Munnudi
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'' Munnudi '' (, ''The Preface'') is a 2000 Indian
Kannada language Kannada () is a Dravidian languages, Dravidian language spoken predominantly in the state of Karnataka in southwestern India, and spoken by a minority of the population in all neighbouring states. It has 44 million native speakers, an ...
film directed by P. Sheshadri, based on Bolwar Mahammad Kunhi's short story ''Muthucchera'', and starring Tara, H. G. Dattatreya,
Shashikumar Shashi Kumar (born 2 December 1965) is an actor and politician from Karnataka. He works predominantly in Kannada films also appeared in Telugu and Tamil films. He acted with many leading ladies in 1990s and he acted as Rajnikanth's broth ...
and Chaya Singh in pivotal roles. The film is about the misuse of
Shariat Sharia, Sharī'ah, Shari'a, or Shariah () is a body of religious law that forms a part of the Islamic tradition based on scriptures of Islam, particularly the Qur'an and hadith. In Islamic terminology ''sharīʿah'' refers to immutable, intan ...
by opportunistic men and the manipulation of the testaments on "
Nikah In Islamic law, marriage is accomplished through the marriage contract, known as a () or more specifically, the bride's acceptance of the groom's dowry (''mahr'') and the witnessing of her acceptance. The contract has rights and obligatio ...
" and " Talaaq".


Plot

Day-to-day practice of any religion goes as per the customs evolved through i find instances of "intelligent" interpretations of these very tenets by unscrupulous people to serve their own interests. One such instance is the exploitation of woman for the sheer thrill of man in a male dominated society taking advantage of the ‘custom’ of ‘marriage’ particularly when the woman is struck by ignorance, fear and poverty. "Munnudi" is a preface written by the waves of Arabian Sea on the plank of the sand. An untold pain of a woman in a pictorial parody, a mirror to an open mind. In Sheriah (Islamic Law) prostitution is deliberated as the worst crime on earth, which solicits heavy punishment to the culprit's life after death. "Munnudi" makes an attempt to discuss the misuse of ‘Sheriah’ by certain canny men, who maintain that they could elude both ‘Crime’ and ‘Punishment’ for transgression on woman by sheltering themselves beneath the testaments on ‘Nikha’ and ‘Talaaq’. Munnudi is the story of a mother of a teenaged girl who lived in a small village on the coast of Arabian Sea, who raised the first dissident cry against the barbarian act of man, the act that every folk was made to believe, that cherished the sanctity of the Holy Book. ‘Munnudi’ is the story of the first woman who burnt her silence against this ritual, wherein every woman of the village was to go to bed as temporary wife with a new alien annually, decorating herself in trousseau. Munnudi deals with this kind of gender discrimination – a crime perpetrated by man against woman in the guise of ‘marriage’. The story goes like this. Mutthuchera, a tiny seaside village, has a special attraction to Arabian traders who have been regularly coming to this village. They come in a particular ‘season’ and stay on for about three months during which they settle contracts for buying wood, spices, etc. Local traders vie with each other to woo the Arabians to their side by providing them all comforts including ‘temporary wives’. For this, they have evolved an ingenious method. They induce poor local women to agree to a ‘system’ in which they marry the Arabians and live with them as their wives in nearby posh hotels. After about three months, it is time for the Arabians to go back. They give divorce (Talaaq) before leaving. These women return to their huts and wait in silence for the next ‘season’ to become ‘new wife’ for some ‘new’ Arabian husband. These women get some good money as Meher, as a part of marriage custom every time they marry. There are other inducements as well, like visas for their kith and kin to go to Arab countries for work. There are agents who fix such marriages for a commission. Their trump card is knowledge of Arabic language. For ages, these women have accepted this system as a way of life. No one questions the ‘sanctity’ of such events as everything is done as per the ‘rules’ of marriage (Nikaah) and divorce (Talaq); ‘Meher’ and ‘Visa’ are anyway too tempting for a woman struggling for two meals. As if by exception, an Arabian who marries Rukhiya develops true love for her. Rukhiya too loves him. He does not divorce her and promises to return soon to take her back with him. Rukhiya gets a daughter (Unnisa) through this marriage. Sixteen years pass by; the Arabian does not return. But Rukhiya's love and hope are so strong that she continues to wait and wards off pressures and inducements for remarriage taking shelter under the fact that she is not divorced. Meanwhile, sensing the concern of the local youth group, a pious religious leader explains the complexities involved in Nikaah and Talaaq and advises the group to deal with the situation as a social problem. This youth group becomes a stumbling block to the local trader and the agent. But the system has to go on, as otherwise the trader suffers! So, what was going on openly takes the form of secret marriages!! As a part of his job, Hasanabba (the Agent) turns his attention to Rukhiya's daughter. Rukhiya tries to avoid her daughter falling prey to such a system. She wants to marry her off to some local boy. But it proves impossible as no one is prepared to marry a girl whose paternity is not known – not even any member of the youth group!! This stark reality and the mounting pressures of the agent and the trader compel Rukhiya to painfully agree to such a ‘marriage’ for her daughter. But the sight of the corpse (floating in the river) of another girl recently married in such a manner unshackles her pent up anguish. She bursts into the trader's mansion where the marriage proceedings are going on and stuns all the men folk by breaking the marriage of her daughter and vows to ensure that such a marriage will never take place in the village, thus taking a lead to walk away into freedom – freedom from fear and oppression. This film is based on the short story ‘Mutthuchera’ by Boluwar Mohammad Kunhi, well known for pioneering the projection of various aspects of Muslim Life in Kannada Literature. Boluwar Mohammad Kunhi has won three Sahithya Academy Awards including Fellowship. With this maiden directorial venture, P. Sheshadri, opens up a new avenue for fresh and sensitive subjects for films.


