Muhammad Al-Qubanchi
   HOME

TheInfoList



OR:

Muhammad al-Qubanchi (), born Muhammad Abd al-Razzaq al-Ta’i () was an Iraqi
maqam Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian clas ...
singer. He was one of the pioneers in the field of
Iraqi maqam Iraqi Maqam () is a genre of Arabic maqam music found in Iraq. The roots of modern Iraqi maqam can be traced as far back as the Abbasid Caliphate (8th–13th centuries AD), when that large empire was controlled from Baghdad. The ensemble of ins ...
who modernized it, and is considered one of the most prominent maqam reciters in
Iraq Iraq, officially the Republic of Iraq, is a country in West Asia. It is bordered by Saudi Arabia to Iraq–Saudi Arabia border, the south, Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq border, the east, the Persian Gulf and ...
.


Early life

Muhammad Abd al-Razzaq al-Ta’i was born in Baghdad in 1904, and he worked with his father in the Shorja market as a crafter with his father. He was nicknamed "al-Qubanchi", a title given to someone who is skilled in weighing agricultural crops with a scale which was also his father's profession. At a young age, he was introduced to Iraqi maqam and its origins which is where his love for the genre began. He would also meet with many
Maqam Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian clas ...
lovers at the market and the Kadouri Café. At age 12, he excelled in singing maqam and other genres and also practiced theatrical acting.


Career

Al-Qubanchi first considered becoming a grain merchant but decided to depend on singing for his livelihood, and in order to maintain his social position and financial sufficiency. by his 20s, he mastered the Iraqi Maqam and attended the Cairo Congress of Arab Music in 1932 as the leader of the Iraqi delegation in the presence of
King Fuad I Fuad I ( ''Fu’ād al-Awwal''; 26 March 1868 – 28 April 1936) was the Sultan and later King of Egypt and the Sudan. The ninth ruler of Egypt and Sudan from the Muhammad Ali dynasty, he became Sultan in 1917, succeeding his elder brother Huss ...
of
Egypt Egypt ( , ), officially the Arab Republic of Egypt, is a country spanning the Northeast Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via the Sinai Peninsula. It is bordered by the Mediterranean Sea to northe ...
. He competed with the artist
Umm Kulthum Umm Kulthum (; 31 December 1898 – 3 February 1975) was an Egyptians, Egyptian singer and film actress active from the 1920s to the 1970s. She was given the honorific title (). Immensely popular throughout the Middle East and beyond, Umm Kul ...
and the artist
Mohammed Abdel Wahab Mohamed Abdel Wahab (), also transliterated ''Mehammad Abdelwehab'', (March 13, 1902 – May 4, 1991), was a prominent 20th-century Egyptian singer, actor, and composer. He is best known for his Romantic and Egyptian patriotic songs. He ...
.https://www.arabicmagazine.net/Arabic/ArticleDetails.aspx?id=8455 Reportedly,
Ahmed Shawqi Ahmed Shawqi (, , ; 1868–1932), nicknamed the Prince of Poets ( ''Amīr al-Shu‘arā’''), was an Egyptian poet laureate, linguist, and one of the most famous Arabic literary writers of the modern era in the Arab World. Life Shawqi was b ...
met with al-Qubanchi and told him "This is a great heritage, and you are a great Iraqi artist." Al-Qubanchi's renewal of the performance of the Iraqi Maqam is considered a major shift in the course of Iraqi music, and he was able, despite his opponents from the supporters of the older styles, to create a school of maqam with clear features, and his students were able to preserve it until it became his ideal method for readers. His teachings became dominant in the performance of the maqam and among his students were the artists Yousuf Omar,
Nazem al-Ghazali Nazem al-Ghazali (, given name also spelled ''Nazim'', ''Nadhim'', ''Nadhem'' or ''Nathem''; 1921 – 23 October 1963) was an Iraqi singer, considered one of the most important figures in Iraqi music. Life Nazem al-Ghazali was born in the Hayda ...
and Abd al-Rahman Khader. Among his most important achievements is his employment of Arab lyrical colors, such as
Muwashahat ''Muwashshah'' ( ' ' girdled'; plural '; also ' 'girdling,' pl. ') is a strophic poetic form that developed in al-Andalus in the late 10th and early 11th centuries. The ', embodying the Iberian rhyme revolution, was the major Andalusi innov ...
, Groans,
Mawwal In Arabic Music, the ''mawwāl'' (; plural: ''mawāwīl'', ) is a traditional and popular Arabic genre of vocal music that is very slow in beat and sentimental in nature, and is characterised by prolonging vowel syllables, emotional vocals, and ...
, and the Egyptian Dawr, and their combination with the Iraqi Maqam with the aim of making the Maqam familiar in the Arab countries.


Later life

On May 28, 1969, al-Qubanchi announced his retirement and moved to al-Karkh district where he used his money to build a mosque, he had seen in a dream. He also became its first preacher in 1977. On the evening of April 2, 1989, he passed away in Ibn al-Bitar Hospital and was buried in the mosque he built.


Al-Qubanchi Mosque

Al-Qubanchi Mosque () is a mosque built by Muhammad al-Qubanchi with his own money, located in the Karkh District. Al-Qubanchi had originally commissioned a designer to design him a special house for him after retirement but, reportedly, one night he heard "O' Muhammad, this is a place for prayer, not for sleep" in his sleep. He then woke up and scrapped his ideas for his house and converted them into a mosque. The mosque built at his own expense and opened it in 1977 in the presence of the Minister of Awqaf at the time. He was also its first preacher and
muezzin The muezzin (; ), also spelled mu'azzin, is the person who proclaims the call to the daily prayer ( ṣalāt) five times a day ( Fajr prayer, Zuhr prayer, Asr prayer, Maghrib prayer and Isha prayer) at a mosque from the minaret. The muezzin ...
and care of the mosque himself, and he used to pray in it every Friday.


Legacy

The Hungarian composer and pianist
Béla Bartók Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hunga ...
wrote about al-Qubanchi when he visited the Cairo Congress of Arab Music "No Arab artist, other than the rural colors or the color of the city, presented a great performance filled with all the elements of drama, and I can even say that the Iraqi performer rose to the peak level in musical performance."


See also

*
Iraqi maqam Iraqi Maqam () is a genre of Arabic maqam music found in Iraq. The roots of modern Iraqi maqam can be traced as far back as the Abbasid Caliphate (8th–13th centuries AD), when that large empire was controlled from Baghdad. The ensemble of ins ...


References

{{reflist 1904 births 1989 deaths 20th-century Iraqi male singers Musicians from Baghdad