HOME

TheInfoList



OR:

''The Darktown Follies'' were a series of musical revues staged in
Harlem Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street on the north; Fifth Avenue on the east; and Central Park North on the south. The greater ...
at the Lafayette Theatre from 1913 through 1916. All of the revue's creators were black, and it was one of the earliest musical revues to feature an all-black cast. Most of the music and lyrics written for the various reviews were created by
J. Leubrie Hill John Leubrie Hill (died August 1916) was a composer and writer. He wrote songs and musicals. He was in '' Rufus Rastus'' (1906), '' Mr. Lode of Koal'' (1909) and ''Bandanna Land'' (1908). He wrote the musical '' Hello Paris'' with J. Rosamond Joh ...
and
Will Vodery Will Vodery (October 8, 1885 – November 18, 1951) was an American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz ...
. Hill was also a major contributor to the musical books written for the revues, along with the writer Alex C. Rogers. Part of the age leading up to the
Harlem Renaissance The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics, and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the ti ...
, the revue attracted diverse audiences from all over the city of New York. The theatre impresario Florenz Ziegfeld Jr. attended performances, and purchased some of the content of the ''Darktown Follies'' for use in his Broadway musical revue, ''
Ziegfeld Follies The ''Ziegfeld Follies'' were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as '' The Ziegfeld Foll ...
''. The first ''Darktown Follies'' revue was staged in 1913 under the title ''The Darktown Follies in 'My Friend from Kentucky' ''. This was followed by ''The Darktown Follies in 'My Friend From Dixie' '' and ''The Darktown Follies in 'Here and There' ''. The musical revues were organized into three acts. The revues were notable for popularizing several new dances. They brought the
Ballin' the Jack "Ballin' the Jack" (or sometimes "Balling the Jack") is a popular song from 1913 written by Jim Burris with music by Chris Smith. It introduced a popular dance of the same name with "Folks in Georgia's 'bout to go insane." It became a ragtime, pop ...
dance and the Texas Tommy (a predecessor of the
lindy hop The Lindy Hop is an American dance which was born in the African-American communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of ...
) to a New York City stage and its success influenced musicals that followed.


See also

*
Minstrel show The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of Afr ...
*
Coon song Coon songs were a genre of music that presented a stereotype of black people. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they we ...
*''
A Trip to Coontown ''A Trip to Coontown'' is an American musical comedy. It was performed, directed, and produced by African-Americans. It was written and performed in by Bob Cole and Billy Johnson. and debuted it New Jersey in 1897 before touring in the U.S. and i ...
'' * Broadway Rastus *
Shuffle Along ''Shuffle Along'' is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. One of the most notable all-Black hit Broadway shows, it was a landmark in African-Amer ...


References

{{Reflist 1913 musicals Musical comedy plays Revues African-American musicals Harlem Renaissance