Cast

* Tara as Rukhiya * Dattatreya H.G. as Hasanabba * Shashikumar as Arab * Chaya Singh as Unnisa * Shimoga Venkatesh as Abdullah * Venkatarao M. P. as Khaji * Sudhiraj as Ubaidulla * Suresh M.N. as Adam * Nandita as Saramma * Vidyadhar as Hussain


Reception

Vashistha, the reviewer for '' Screen'' felt that director P. Sheshadri "deserves kudos for tackling and highlighting a theme which spells social commitment and which he has handled with diligence" and added that he "has worked on the human sentiments in the film and has made a thoughtful approach in its presentation". The reviewer praised H. G. Dattatreya's performance and wrote that he "outshines everyone in his dialogue delivery, mannerisms and timing."


Awards

;
48th National Film Awards The 48th National Film Awards, which was presented by Directorate of Film Festivals, was set up in by the Ministry of Information and Broadcasting, India to acknowledge the achievements of Indian Cinema released in the year of 2000 (although ...
* Best Film on Other Social Issues * Best Supporting ActorH. G. Dattatreya ;10th
Aravindan Puraskaram Aravindan Puraskaram (Aravindan Award) is an award instituted in 1991 in the memory of iconic Malayalam filmmaker G. Aravindan for the best debutant director in Indian languages. The award comprises Rs. 25,000, a memento and a citation. The award ...
* Best Debut Director — P. Sheshadri ; 2000–01 Karnataka State Film Awards * Special Film of Social Concern * Best StoryBolwar Mahammad Kunhi * Best Actor — H. G. Dattatreya * Best Costume Design (Special Award) — Anupama and Jubeda * Best Male Playback Singer — Ramesh Chandra ("Kadala Theregalu") * Best Sound Recording — Mahendran


Participation

*
International Film Festival of India The International Film Festival of India (IFFI), founded in 1952, is an annual film festival currently held in Goa, on the western coast of India. The festival aims at providing a common platform for the cinemas of the world to project the excel ...
- 2001 *6th International Film Festival of Kerala - 2001 *Flanders International Film Festival (Belgium) - 2001 *"A Look Apart" Programme - Minneapolis (USA) - 2001 *4th International Film Festival (Mumbai) - 2001 *
Palm Springs International Film Festival Palm Springs International Film Festival (sometimes stylized shortly as PSIFF) is a film festival held in Palm Springs, California. Originally promoted by Mayor Sonny Bono and then sponsored by Nortel,here for Table of Contents it started in 19 ...
– 2002


References


External links

*
Synopsis: Munnudi
{{National Film Award for Best Film on Other Social Issues 2000s Kannada-language films 2000 films 2000 drama films Indian drama films Films based on Indian novels Films scored by V. Manohar Films featuring a Best Supporting Actor National Film Award–winning performance Best Film on Other Social Issues National Film Award winners Films directed by P. Sheshadri