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Mikhail Naumovich Epstein (also
transliterated Transliteration is a type of conversion of a text from one writing system, script to another that involves swapping Letter (alphabet), letters (thus ''wikt:trans-#Prefix, trans-'' + ''wikt:littera#Latin, liter-'') in predictable ways, such as ...
Epshtein; ; born 21 April 1950) is a
Russian-American Russian Americans are Americans of full or partial Russian ancestry. The term can apply to recent Russian immigrants to the United States, as well as to those that settled in the 19th-century Russian possessions in what is now Alaska. Russia ...
literary scholar, essayist, and cultural theorist best known for his contributions to the study of Russian postmodernism. He is the Emeritus S. C. Dobbs Professor of Cultural Theory and Russian Literature at
Emory University Emory University is a private university, private research university in Atlanta, Georgia, United States. It was founded in 1836 as Emory College by the Methodist Episcopal Church and named in honor of Methodist bishop John Emory. Its main campu ...
,
Atlanta Atlanta ( ) is the List of capitals in the United States, capital and List of municipalities in Georgia (U.S. state), most populous city in the U.S. state of Georgia (U.S. state), Georgia. It is the county seat, seat of Fulton County, Georg ...
, Georgia. His writings encompass Russian literature and intellectual history, the philosophy of religion, the creation of new ideas in the age of electronic media, semiotics, and interdisciplinary approaches in the humanities. His works have been translated into over 26 languages. The Modern Language Association of America awarded Epstein th
Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures
for his book ''Ideas Against Ideocracy: Non-Marxist Thought of the Late Soviet Period (1953–1991)'' on 6 December 2023.


Biography

Mikhail Naumovich Epstein was born April 21, 1950 in Moscow, USSR, the only child of Naum Moiseevich Epstein, an accountant, and Maria Samuilovna Lifshits, an economist at Transport Publishing House. He graduated from the Department of Philology at Moscow State University in 1972 with a degree in Russian and spent the next six years as a researcher at the Department of Theoretical Problems, World Literature Institute of the Academy of Sciences of the USSR. In 1978, he joined the
Union of Soviet Writers The Union of Soviet Writers, USSR Union of Writers, or Soviet Union of Writers () was a creative union of professional writers in the Soviet Union. It was founded in 1934 on the initiative of the Central Committee of the Communist Party (1932) a ...
. Epstein also began to explore Moscow's underground poetry and art scene of the 1970s, developing a lifelong interest in
conceptualism In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical ...
metarealism, and the cross-cultural interplay of ideas. Throughout the 1980s, Epstein actively engaged with Moscow's intellectual life. He founded the Essayists' Club in 1982. In 1986, as President
Mikhail Gorbachev Mikhail Sergeyevich Gorbachev (2 March 1931 – 30 August 2022) was a Soviet and Russian politician who served as the last leader of the Soviet Union from 1985 to dissolution of the Soviet Union, the country's dissolution in 1991. He served a ...
's policy of
Glasnost ''Glasnost'' ( ; , ) is a concept relating to openness and transparency. It has several general and specific meanings, including a policy of maximum openness in the activities of state institutions and freedom of information and the inadmissi ...
permitted more open questioning of Soviet cultural orthodoxies, Epstein established the Image and Thought association, which later gave rise to the Bank of New Ideas and Terms and the Laboratory of Contemporary Culture groups in Moscow. He was awarded the St. Petersburg-based Andrei Bely Prize for Research in the Humanities in 1991. In 1990, Epstein emigrated to the United States, where he spent a semester teaching at
Wesleyan University Wesleyan University ( ) is a Private university, private liberal arts college, liberal arts university in Middletown, Connecticut, United States. It was founded in 1831 as a Men's colleges in the United States, men's college under the Methodi ...
in Middletown, Connecticut, before joining the faculty of th
Russian and East Asian Languages and Cultures Department
at Emory University in Atlanta, Georgia. Almost immediately, he received a year-long fellowship at the
Woodrow Wilson International Center for Scholars The Woodrow Wilson International Center for Scholars (WWICS) or Wilson Center is a Washington, D.C.–based think tank A think tank, or public policy institute, is a research institute that performs research and advocacy concerning topi ...
(
Washington, D.C. Washington, D.C., formally the District of Columbia and commonly known as Washington or D.C., is the capital city and federal district of the United States. The city is on the Potomac River, across from Virginia, and shares land borders with ...
) to research Soviet ideological language. Upon his return to Emory, Epstein taught a variety of graduate and undergraduate courses in subjects ranging from literary theory, semiotics, and intellectual history to 19th-and 20th-century Russian literature. From 1992-1994, Epstein researched the history of Russian thought of the late Soviet period thanks to a grant from th
National Council for Soviet and East European Research
In the second half of the 1990s, as the
World Wide Web The World Wide Web (WWW or simply the Web) is an information system that enables Content (media), content sharing over the Internet through user-friendly ways meant to appeal to users beyond Information technology, IT specialists and hobbyis ...
rapidly permeated both academic and popular culture, Epstein embraced the new medium for cross-cultural communication. His internet projects during this time include The InteLnet (Intellectual Network), 1995 "The Book of Books" (since 1998), and "The Gift of a Word: The Projective Lexicon of the Russian Language" (since 2000). InteLnet'
Bank of New Ideas
was recognized by the
Institute for Social Inventions {{short description, Think tank for improving quality of life The Institute for Social Inventions was a think tank set up in 1985 to publicise and launch good ideas for improving the quality of life. Its founder Nicholas Albery (1948–2001) sought ...
, awarding it the 1995 Creativity Social Innovations Award. From fall 1999 to the spring of 2001, and again from fall of 2003 to the spring of 2006, Epstein co-chaired the interdisciplinary Gustafson faculty seminar at Emory University. In the spring of 2011, he was appointed IAS Fellow and Prowse Fellow at Van Mildert College, Durham University Institute of Advanced Study in Durham, U.K. He remained at Durham from 2012-2015 as Professor and Founding Director of the Centre for Humanities Innovation, where he founded the Repository of New Ideas.


