Nelson Afonso

Nelson João Sulpicio Afonso (20 April 1934 – 18 June 1982) was an Indian singer, composer, playwright, and theatre director who worked on the Konkani stage.

Early life

Nelson João Sulpicio Afonso was born on 20 April 1934, in Vasco da Gama, Goa, which was a part of Portuguese India during the era of the Portuguese Empire (now in India). He was born into a Goan Catholic family, with his father, Manoel Adolfo Alfonso, originating from Aldona, and his mother, Evelina Idinha Cardoso e Afonso, being a homemaker. Afonso's mother possessed vocal abilities, which he inherited, and it became evident at a young age that he had a natural talent for singing. Encouraged by his neighbors, Afonso began showcasing his vocal prowess in village concerts and '' tiatrs'', a popular form of Konkani musical theater. One of his neighbors, Baptista Lobo, provided him with the opportunity to perform in these events. Although originally from Aldona, Goa, Afonso eventually settled in Vasco da Gama, Goa.

Career

Afonso embarked on his professional journey in the Konkani theater at the age of 17, marking his debut on the stage. Known for his vocal prowess, he swiftly gained popularity within local villages. It was during this time that A. S. Conception, a ''tiatrist'' residing in Afonso's neighborhood, discerned his abilities while witnessing one of his performances in a village drama. Recognizing Afonso's potential, Conception took it upon himself to introduce the budding talent to the established ''tiatrists'' of that era. Conception's efforts culminated in Afonso securing a breakthrough opportunity on the commercial ''tiatr'' stage, which facilitated his acceptance and artistic growth. Conception also took a personal interest in nurturing Afonso's development. Afonso's talents soon captured the attention of senior ''tiatrists'', who promptly cast him in their productions. Initially, he primarily portrayed female characters, exhibiting an ability to convincingly embody their essence through his attire, actions, and comedic timing. Gradually, Afonso's passion for music composition began to emerge, leading him to create a repertoire of songs. His multifaceted abilities as an actor and singer left a mark on the ''tiatr'' stage. As his career blossomed, Afonso ventured into the realm of playwriting. Crafting his own ''tiatrs'', he showcased proficiency in constructing compelling narratives. Afonso's scripts were appreciated for their thematic depth and meaningful messages.

Afonso emerged as a known figure in the world of ''tiatrs'', crafting a collection of theatrical works during his era. With a total of 27 ''tiatrs'' under his belt, Afonso covered a wide range of topics, including social issues and politics. His political ''tiatr'' titled ''Nationalist'' propelled him to fame and resonated with the Goan audience. Among Afonso's popular ''tiatrs'' are ''Doctor Salazar'', ''Ghorabo'' (Family), ''Almas do Outro Mundo'' (Souls from the Other World), ''Jikle re Jikle'' (We won, We won), ''Goenkar Te Goenkar'' (Goans are Goans), ''Suttka Uprant'' (Post Freedom), ''Dolorosa'', and ''Doganch Puro'' (Two is enough). Afonso's contributions extended beyond writing, as he played a pivotal role in shaping the ''tiatr'' landscape. Afonso established the troupe Stars of the Goa Stage, consisting primarily of young and aspiring ''tiatrists''. The troupe's name was eventually changed to Young Stars of Goa. Furthermore, during the staging of his ''tiatr Asro'', Afonso formed his own group, known as the Old and Gold Stars of Goa. This group comprised both seasoned and emerging ''tiatrists''. Afonso had a particular focus on composing songs. Initially, he composed duets and performed alongside artists such as Anthony, Conception, and Champion Peter. Subsequently, Afonso formed a trio with Conception and Anthony, specializing in politically charged songs. These compositions gained popularity for their outspoken commentary on issues like corruption. While the songs exhibited a satirical and critical tone, they maintained a respectful approach, avoiding any defamatory content.

The trio's success propelled them to continue performing together, placing Afonso in the forefront as the primary composer. As the demand for government criticism grew, Afonso's songwriting abilities were put to the test, as he met the audience's expectations by delivering thought-provoking compositions. Afonso's creative innovation extended to the realm of stage design. In 1968, he made history by introducing the first single revolving stage in Konkani ''tiatr'' with his popular production, ''Dolorosa''. This stage design, named the "ring and roll", featured a kitchen hall on one side and a road scene on the other. The stage's unique fabrication by Afonso allowed for seamless transitions between sets, eliminating the need for frequent set changes. By situating the two sets opposite each other, Afonso enabled a swift rotation of the stage, presenting the second set to the audience after the completion of the first. Over the course of his career, Afonso composed and performed over 100 songs. Songs like "Nak Chepta," "Knockout," and "Gaddo" gained popularity. Additionally, he participated in more than 500 ''tiatr'' performances, spanning across his own productions and collaborative endeavors. Afonso's talent led him to tour various regions, including Bombay, Goa, and East Africa.

Personal life

On 24 May 1958, Afonso married the homemaker Maria do Rosario Dias (later known as Maria Rosada Dias) at Mormugão Church. Their son, Tomas "Tommy" Afonso, known professionally as Jr. Nelson, is a singer on the Konkani stage. On 18 June 1982, Afonso died at MPT Hospital in Vasco da Gama, Goa, at the age of 48.

Selected stage works

Select discography

*''Nak Chepta''
*''Knockout''
*''Gaddo''

Trios (with Conception & Anthony)

*''Separate State''
*''Apar''
*''Votam''
*''Brazil''

References

{{DEFAULTSORT:Afonso, Nelson
1934 births
1982 deaths
Goan people
Tiatrists
Musicians from South Goa district
Konkani-language singers