''Miles Davis at Fillmore'' is a 1970 live album by the jazz trumpeter

Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...

and band, recorded at the

Fillmore East The Fillmore East was Promoter (entertainment), rock promoter Bill Graham (promoter), Bill Graham's rock venue on Second Avenue (Manhattan), Second Avenue near 6th Street (Manhattan), East 6th Street on the Lower East Side section of Manhattan, ...

New York City New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w ...

on four consecutive days, June 17 through June 20, 1970, originally released as a double vinyl LP. The performances featured the double keyboard set-up Davis toured with for a few months, with

Keith Jarrett Keith Jarrett (born May 8, 1945) is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd (jazz musician), Charles Lloyd and Miles Davis. Since the early 1970s, he has also be ...

and

Chick Corea Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain (instrumental), Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" ...

playing

electronic organ An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the pump organ, harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has si ...

and

Fender Rhodes The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, t ...

electric piano, respectively. The group opened for

Laura Nyro Laura Nyro ( ; born Laura Nigro; October 18, 1947 – April 8, 1997) was an American songwriter and singer. She achieved critical acclaim with her own recordings, particularly the albums ''Eli and the Thirteenth Confession'' (1968) and ''Ne ...

at these performances. Compositions include, besides the standard " I Fall in Love Too Easily", tracks from his fusion studio albums ''

Bitches Brew ''Bitches Brew'' is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. I ...

'' and '' In A Silent Way''. The live performances were heavily edited by producer Teo Macero, and the results were named for the day of the week the band performed; only on the 1997 Columbia CD reissue were the compositions and composers identified and indexed. Promotional LP copies divided the sides into short individually titled pieces, but still did not identify the original compositions and composers. On March 25, 2014, the full recordings of the performances were issued as '' Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3''.

Release history

''Miles Davis at Fillmore'' was released on vinyl as a double album, with liner notes written by Morgan Ames of ''

High Fidelity High fidelity (hi-fi or, rarely, HiFi) is the high-quality reproduction of sound. It is popular with audiophiles and home audio enthusiasts. Ideally, high-fidelity equipment has inaudible noise and distortion, and a flat (neutral, uncolored) ...

'', and Mort Goode. It was released on CD in Japan in 1987, but not made available on CD in the States until 1997, when Columbia released it as one of five live albums from the same period (the others being '' Live-Evil'', '' In Concert: Live at Philharmonic Hall'', '' Dark Magus'', and '' Black Beauty: Live at the Fillmore West''). This reissue featured additional liner notes by drummer

Jack DeJohnette Jack DeJohnette (born August 9, 1942) is an American jazz drummer, pianist, and composer. Known for his extensive work as leader and sideman for musicians including Charles Lloyd (jazz musician), Charles Lloyd, Freddie Hubbard, Keith Jarrett, B ...

. Columbia aimed the release for the jazz market but also for college and alternative radio stations. Marguerite Eskridge, Davis' girlfriend at the time, appeared in the album cover's photo collage.

Critical reception

In '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981),

Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became a ...

found ''Miles Davis at Fillmore'' to be less focused than ''

'' because the music meandered "unforgivably", particularly

and

's keyboard playing on "Wednesday". He said the tracks should have been edited down together to highlight the "treasures" they each offer, including "the cool atmospherics that lead off Wednesday, the

hard bop Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospe ...

in extremis toward the end of Thursday, the way Miles blows sharply lyrical over

's rock march and

Airto Moreira Airto Guimorvan Moreira (born August 5, 1941) is a Brazilian jazz drummer, composer and percussionist. He is married to jazz singer Flora Purim, and their daughter Diana Moreira is also a singer. Coming to prominence in the late 1960s as a membe ...

's jungle sci-fi for the last few minutes of Friday, all the activity surrounding Steve Grossman's solo on Saturday". In ''

The Rolling Stone Album Guide ''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1 ...

'' (2004), J. D. Considine said ''At Fillmore'' abandoned the more lyrical music of '' Black Beauty'' in favor of "a frenzied, clangorous approach".

Track listing

1970 double LP

Columbia – G 30038, C 30241, C 30242:

1997 CD Reissue

Columbia – C2K 65139:

Personnel

Musicians *

–

trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...

with Harmon mute * Steve Grossman –

tenor saxophone The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (whi ...

soprano saxophone The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone (or rarely, slightly small ...

–

electric piano An electric piano is a musical instrument that has a piano-style musical keyboard, where sound is produced by means of mechanical hammers striking metal strings or reeds or wire tines, which leads to vibrations which are then converted into ele ...

with delay/ fuzz pedals and ring modulator *

– Fender Contempo Organ with delay/fuzz pedals +

tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, thoug ...

* Dave Holland –

electric bass guitar The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an Electric guitar, electric but with a longer nec ...

with wah-wah pedal *

–

drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, c ...

– cuica,

transverse flute A transverse flute or side-blown flute is a flute which is held horizontally when played.Powell, A. (2001). Transverse flute. Grove Music Online. Retrieved 6 Feb. 2024 The player blows across the embouchure hole, in a direction perpendicular to ...

whistle A whistle is a musical instrument which produces sound from a stream of gas, most commonly air. It is a type of Fipple, fipple flute, and may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a s ...

kazoo The kazoo is a musical instrument that adds a ''buzzing'' timbral quality to a player's voice when the player vocalizes into it. It is a type of '' mirliton'' (itself a membranophone), one of a class of instruments that modify the player's v ...

shakers The United Society of Believers in Christ's Second Appearing, more commonly known as the Shakers, are a Millenarianism, millenarian Restorationism, restorationist Christianity, Christian sect founded in England and then organized in the Unit ...

, bells, woodblock,

Production * Teo Macero – producer * Stan Tonkel – recording engineer * Russ Payne – mixing engineer * Nick Fasciano – original cover design * Jim Marshall – cover photography * Don Hunstein – original liner photography

References

Bibliography

* *

External links

*
"Miles Davis's '70s: The Excitement! The Terror!"
by

{{Authority control 1970 live albums Albums produced by Teo Macero Columbia Records live albums Legacy Recordings live albums Albums recorded at the Fillmore East Miles Davis live albums Jazz-rock albums