Research and scholarship

Epstein's research interests in the humanities include
postmodernism Postmodernism encompasses a variety of artistic, Culture, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting ...
; contemporary philosophy and theology, in particular the philosophy of culture and language; the poetics and history of Russian literature; the
semiotics Semiotics ( ) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is a ...
of everyday life, and the evolution of language.


Russian postmodernism

Epstein pioneered the study of Russian postmodernism, affirming its place in global postmodernity. In his books ''After the Future: The Paradoxes of Postmodernism and Contemporary Russian Culture'' (1995) and ''Russian Postmodernism: New Perspectives on Post-Soviet Culture'' (with Alexander Genis and Slobodanka Vladiv-Glover, 1999, 2015), he situated Russian fiction, poetry, art and spirituality of the 1970s–1990s both along the continuum of metaphysically oriented metarealism and linguistically self–reflective conceptualism, and in the context of the global postmodern literary-cultural conversation. According to Epstein, the first wave of Russian postmodernism harkened back to Soviet-era socialist realism of the 1930s-1950s, which opposed the "obsolete" aesthetic individualism of
modernism Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ...
, erased distinctions between elite and mass culture, and tried to construct a post-historical space where all the great discourses of the past could be merged and resolved. Socialist realism managed to erase semantic differences between idea and reality, the signifier and the signified. Despite these commonalities, socialist realism lacked the playful, ironically self-conscious aspect of mature postmodernism. It was not until the late 1950s and again the 1970s that Soviet artists and writers such as
Ilya Kabakov Ilya Iosifovich Kabakov (Ukrainian: Ілля Йосипович Кабаков; Russian: Илья́ Ио́сифович Кабако́в; September 30, 1933 – May 27, 2023) was an American and Soviet conceptual artist, born in Dnipropetr ...
, Vitaly Komar, Aleksandr Melamid,
Dmitri Prigov Dmitri Aleksandrovich Prigov (, 5 November 1940 in Moscow – 16 July 2007 in MoscowVsevolod Nekrasov
and others turned a distinctly postmodern, playful, ironic gaze toward the ideological simulations of socialist realism (heroic workers, collective struggle, communal apartment, the glorious communist future, etc.). Instead of denouncing Soviet ideology as a lie, Russian postmodern writers and artists viewed ideas or concepts in and of themselves as the only true substance of the Soviet way of life. Thus, Epstein presents two separate phases of Russian postmodernism: "naïve" — socialist realism, and "reflective"  —
conceptualism In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical ...
. These two Russian postmodernisms, in effect, both complement and contradict each other due to a significant historical gap. In contrast, the development of Western postmodernism was more straightforward and less complex, concentrated within a single historical period.


