soviet conductor and composer, who was married to the soprano Antonina Nezhdanova.

He conducted the premiere performances of a number of works, among them Nikolai Myaskovsky's Sixth Symphony in May 1924.

Golovanov held some of the highest musical positions in the USSR, including an extensive association with the Bolshoi Opera. In her autobiography, Galina Vishnevskaya terms him the theater's chief conductor, and tells of his dismissal from the Bolshoi and his death - which she attributed to the humiliation of the experience of losing this position. It has been reported that Golovanov's firing was the result of Stalin's displeasure at Golovanov's having tried to use a Jewish singer, Mark Reizen, in the title role of Tsar Boris Godunov in his recording of Mussorgsky's opera. Golovanov actually did record the opera with Reizen as Boris, but later remade Reizen's part with another Boris, Alexander Pirogov.

Golovanov's recorded output was substantial and quite individual in interpretive approach. In his discography we find all but one of the Liszt tone poems, the complete Scriabin symphonies and Piano Concerto, Tchaikovsky's First and Sixth symphonies, as well as shorter works, Beethoven's First Symphony, Violin Concerto and Triple Concerto, Rimsky-Korsakov's '' Scheherazade'' and his operas '' Sadko'' and '' Christmas Eve'', Mussorgsky's ''Boris Godunov'' and '' Pictures at an Exhibition'', Rachmaninoff's Second and Third symphonies, the opera '' Aleko'' and other compositions, Glazunov's Fifth, Sixth and Seventh symphonies, and scores by Grieg, Mozart and others.

Based upon the evidence of his recordings, Golovanov's characteristic performance mode was full-blooded and nearly vehement in tone, with a powerful, almost overloaded sense of sonority, and extreme flexibility in matters of tempo, phrasing and dynamics. Others have characterised his approach as heavily controlling after the manner of Toscanini, excessively wayward in the way he often ignored the markings in the written score to suit his own inflated sense of musical importance, and generally self-indulgent in the extreme. The timing of the orchestral ensemble often suffered in trying to keep up with his inconsistent and demanding beat.

In addition to audio recordings by Golovanov, there is a film of Golovanov conducting the USSR State Symphony Orchestra in a performance of Tchaikovsky's '' 1812 Overture''. As was the practice in Soviet times, the Tsarist anthem was replaced with the chorus "Glory, Glory to you, holy Russia!" from Mikhail Glinka's '' A Life for the Tsar''. The film does not feature synchronous sound, but has short segments of Golovanov conducting.

Golovanov was also a composer; his works include the opera "Princess Yurata", a symphony and other orchestral works as well as choral music.

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{{DEFAULTSORT:Golovanov, Nikolai
1891 births
1953 deaths
Soviet classical composers
20th-century Russian conductors (music)
Russian male conductors (music)
20th-century Russian male musicians
People's Artists of the RSFSR
People's Artists of the USSR
Recipients of the Stalin Prize
Recipients of the Order of Lenin
Recipients of the Order of the Red Banner of Labour
Russian classical composers
Russian male classical composers
Russian classical musicians
Soviet composers
Soviet male composers
Soviet conductors (music)
Burials at Novodevichy Cemetery