''Morocco Bound'' is a
farcical English
Edwardian musical comedy
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the Am ...
in two acts by
Arthur Branscombe
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more wi ...
, with music by
F. Osmond Carr and lyrics by
Adrian Ross
Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. ...
. It opened at the
Shaftesbury Theatre
The Shaftesbury Theatre is a West End theatre, located on Shaftesbury Avenue, in the London Borough of Camden. Opened in 1911 as the New Prince's Theatre, it was the last theatre to be built in Shaftesbury Avenue.
History
The theatre was d ...
in London, on 13 April 1893, under the management of Fred J. Harris, and transferred to the
Trafalgar Square Theatre on 8 January 1894, running for a total of 295 performances. A young
George Grossmith, Jr. was in the cast (where he made the most of the small role of Sir Percy Pimpleton by adding ad-libs), as was
Letty Lind
Letitia Elizabeth Rudge (21 December 1861 – 27 August 1923), known professionally as Letty Lind, was an English actress, singer, dancer and acrobat, best known for her work in burlesque at the Gaiety Theatre, and in musical theatre at Daly's ...
.
Harry Grattan and
Richard Temple later joined the cast.
This musical opened in the same year as
Gilbert and Sullivan
Gilbert and Sullivan was a Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which '' H.M.S. ...
's ''
Utopia, Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a ...
'' and shared a number of features with that opera, including a distant, exotic locale, and both presented British archetypes as exemplars.
William Hicks thesis
/ref> ''Morocco Bound'' crystallized the music-hall influenced "variety musical" form and was more representative than ''Utopia'' of the prevailing taste of London theatre audiences, which was turning away from comic opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue.
Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a n ...
.
Roles
*Spoofah Bey (An Irish Con-Man) - Mr. John L. Shine
*Squire Higgins (One Of The Nouveau-Riche) - Charles Danby
*Vivian Higgins (The Squire's Eldest Son) - Sydney Barraclough
*Dolly Higgins (Another Of The Squire's Sons) - Alfred C. Seymour
*Josiah Higgins (The Squire's Brother) - Herbert Sparling
*Lord Percy Pimpleton - George Grossmith Jr.
*Sid Fakah (Moroccan Grand Vizier) - Colin Coop
*Musket (A Servant) - Douglas Munro
*Maude Sportington (Dolly's Girl-Friend) - Letty Lind
Letitia Elizabeth Rudge (21 December 1861 – 27 August 1923), known professionally as Letty Lind, was an English actress, singer, dancer and acrobat, best known for her work in burlesque at the Gaiety Theatre, and in musical theatre at Daly's ...
*Ethel Sportington (Vivian's Girl-Friend) - Violet Cameron
Violet Lydia Thompson (7 December 1862 – 25 October 1919), known professionally as Violet Cameron, was an English actress and singer who gained fame in Robert Planquette's operettas '' Les cloches de Corneville'' and '' Rip Van Winkle'', an ...
*Comtesse De La Blague (Spoofah's Sister, A Phoney "Countess") - Jennie McNulty
*Lady Walkover (Maude's Friend) - Agnes Hewitt
*Rhea Porter (A Lady Journalist) - Marie Studholme
*Eva Sketchley - Eva Westlake
*Hilda Adlette - Ruby Temple
Synopsis
An Irish adventurer enlists the help of a retired costermonger
A costermonger, coster, or costard is a street seller of fruit and vegetables in British towns. The term is derived from the words '' costard'' (a medieval variety of apple) and ''monger'' (seller), and later came to be used to describe hawkers ...
and an assortment of British characters to travel to Morocco
Morocco (),, ) officially the Kingdom of Morocco, is the westernmost country in the Maghreb region of North Africa. It overlooks the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria ...
, where the Irishman had hopes of winning the right to sell theatre concessions. Once there, he fools the local Vizier into believing that his companions are representatives of "the flower of the British music hall" and eventually secures his business venture.
Musical numbers
;Act I - Mokeleigh Hall, an English stately home
*No. 1 - Opening Chorus - "England is diversified by eligible mansions..."
*No. 2 - Song - Musket - "I've serv'd the boards of 'aughty lords..." (three verses)
*No. 3 - Duet - Maude & Lady Walkover - "The latest social appetite, of course, you know..."
*No. 4 - Song - Ethel - "When maidens fair in days of old..."
*No. 5 - Song - Spoofah - "If I had cash to cut a dash, I'd run as straight as any..."
*No. 6 - Duet - Comtesse & Spoofah - "In pastoral seclusion how happily we'll fare..."
*No. 7 - Chorus - "Hurrah, hurrah, hurrah, hurrah for the Squire..."
*No. 8 - Song - Squire ("Honesty Jim") - "I never 'ad friends for to foster, or give me a show at a stall..."
*No. 9 - Chorus and Solos - Vivian & Squire - "Gladly greet our future master, welcome home our coming lord..."
*No. 10 - Song - Ethel - "If I were a royal lady, and he were of low degree..."
*No. 11 - Trio and Dance - Spoofah, Squire & Josiah - "The thought of ev'ry Englishman, who's not a Laboucherian..."
*No. 12 - Song - Vivian - "Stars come out in the skies that darken, silent above..."
*No. 13 - Pas Seul
*No. 14 - Duet - Ethel & Vivian - "There's a word, or possibly two..."
*No. 15 - Song - Spoofah & Chorus - "I have stay'd for a time at each palace sublime..."
*No. 16 - Finale Act I - "I'll tell you what I'll do..."
;Act II - The Palace of Spoofah Beh in Old Tangier, Morocco
*No. 1 - Opening Chorus Act II - "Fareshah! Fareshah! Fareshah! Mareshah! Chareshah oum!..."
*No. 2 - Song - Vizier, with Chorus - "I am the very Grand Vizier, to all the land extremely dear..."
*No. 2a - "Morocco Boot" - Grotesque Exit
*No. 3 - Scene and Song - Squire, with Chorus - "My lord, it comes..."
*No. 4 - Song - Vivian - "Light of love that only made my life so bright..."
*No. 5 - Chorus - "Once more we have the leave to enter in procession..."
*No. 6 - Song - Maude and Chorus - "I'm the queen of merry Monaco, known to all the visitors who go..."
*No. 7 - Drinking Song (singer unspecified) - "Oh, morning bids the hunter wake and blow the merry horn..."
*No. 8 - Song - Spoofah and Chorus - "I will tell you all that happen'd to the plan..."
*No. 9 - Cymbal Dance - Pas Seul
*No. 10 - Duet - Squire and Spoofah - "If you go to a swell Music Hall..."
*No. 11 - Concerted Piece - Finale - The Red Morocco Boot - "If you should ask for our advice..."
{{col-end
References
External links
Midi files, lyrics and opening cast list
Discusses the musical as compared with ''The Nautch Girl
'' and ''Utopia, Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a ...
'']
Information about London productions that opened in 1893
1893 musicals
West End musicals
British musicals