Transculturalism

Epstein has written and lectured extensively on culturology and its outgrowth, transculture. As a distinct field of study, culturology developed in the 1960s–1970s, in parallel to
cultural studies Cultural studies is an academic field that explores the dynamics of contemporary culture (including the politics of popular culture) and its social and historical foundations. Cultural studies researchers investigate how cultural practices rel ...
in the West and in opposition to the dominant
Marxist philosophy Marxist philosophy or Marxist theory are works in philosophy that are strongly influenced by Karl Marx's Historical materialism, materialist approach to theory, or works written by Marxists. Marxist philosophy may be broadly divided into Wester ...
of the Soviet era. Advanced from different angles by thinkers such as
Mikhail Bakhtin Mikhail Mikhailovich Bakhtin (; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian people, Russian philosopher and literary critic who worked on the phi ...
, Juri Lotman, and Sergei Averintsev, culturology investigates, describes, and links diverse cultural phenomena previously approached from separate fields such as history, philosophy, sociology, literary and art criticism. It seeks to rise above social, national, and historical distinctions, examining both "culture" as an integral whole and "cultures" as diverse, infinitely rich and intrinsically valuable sites of encoding human phenomena. Epstein built on the foundation of culturology with his conception of
transculturalism Transculturalism is defined as "seeing oneself in the other".Cuccioletta, DonaldMulticulturalism or Transculturalism: Towards a Cosmopolitan Citizenship., LONDON JOURNAL OF CANADIAN STUDIES 2001/2002 VOLUME 17, Plattsburgh State University of New Y ...
, a conscious liberation from the strictures of one's own specific, inherently incomplete culture and cultivation of a radical openness toward and dialogue with others. For Epstein, emigration provided an opportunity to study the interaction of cultures firsthand. He describes the transcultural model as distinct from both the American "melting pot", in which cultural distinctions are merged and subsumed into a national norm, and
multiculturalism Multiculturalism is the coexistence of multiple cultures. The word is used in sociology, in political philosophy, and colloquially. In sociology and everyday usage, it is usually a synonym for ''Pluralism (political theory), ethnic'' or cultura ...
, which posits pride in discrete cultural identities based on racial, ethnic, or sexual differences. According to Epstein, "Transculture is an emerging sphere where humans position themselves free from the limitations of the primary culture(s) of their home environment. The elements of transculture are freely chosen by people rather than dictated by rules and prescriptions within their given cultures." Transculture acknowledges the need to see the self in the other, allowing the multiplication of possible worlds, a boundless fluidity of discourses, values, and knowledge systems that would embrace difference rather than seek to obliterate it. This insight inspired Epstein to revisit the collective improvisation events he had conducted at the Club of Essayists and Center for Experimental Creativity in Moscow in the 1980s. Epstein held similar "collective brainstorming" events as laboratory models of transcultural activity at Bowling Green State University (1996), the international conference "The Future of the Humanities. International School of Theory in Humanities", Santiago de Compostela University (1997) and Emory University (1998-2004). These participatory improvisational sessions aimed to "explore creativity, technology, and the role of spirituality in everyday mental processes".


Minimal religion / "poor faith"

Epstein's research on post-Soviet Russian cultural and spiritual conditions brought him to the concept of "minimal religion", a phenomenon of post-atheist religiosity originating in the first country to experience 70 years of mass, state-sanctioned atheism. Apart from the significant number of Russians who turned to traditional
Russian Orthodox The Russian Orthodox Church (ROC; ;), also officially known as the Moscow Patriarchate (), is an autocephaly, autocephalous Eastern Orthodox Church, Eastern Orthodox Christian church. It has 194 dioceses inside Russia. The Primate (bishop), p ...
practice or other faiths (Judaism, Protestant Christianity, Islam, etc.) in the 1970s–1990s, roughly a quarter of Russian poll respondents profess a general belief in God that is unaffiliated with any organized church or religious doctrine. In abandoning atheism, these "minimal believers" seek to fill a spiritual void with a holistic view of God, above and beyond the historic divisions and prescriptive rituals of organized religion. However, in contrast to Western
secular humanism Secular humanism is a philosophy, belief system, or life stance that embraces human reason, logic, secular ethics, and philosophical naturalism, while specifically rejecting religious dogma, supernaturalism, and superstition as the basi ...
or
agnosticism Agnosticism is the view or belief that the existence of God, the divine, or the supernatural is either unknowable in principle or unknown in fact. (page 56 in 1967 edition) It can also mean an apathy towards such religious belief and refer t ...
, Epstein posits minimal religion in Russia as essentially theistic. His term "poor faith" refers not to inadequacy but freedom from the material trappings of traditional religions: possessions, buildings, ritual objects, and intermediaries between the individual and God.Epstein, Mikhail., Vladiv-Glover, Slobodanka., Genis, Aleksandr. Russian Postmodernism: New Perspectives on Post-Soviet Culture. United Kingdom: Berghahn Books, 1999. p. 386 The minimal believer possesses only faith in the here and now, without any institutional forms or organizations (as distinct from Protestant denominations). Furthermore, Epstein emphasizes that Soviet mass atheism was a necessary prerequisite to the rebirth of faith in the form of minimal religion. "Atheism had used the diversity of religions to argue for the relativity of religion. Consequently, the demise of atheism signaled the return to the simplest, virtually empty, and infinite form of monotheism and monofideism. If God is one, then faith must be one."


