Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telugu and Sanskrit. Some of his most popular kritis include ''
Broche varevaru ra
Broche varevaru ra is a popular Telugu language, Telugu composition by Mysore Vasudevachar in the Khamas (raga), Kamas Raga of Carnatic music.
Lyrics and meaning
The transliteration and meaning in English are given below
See also
...
'' in
Khamas
Khamas ( fa, خماس, also Romanized as Khamās and Khammās) is a village in Shoaybiyeh-ye Gharbi Rural District, Shadravan District, Shushtar County, Khuzestan Province, Iran
Iran, officially the Islamic Republic of Iran, and ...
raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...
, ''Devadideva'' in
Sunadavinodini
Sunadavinodini is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the sev ...
, ''Mamavatu Sri Saraswati'' in
Hindolam, ''Shankari Ninne'' in
Pantuvarali
Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical mus ...
, ''Bhajare Re Manasa'' in
Abheri
Abheri (pronounced ābhēri) is a raga in Carnatic music (musical scale of South Indian classical music). It is a ''Janya'' raga (derived scale), whose ''Melakarta'' raga (parent, also known as ''janaka'') is ''Kharaharapriya'', 22nd in the 72 ' ...
and ''Ra Ra Rajeevalochana Rama'' in
Mohanam.
He was a recipient of the civilian honour of the
Padma Bhushan.
He is credited with two writings in Kannada, one of them an autobiography called ''Nenapugalu'' (memories) and ''Na Kanda Kalavidaru'' (the musicians I have met) in which he wrote the biographies of many well known musicians. Mysore Vasudevachar also taught in
Rukmini Devi
Rukmini Devi Arundale (née Shastri; 29 February 1904 – 24 February 1986)Sharma, Shoba and Gangadean, Ashok (January 31, 2004 Naatya.org. Retrieved on 10 December 2018. was an Indian theosophist, dancer and choreographer of the Indian cl ...
's
Kalakshetra
Kalakshetra Foundation, formerly simply Kalakshetra, is an arts and cultural academy dedicated to the preservation of traditional values in Indian art and crafts, especially in the field of Bharatanatyam dance and Gandharvaveda music. Based in ...
, (founded in 1936). He was already quite old by then, but thanks to Rukmini Devi he agreed to shift to Kalakshetra. He became the chief musician in Kalakshetra and helped in setting the Ramayana to music. He died in 1961 at the age of 96. He lived a simple and austere life devoted to the study of Sanskrit and music.
S. Rajaram, his grandson worked at Kalakshetra eventually taking charge of the institution at Rukmini Devi's request. Vasudevachar had composed the music for only the first four kandas and it was left to Rajaram to finish the work. An accomplished musician and Sanskrit scholar, he was amongst the few musicians, the sole repository of Vasudevacharya's compositions. S. Krishnamurthy (1922–2015), his other grandson worked at
All India Radio and translated his Vasudevachar's memoirs into English. He has also published a memoir of his own.
Early life
Vasudevacharya was born in an orthodox
Madhwa Brahmin family in Mysore and started learning music from Veena Padmanabhiah, the chief musician of the Mysore court. He also mastered Sanskrit and allied fields such as Kavya, Vyakarana, Nataka, Alankaram, Tarka, Itihasa, Purana having studied at the Maharaja Sanskrit college in Mysore while learning music privately.
He then went on to learn from the famous composer-musician
Patnam Subramania Iyer
Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions.
Subramaniya Iyer was bor ...
supported by the Maharaja's generous stipend and imbibed the music of not only his Guru but also other great maestros of the Thanjavur-Cauvery delta. Vasudevachar eventually became the chief court musician (Asthana Vidwan) at the Mysore court. He was known for his madhyama-kala tanam singing which he learnt from his Guru. Patnam Subramania Iyer often requested his sishya "Vasu" to help him with the sahitya (lyric) aspects of his compositions. This aspect of his training undoubtedly helped Vasudevacharya as a composer. He was adept in all the aspects of Carnatic music especially Raga Alapana, Thanam, Pallavi, Niraval, and Kalpana swaram.
Career
He published a large number of his compositions in the book ''Vasudeva Kirtana Manjari''. His compositions in Telugu have such sweetness and lilt, and beautifully blend with the tune of the raga as do the Sanskrit compositions, which are mellifluous. His songs reflect his mastery of Sanskrit and show his erudition and scholarship in Sanskrit literature. He considered his insight into Telugu as a gift from Thyagaraja (Thyagaraja's bhiksha). Unlike the Dasa kuta songs, his compositions don't have any Dvaita undertones but many have the words "Paramapurusha Vasudeva" or "Vasudeva" which means the supreme Vasudeva/Lord
Vishnu which incidentally is also his mudra or signature.
True to his Vaishnava heritage and the Thyagaraja shishya parampara to which he belonged, most of his compositions are in praise of Lord Rama. In addition to
Kritis
''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means C ...
and Keertanas, he also composed
Varnams,
Thillanas, Javalis and
slokas
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is ...
. His admiration for the trinity of Carnatic music specially
Thyagaraja resulted in ''Srimadadi Thyagaraja Guruvaram'' in
Kalyani Kalyani may refer to:
Film and television
* ''Kalyani'' (1940 film), a Hindi film
* ''Kalyani'' (1952 film), a Tamil film
* ''Kalyani'' (1971 film), a Kannada film
* ''Kalyani'' (1979 film), a Telugu film
* ''Kalyani'' (1983 film), an Oriya ...
, ''Shri Ramachandra'' (a ragamalika) and two other ragamalikas in praise of
Muthuswami Dikshitar and
Shyama Sastri
Shyama Shastri (; 26 April 1762 – 1827) or Syama Sastri was a musician and composer of Carnatic music.
He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two.
Early life and career
Sh ...
. Vasudevachar's compositions are thus like sugar candy which gives one instant pleasure and yet lingers on in the mind and heart long after.
Compositions
References
See also
*
List of Carnatic composers
{{DEFAULTSORT:Vasudevachar, Mysore
Carnatic composers
1865 births
1961 deaths
Musicians from Mysore
20th-century Indian composers
Recipients of the Padma Bhushan in arts
19th-century Indian composers
Recipients of the Sangeet Natak Akademi Award