Mirza Kadym Irevani was a
ornamentalist artist and
portrait
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better r ...
ist, whose work mostly consisted of typical
Persian miniature
A Persian miniature (Persian language, Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ...
s and
lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity.
Asian lacquerware, which may be c ...
s.
Mirza Kadym Irevani is famous for his drawings and miniature paintings. In the 1850s, he was commissioned by the
Russians
Russians ( ) are an East Slavs, East Slavic ethnic group native to Eastern Europe. Their mother tongue is Russian language, Russian, the most spoken Slavic languages, Slavic language. The majority of Russians adhere to Eastern Orthodox Church ...
to repaint the interior of the Erivan Sardar's Palace, which had originally been painted by a
Persian artist in 1815. He also painted 4 big (1 м X 2 м) portraits for the Sardar's Palace.
[Эривани / Под ред. Б. В. Иогансона. — Искусство стран и народов мира (краткая художественная энциклопедия): Советская энциклопедия, 1962. — P. 61. ] Mirza Kadym Erivani's works are kept in the
National Art Museum of Azerbaijan, the
Art Museum of Georgia, and the
Hermitage.
Biography
Of
Azerbaijani stock, Mirza Kadym Irevani was born in 1825, in the city of
Erivan in
Qajar Iran
The Guarded Domains of Iran, alternatively the Sublime State of Iran and commonly called Qajar Iran, Qajar Persia or the Qajar Empire, was the Iranian state under the rule of the Qajar dynasty, which was of Turkic peoples, Turkic origin,Cyrus G ...
during the tenure of the last Iranian governor of the Erivan Khanate,
Hossein Khan Sardar, and belonged to a "family of professional decorators". During Hossein Khan's capable governorship, Erivan prospered; the Sardar's Palace became decorated with mirrors,
stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and ...
s, and fourteen paintings.
The paintings depicted four heroes from the Iranian ''
Shahnameh
The ''Shahnameh'' (, ), also transliterated ''Shahnama'', is a long epic poem written by the Persian literature, Persian poet Ferdowsi between and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couple ...
'' epic, including
Rostam
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) -->
, death_place = Kabulistan
, death_cause = With the conspiracy of his half-brother Shaghad, he fell into a we ...
and
Sohrab, as well as contemporary Iranian notables; king
Fath-Ali Shah Qajar
Fath-Ali Shah Qajar (; 5 August 1772 – 24 October 1834) was the second Shah of Qajar Iran. He reigned from 17 June 1797 until his death on 24 October 1834. His reign saw the irrevocable ceding of Iran's northern territories in the Caucasus, com ...
(1797–1834),
Abbas Mirza
Abbas Mirza (; 26 August 1789 – 25 October 1833) was the Qajar dynasty, Qajar crown prince of Qajar Iran, Iran during the reign of his father Fath-Ali Shah Qajar (). As governor of the vulnerable Azerbaijan (Iran), Azerbaijan province, he played ...
, Hossein Khan Sardar, and his brother Hasan Khan Qajar. Other paintings included two hunting and battle scenes. All fourteen paintings were originally painted in 1815 by a
Persian painter named ʿAbd al-Rāziq.
At the decisive
siege of Erivan of 1827, during the
Russo-Persian War of 1826-1828, the Russian artillery gravely damaged the Sardar's Palace. After the Iranians were forced to cede Erivan to the Russians per the
Treaty of Turkmenchay
The Treaty of Turkmenchay (; ) was an agreement between Qajar Iran and the Russian Empire, which concluded the Russo-Persian War (1826–1828). It was second of the series of treaties (the first was the 1813 Treaty of Gulistan and the last, the ...
of 1828, the Erivan Sardar's palace was neglected by the Russians, and thus fell in ruins. A few decades later, in 1850, when
Orientalism
In art history, literature, and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world. Orientalist painting, particularly of the Middle ...
came in vogue, the Russians decided to rebuild the palace. The Russians commissioned Mirza Kadym Irevani to repaint the interior of the palace. Thus; "all historical figures depicted on the walls of the palace were from 30–40 years earlier than the time of Mirza Kadym Irevani".
Mirza Kadym Irevani's
oeuvre consists mostly of "typical
Persian miniature
A Persian miniature (Persian language, Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ...
s and
lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity.
Asian lacquerware, which may be c ...
s". He also created some "monumental and
easel paintings with figurative motives", but they are considered to be of lesser aesthetic quality. In relation to his oeuvre, Associate Professor Irina Koshoridze adds:
Mirza Kadym Irevani's paintings of the Sardar's Palace, as well as "a few of his oil paintings" are kept in the
National Art Museum of Azerbaijan. Some of his other works are kept in the
Hermitage in
St. Petersburg. Five paintings (Rostam, Sohrab, Fath-Ali Shah Qajar, Hossein Khan Sardar, and Hasan Khan Qajar) were moved to Georgia after the Russians demolished the Palace in 1914, and are kept in the Oriental arts department of the
Art Museum of Georgia.
Gallery
File:Portrait of young man by Irevani.jpg, "Portrait of young man". The middle of the 19th century. Baku, National Art Museum of Azerbaijan
File:Mirza Qadim Irevani. Azerbaijan. Portrait of Fatali Shah.png, Portrait of Fath-Ali Shah. Baku, National Art Museum of Azerbaijan
File:Mirzə Qədim İrəvani - Bülbül və qızılgül kolu.jpg, "Roses and Nightingales." Baku, National Art Museum of Azerbaijan
File:Portrait of sitting woman by Irevani.jpg, "Portrait of sitting woman", Tempera, 1870s, Baku, National Art Museum of Azerbaijan
Notes
References
Sources
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{{DEFAULTSORT:Irevani, Mirza Kadym
Azerbaijani portrait painters
Armenian Azerbaijanis
Artists from Yerevan
Iranian Azerbaijanis
19th-century Iranian painters
1820s births
1875 deaths
19th-century Azerbaijani painters
Iranian miniature painters