Transformative humanities

Epstein advocates for the importance of the
humanities Humanities are academic disciplines that study aspects of human society and culture, including Philosophy, certain fundamental questions asked by humans. During the Renaissance, the term "humanities" referred to the study of classical literature a ...
and their transformative potential. In a time of increasing focus on STEM (science, technology, engineering, math) subjects, Epstein's work asserts that the humanities can play a vital role in shaping the future of society: "The future-oriented humanities must not limit themselves to scholarship, but rather should seek to create their own ways to change what they study, to transform the human world." According to Epstein, an educational program uniting major fields of the humanities could be established under the acronym PILLAR: philosophy, intellectual history, language, literature, art, religion. Rather than teach the six humanistic disciplines as separate and discrete subjects, PILLAR integrates them into a cohesive learning paradigm based on real-world and future–oriented applications. As a transdisciplinary strategy complementary to STEM, PILLAR integrates not only traditional areas of the humanities but also scholarship and inventorship.Epstein, Mikhail. "A Futurist Turn in the Humanities". ''College Literature'', vol. 48 no. 3, 2021, p. 593-622. ''Project MUSE'', https://doi.org/10.1353/lit.2021.0022. Epstein envisions transformative humanities (or transhumanities) as a practical means of transforming culture, much like technology serves as a practical application of the natural sciences and politics does with the social sciences. Constructively, transhumanities might include building new intellectual communities, initiating new artistic movements, creating new modes of communication, and developing new paradigms of thought, rather than simply studying or criticizing the products of culture. In his book ''The Transformative Humanities: a Manifesto'' (2012) Epstein contends that the scholarly discipline of the humanities as it exists requires radical, innovative ideas from outside the halls of academic privilege to disrupt stale habits of thought and infuse the humanities with a "proto-global mentality". Freed from externally imposed cultural imperatives, humanities programs could expand their scope of research into areas more attuned to the techno-scientific challenges of the twenty-first century. Practical and experimental branches of newly invented fields might include "humanology" ("the ecology of humans and the anthropology of machines"); "ecophilology" (the study of the role of textual environments),  "micronics" (the study of the qualitative meaning of the smallest entities and of the miniaturization of things); and "horrorology", the study of the self-destructive mechanisms of civilization, which make it susceptible to all forms of terrorism and "horrification", including its biological and technological forms.


Possibilism, philosophy, and technology

Epstein defines the general direction of his work as the creation of multiple alternatives to the dominant sign systems and theoretical models—what he calls "possibilism". Along this path, "thinkable worlds" emerge—philosophical systems, religious and artistic movements, life orientations, new words, terms and concepts, new disciplines and forms of humanitarian research. Possibilism assumes that a thing or event acquires meaning only in the context of its possibilities—''may be'' as opposed to ''is''. The potentiality cannot be reduced to either actuality or necessity. A world consisting solely of actualities would lack meaning and significance. He proposes the discipline of potentiology as a burgeoning branch of metaphysics, one that concentrates on potentiality and complements the established branches of ontology and epistemology. Expanding his "transformative" and "possibilistic" methodology,  Epstein developed a project of "synthetic", or constructive philosophy, in contrast to the analytic tradition dominant in modern Western thought. The turning point from analysis to synthesis is the problematization of the elements identified in the analysis, their criticism, replacement, or rearrangement, leading to the construction of alternative concepts and propositions that expand the field of the thinkable and doable. This lays foundation to the synthesis of philosophy and technology,  "technosophia" (the metaphysics applied to the construction of virtual worlds). Technology of the 21st century is not merely instrumental/utilitarian, but a ''fundamental'' technology ("onto–technology"), which, thanks to science's penetration into the micro-  and macrocosm, can change the foundational parameters of being, thereby acquiring a philosophical dimension. Accordingly, philosophy as a study of the general principles of the universe becomes a prerequisite in any "world-forming", synthesizing acts of technology, including the design of computer games and multi-populated virtual worlds (e.g., "
Second Life ''Second Life'' is a multiplayer virtual world that allows people to create an Avatar (computing), avatar for themselves and then interact with other users and user-created content within a multi-user online environment. Developed for person ...
" and " Meta"), that involve a new ontology, logic, ethics, and axiology. The vocation of philosophy in the 21st century is not just to comprehend our world, but to lay the foundations for new world-forming practices, to initiate and design the ontology of possible worlds, and to pave the way for alternative forms of synthetic life and artificial intelligence. Contrary to Hegel, philosophy is no longer the "owl of Minerva" taking flight at dusk, but a skylark proclaiming the dawn of a new "technosophical" age.


Projective dictionaries and neologisms

Epstein's work is often characterized by his use of
neologisms In linguistics, a neologism (; also known as a coinage) is any newly formed word, term, or phrase that has achieved popular or institutional recognition and is becoming accepted into mainstream language. Most definitively, a word can be considered ...
and their lexical predecessors, protologisms—neologisms that have not yet been accepted as useful or substantiated additions to the vocabulary. His own term for this process of word-creation is "Lexicopeia", a literary genre that involves combining specific
morphemes A morpheme is any of the smallest meaningful constituents within a linguistic expression and particularly within a word. Many words are themselves standalone morphemes, while other words contain multiple morphemes; in linguistic terminology, this ...
into new, meaningful words for previously undefined concepts. In his ''PreDictionary'' (Atelos, 2011), Epstein explores the creative potential of neologisms the formative role played by the blank spaces in language. Applying the transformative humanities concept to linguistics, Epstein embraces a shift from analyzing existing language to synthesizing new words that in turn generate new concepts and meanings. For example, one entry in the PreDictionary is "Lexipoem"—that is, a poem consisting of a single word, or lexical unit. Epstein expanded on this philological—linguistic and philosophical—methodology in a later book, ''Proektivnyi slovar' gumanitarnykh nauk'' Projective Dictionary of the Humanities(Moscow: Novoe Literaturnoe Obozrenye, 2017; published in Russian), which brings together over 400 newly coined concepts in the humanities, philosophy, culturology, aesthetics, linguistics, religious studies, and other emerging disciplines. The dictionary contains a systematic description of the concepts and terms of the humanities, covering philosophy (including ethics and aesthetics), cultural studies, religious studies, linguistics, literary studies, as well as humanitarian approaches to nature, history, society, and technology.


History of Russian philosophy

Epstein interrogates the common perception of
Russian philosophy Russian philosophy is a collective name for the philosophical heritage of Russian thinkers. Historiography In historiography, there is no consensus regarding the origins of Russian philosophy, its periodization and its cultural significance. Th ...
as a mere reflection of Western philosophy, with few original ideas to contribute. He views Russia as a philosophical nation in a more fundamental, comprehensive sense: "Perhaps no other nation in the world asso totally surrendered its social, cultural, and even economic life to the demands of philosophical concepts." Epstein's analysis places particular emphasis on two opposing tendencies peculiar to Russian thought and evident throughout the country's history. The first tendency uses
generalization A generalization is a form of abstraction whereby common properties of specific instances are formulated as general concepts or claims. Generalizations posit the existence of a domain or set of elements, as well as one or more common characteri ...
and unification to transform social and cultural reality, leading eventually to ideocracy and
totalitarianism Totalitarianism is a political system and a form of government that prohibits opposition from political parties, disregards and outlaws the political claims of individual and group opposition to the state, and completely controls the public s ...
, while the second promotes the unsurpassable value of individuality, revealing the relativity and futility of all general ideological constructs. The first tendency, developed in the 19th century in various manifestations ("sobornost', Vladimir Solovyov's "total unity", the back-to-the-land movement, etc.), lost its inspirational force as it merged with official Soviet ideology. It began to decline in the 1950s and had almost disappeared from philosophy by the late 1980s. The second tendency (including concepts such as
personalism Personalism is an intellectual stance that emphasizes the importance of human persons. Personalism exists in many different versions, and this makes it somewhat difficult to define as a philosophical and theological movement. Friedrich Schleie ...
,
conceptualism In metaphysics, conceptualism is a theory that explains universality of particulars as conceptualized frameworks situated within the thinking mind. Intermediate between nominalism and realism, the conceptualist view approaches the metaphysical ...
,
polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chord ...
, and many others) reached the height of its influence in the post-Soviet period. Epstein argues that the contrast and interplay between these two tendencies—generalization, totalitarianism, and utopianism versus individualization, personalism, and conceptualism--define the peculiar character of Russian thought and its contribution to world philosophy. In his two-volume investigation of Russian philosophy of the late Soviet period (1950s–1980s) Epstein concludes that Russian intellectual history of the 20th century is a history of thought struggling desperately to escape the prison of an ideocratic system created by the strenuous and sacrificial efforts of thought itself. Тhe Russian 'intelligentsia', or intellectual elite, opposed 'ideocracy', the rule by ideology; yet, the intelligentsia's own thinking inadvertently gave rise to ideocracy. This self-defeating cycle of thought not only undermines its own premises but also imparts an unprecedented, paradoxical, and at times tragically sarcastic character to Russian philosophy." The second book, ''Ideas Against Ideocracy: Non-Marxist Thought of the Late Soviet Period (1953–1991)'', became the cowinner of the Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures awarded by Modern Language Association MLA, 2023).


Current war events in ''Russkii Antimir'' (Russian Antiworld) (2023)

Russia's invasion of Ukraine in February, 2022 crystalized many of Epstein's thoughts on the progression of Russian civilization. In his book ''Русский Анти-мир: Политика на Грани Апокалипсиса'' (Russian Anti-World: Politics on the Brink of Apocalypse) (2023; published in Russian), Epstein examines the war through a philosophical lens. In the book, Epstein states that the Kremlin's slogan "Russkii mir" (Russian world), referring to an ever-widening sphere of Russian territory and influence set in opposition to the decadent, "satanic" West, exemplifies a radical ideological rhetoric (including open nuclear threats) not seen even during the Soviet era. Russian politicians and propagandists idealize a mythologized "great empire" of the past (both Tsarist and Soviet) that is incompatible with the modern world. Rather than develop their own civilizational project for Russia, Vladimir Putin and his allies define the "Russian world" only as an "anti-world": a negation of the West and all it stands for. Epstein believes that in the rhetoric surrounding Russia's "special military operation" in Ukraine, the "Russian world" emerges as the antithesis to the modern world; it negates modern ideals such as peace, modern geopolitical norms such as territorial sovereignty, modern notions about the separation of church and state, international humanitarian law; it even inverts conceptual definitions of terms such as "war" and "fascism". Epstein defines the ideological framework of Russia's invasion of Ukraine as "schizofascism", or "fascism disguised as a struggle against fascism"; "an entire worldview that combines the theory of moral, ethnic or racial superiority, divine mission, imperialism, nationalism, xenophobia, aspiration to superpower, anti-capitalism, anti-democracy, anti-liberalism". The intensifying apocalyptic rhetoric of Putin's regime permeates Russian culture internally and externally. While the explicit threat of nuclear annihilation at Russia's hands hangs over the world, Russian Orthodox church leaders, as part of the state apparatus, preach apocalyptic notions that equate losing Ukraine to the "end of the world". Epstein interprets these as threats not only against the non-Russian "other" but ultimately, against the Russian people themselves, who are systematically deprived of basic freedoms, factual information, meaningful political choices, material goods, and ultimately their lives, as more and more young men are conscripted to be used as cannon fodder on the battlefield.


Bibliography


Books and monographs


In English

* ''Ideas Against Ideocracy: Non-Marxist Thought of the Late Soviet Period (1953–1991)''. New York and London: Bloomsbury Academic, 2022, 280 pp. * ''The Phoenix of Philosophy: Russian Thought of the Late Soviet Period (1953-1991)''. New York and London: Bloomsbury Academic, 2019, 312 pp.   * ''A Philosophy of the Possible: Modalities in Thought and Culture''. Translated from Russian by Vern W. McGee and Marina Eskina. Boston, Leiden et al: Brill Academic Publishers (Value Inquiry Book Series, Vol. 333), 2019, 365 pp. * ''The Irony of the Ideal: Paradoxes of Russian Literature''. Translated by A. S. Brown. Boston: Academic Studies Press, 2017, 438 pp. * (with Alexander Genis and Slobodanka Vladiv-Glover) 578 pp. * ''The Transformative Humanities: A Manifesto''. New York and London: Bloomsbury Academic, 2012, 318 pp.  * ''PreDictionary: An Exploration of Blank Spaces in Language''. San Francisco: Atelos, 2011, 155 pp. * ''Russian Spirituality and the Secularization of Culture''. New York: FrancTireur-USA, 2011, 135 pp. * ''Cries in the New Wilderness: from the Files of the Moscow Institute of Atheism''. Translation and introduction by Eve Adler. Philadelphia: Paul Dry Books, 2002, 236 pp. * ''Transcultural Experiments: Russian and American Models of Creative Communication'' (with Ellen Berry). New York:  Palgrave MacMillan, 1999, 340 pp. * ''After the Future: The Paradoxes of Postmodernism and Contemporary Russian Culture'' (a volume in the series ''Critical Perspectives on Modern Culture'', introduction and translation by Anesa Miller-Pogacar), Amherst: The University of Massachusetts Press,  1995, 392 pp. Hardcover and paperback editions. Electronic edition, Boulder, Colo.: NetLibrary, Inc., 2000. * ''Relativistic Patterns in Totalitarian Thinking: An Inquiry into the Language of Soviet Ideology''. Kennan Institute for Advanced Russian Studies, Occasional Paper, No.243. Washington: The Woodrow Wilson International Center for Scholars, 1991, 94 pp


In English and Russian

* ''Amerussia: Selected essays''. / Amerossiia. Izbrannaia esseistika. (parallel texts in English and Russian).  Moscow: Serebrianye niti,  2007, 504 pp. * ''The Constructive Potential of the Humanities''. / Konstruktivnyi potential gumanitarnykh nauk. Moscow, Russian State University of the Humanities, 2006,  74 pp.


In Russian


= Scholarly works

= * ''Pervoponiatiia: Kliuchi k kul'turnomu kodu'' (Primary Concepts: Keys to the Cultural Code). Moscow: Kolibri, Azbuka–Attikus, 2022 (July), 720 pp.  * ''Filosofskii proektivnyi slovar'. Novye terminy i poniatiya. Vypusk 2'' (Philosophical projective dictionary. New terms and concepts. Volume 2). Coeditor (with G. L. Tulchinsky), and the author of 143 entries (out of 200). St. Petersburg: Aleteia, 2020 (July), 544 pp. * ''Homo Scriptor. Sbornik statei i materialov v chest' 70–letiia Mikhaila Epshteina'' (Homo Scriptor: A Collection of Articles and Materials in Honor of Mikhail Epstein's 70th Anniversary). FESTSCHRIFT.  Compiled and edited by Mark Lipovetsky. Moscow: Novoe literaturnoe obozrenie, 2020, 688 pp.  Authored, coauthored or compiled pp. 536–669 in this edition (letters, interviews, bibliography and chronology). * ''Postmodernizm v Rossii'' (Postmodernism in Russia). St. Petersburg: Azbuka (the series "New Cultural Code"), 2019, 608 pp. * Revised and Expanded edition of ''Postmodern v russkoi literature'' (The Postmodern in Russian Literature). Moscow: Vysshaia shkola, 2005, 495 pp. * ''Budushchee gumanitarnykh nauk: Tekhnogumanizm, kreatorika, erotologiia, elektronnaia filologiia i drugie nauki XXI veka''. (The Future of the Humanities: Technohumanism, Creatorics, Erotology, Digital Philology and Other Disciplines of the XXI c.). Moscow: Ripol–klassik, 2019, 240 pp.  * ''Proektivnyi slovar' gumanitarnykh nauk'' (The Projective Dictionary of the Humanities). Moscow: Novoe literaturnoe obozrenie, 2017, 616 pp. * ''Ot znania k tvorchestvu. Kak gumanitarnye nauki mogut izmeniat' mir'' (From Knowledge to Creativity: How the Humanities Can Change the World). Moscow–St.Petersburg, izd. Tsentr gumanitarnykh initsiativ (series Humanitas), 2016, 480 pp. * ''Poeziia i sverkhpoeziia: O mnogoobrazii tvorcheskikh mirov'' (Poetry and Superpoetry: On the Variety of Creative Worlds). St. Petersburg: Azbuka (the series Cultural Code), 2016,  478 pp. * ''Ironia Ideala. Paradoksy russkoi literatury''. (The Irony of the Ideal: Paradoxes of Russian Literature). Moscow: Novoe literaturnoe obozrenie, 2015, 384 pp. * ''Religiia posle ateizma: Novye vozmozhnosti teologii'' (Religion after Atheism: New Possibilities for Theology). Moscow: AST-Press, 2013, 415 pp. * ''Slovo i molchanie. Metafizika russkoi literatury'' (Word and Silence: The Metaphysics of Russian Literature). Moscow: Vysshaia shkola, 2006, 550 pp. * ''Filosofiia tela''  (Philosophy of the Body).  St. Petersburg: Aleteia, 2006,  194 pp. * ''Znak probela: O budushchem gumanitarnykh nauk'' (Mapping Blank Spaces: On the Future of the Humanities). Moscow: Novoe literaturnoe obozrenie, 2004, 864 pp. * ''Proektivnyi filosofskii slovar'. Novye terminy i poniatiia'' (A Projective Philosophical Dictionary. New Terms and Concepts). St. Petersburg: Aleteia, 2003, 512 pp. (coeditor with G. L. Tulchinsky; author of Preface and 90 entries). * ''Filosofiia vozmozhnogo. Modal'nosti v myshlenii i kul'ture'' (The Philosophy of the Possible: The Modalities in Thought and Culture). St. Petersburg: Aleteia, 2001, 334 pp. * ''Vera i obraz. Religioznoe bessoznatel'noe v russkoi kul'ture XX veka'' (Faith and Image: The Religious Unconscious in Twentieth Century Russian Culture), Tenafly (New Jersey): Hermitage Publishers, 1994, 270 pp. * '''Priroda, mir, tainik vselennoi. . .' Sistema peizazhnykh obrazov v russkoi poezii'' ('Nature, the World, the Mystery of the Universe...': The System of Landscape Images in Russian Poetry). Moscow: Vysshaia Shkola he central university press of Russia 1990, 304 pp. * ''Stikhi i Stikhii. Priroda v russkoi poezii 18 – 20 cc''.: (Verses and Elements: Nature in Russian Poetry of the 18-20 cc.) (Second revised edition). Samara: Bakhrakh-M, 2007, 352 pp. * ''Paradoksy novizny. O literaturnom razvitii XIX-XX vekov'' (The Paradoxes of Innovation: On the Development of Literature in the 19th and 20th Centuries). Moscow: Sovetskii Pisatel', 1988, 416 pp.


= Non-fiction, essays, public scholarship

= * ''Ot Biblii do pandemii: Poisk tsennostei v mire katastrof'' (From the Bible to the Pandemic: The Search for Values in a World of Disasters). Moscow–St. Petersburg: Palmira, 2023, 378 pp. * ''Russkii Antimir: Politika na Grani Apokalipsisa'' (The Russian Anti-world: Politics on the Verge of Apocalypse). New York: FrancTireurUSA, 2023 (January), 250 pp. * ''Detskie voprosy: dialogi'' (Children's Questions: Dialogues). Moscow: ArsisBooks, 2020, 176 pp.   * ''Ottsovstvo: Opyt, chuvstvo, taina.'' (Fatherhood: Experience, Feeling, and Mystery). Moscow, Nikea, 2020, 320 pp. (third revised edition). Previous editions: ''Ottsovstvo'' (An Essay), Tenafly (New Jersey): Hermitage Publishers, 1992, 160 pp.; ''Ottsovstvo. Metafizicheskii dnevnik'' (Fatherhood. A Metaphysical Journal); second revised edition, St. Petersburg: Aletheia, 2003, 248 pp. * ''Liubov''  (Love). Moscow: Ripol Klassik, the series "Philosophy of Life", 2018,  568 pp. * ''Solo Amore: Liubov' v piati izmereniiakh'' (Solo Amore: Love in Five Dimensions), revised and expanded edition. Moscow: Eksmo, 2011, 492 pp; reprinted in two volumes March 2021 ** Vol.1. ''Eros: Mezhdu liboviu i seksual'nostiu'' (Eros: Between Love and Sexuality). Ripol Klassik, the series "Philosophy of Life", 272 pp. ** Vol.2. ''Prav li Freud? Iazyki liubvi''. (Is Freud Right? The Languages of Love) Ripol Klassik, the series "Philosophy of Life", 304 pp. * ''Entsiklopedia iunosti'' (Encyclopedia of Youth), with Sergei Iourienen. Revised and expanded edition. Moscow: Eksmo, 2017, 590 pp. ** 1st ed. New York: Franc-Tireur USA, 2009, 477 pp. *
Ot sovka k bobku
Politika na grani groteska'' (From Homo Soveticus to Dostoevsky's Bobok Character. Politics on the Edge of Grotesque). 2nd, revised and expanded edition. Kiev. Dukh i Litera, 2016, 312 pp. ** 1st ed. New York: FrancTireur-USA, 2015, 253 pp.   * ''Prosto proza'' (Simply the Prose). New York: FrancTireurUSA, 2016, 194 pp. * ''Kleikie listochki: Mysli vrazbros i vopreki''. (Sticky Leaves: Scattered Untimely Reflections). Moscow: ArsisBooks, 2014, 266 pp. * ''Katalog'' (Catalog), with Ilya Kabakov. Vologda: Library of Moscow Conceptualism published by German Titov, 2010, 344 pp. * ''Vse esse'', v 2 tt., t. 1. V Rossii, 1970-e – 1980-e;  t. 2. Iz Ameriki, 1990-e-2000-e (All Essays, or All is Essay), in 2 volumes. Ekaterinburg: U-Faktoriia, 2005 ** vol. 1. In Russia, 1970s-1980s, 544 pp.   ** vol. 2. From America, 1990s-2000s. + 704 pp.  * ''Bog detalei. Narodnaia dusha i chastnaia zhizn' v Rossii na iskhode imperii'' (A Deity of Details: The Public Soul and Private Life at the Twilight of the Russian Empire).  New York:  Slovo/Word, 1997, 248 pp. 2nd, revised and expanded edition. Moscow: LIA Elinina, 1998, 240 pp. * ''Na granitsakh kul'tur. Rossiiskoe - amerikanskoe - sovetskoe'' (On the Borders of Cultures: Russian - American - Soviet). New York, Slovo/Word, 1995, 343 pp. * ''Novoe sektantstvo: tipy religiozno-filosofskikh umonastroenii v Rossii, 1970-80-e gody'' (New Sectarianism: The Varieties of Religious-Philosophical Consciousness in Russia, the 1970s-1980s). Holyoke (Massachusetts): New England Publishing Co., 1993, 179 pp. ** 2nd edition, reprint, Moscow: Labirint, 1994, 181 pp. ** 3rd revised and expanded edition. Samara: Bakhrakh-M, 2005, 255 pp. * ''Velikaia Sov'. Filosofsko-mifologicheskii ocherk'' (Great Sov'. A Philosophical-Mythological Essay). New York: Word/Slovo, 1994, 175 pp. ** 2nd revised and expanded edition: ''Velikaia Sov'. Sovetskaia mifologiia'' (Great Owland. Soviet Mythology). Samara: Bakhrakh-M, 2006, 272 pp.  * ''Novoe v klassike. Derzhavin, Pushkin, Blok v sovremennom vospriiatii'' (The Classics Renovated: Derzhavin, Pushkin, and Blok in Contemporary Perception). Moscow: Znanie, 1982, 40 pp.


Selected translations


= German

= * ''Tagebuch für Olga. Chronik einer Vaterschaft. Aus dem Russischen von Otto Markus''. Munich: Roitman Verlag, 1990, 256 pp.


= Korean

= * ''미래 이후의 미래 - 러시아 포스트모더니즘 문학의 기원과 향방'' (After the Future: The Paradoxes of Postmodernism and Contemporary  Russian Culture). Trans. from Russian and English by Cho Jun-Rae (조준래). Seoul, Hanul Publishing Group, 2009, 878 pp.


= Greek

= * ''Ανθρωπιστικές εφευρέσεις και ηθική της μοναδικότητας'' (Humanistic Inventions and the Ethics of Uniqueness), translated by Γιώργος Πινακούλας (George Pinakoulas). Athens (Greece): Print Roes, 2017, 232 pp.


References


External links


An article on M. Epstein
in the Chronicle of Higher Education (November 2002) *Mikhail Epstein's works on the web: **In English

**In Russian

** Dagnino, Arianna. Epstein, Mikhail (2012)

London: Bloomsbury. A Review. ''Rhizomes'', Issue 28, 2015
Articles by Mikhail Epstein
in
Novaya Gazeta ''Novaya Gazeta'' (, ) is an independent Russian newspaper. It is known for its critical and investigative coverage of Russian political and social affairs, the Chechen wars, corruption among the ruling elite, and increasing authoritarianism i ...
{{DEFAULTSORT:Epstein, Mikhail 1950 births Academics of Durham University American male non-fiction writers American people of Russian-Jewish descent Emory University faculty Jewish American historians Jewish American non-fiction writers Living people 20th-century Russian philosophers 21st-century Russian philosophers Semioticians Soviet literary historians Soviet male writers Writers from Moscow Jewish Ukrainian social scientists