Media-adequacy
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Media adequacy refers to specific (i.e. media) aspects that are important for a successful transfer of information. This implies that not all information can be reproduced in an equally adequate way with every medium.


Definition

The successful transfer of information depends on various aspects. An important aspect is of course the content itself. Depending on the goal, purpose and methods, the question of whether and why an information transfer is successful can depend on a more or less successful content preparation. Further decisive factors can lie in the reception and the user's specific situation in its context (which is examined in recipient research, learner research, etc.), as well as in the social situation, which in turn depends on a variety of aspects, such as
gender Gender is the range of social, psychological, cultural, and behavioral aspects of being a man (or boy), woman (or girl), or third gender. Although gender often corresponds to sex, a transgender person may identify with a gender other tha ...
,
culture Culture ( ) is a concept that encompasses the social behavior, institutions, and Social norm, norms found in human societies, as well as the knowledge, beliefs, arts, laws, Social norm, customs, capabilities, Attitude (psychology), attitudes ...
, learning style etc. It is however often underestimated that the channel via which information is transferred can also be of decisive importance. Question then is which medium makes it possible to convey a specific content as well as possible (and which medium is more of a hindrance). In general, it can be said that not all content can be transmitted equally well with every medium. One example is the Watergate Affair, which after all led to the fall of a
US president The president of the United States (POTUS) is the head of state and head of government of the United States. The president directs the executive branch of the federal government and is the commander-in-chief of the United States Armed For ...
. It was uncovered by a daily
newspaper A newspaper is a Periodical literature, periodical publication containing written News, information about current events and is often typed in black ink with a white or gray background. Newspapers can cover a wide variety of fields such as poli ...
that is read by relatively few (though certainly influential and opinion-forming) people - but not by
television Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, ...
, which is seen by many more viewers. The main reason is that television reports are only effective if they can be illustrated; this was hardly possible in the case of television reports about an illegal wiretapping. In the newspaper, on the other hand, it was possible to describe how the information from an (anonymous, i.e. not visually known) source was verified. The medium and its production constraints thus (partly) decide whether and how content can be presented or how effective the transfer of information is.


Research topics

As a rule, the respective research is
normative Normativity is the phenomenon in human societies of designating some actions or outcomes as good, desirable, or permissible, and others as bad, undesirable, or impermissible. A Norm (philosophy), norm in this sense means a standard for evaluatin ...
and it is investigated what influences (promotes or hinders) a successful transfer of information: Only what can be realised sensibly and efficiently in a particular medium should also be realised in that medium. If the researcher's perspective is not based on the recipient or the content, but on the medium, media adequacy is the central category. Only what can be realised sensibly and efficiently in a particular medium should also be realised in that medium. The term “
medium Medium may refer to: Aircraft *Medium bomber, a class of warplane * Tecma Medium, a French hang glider design Arts, entertainment, and media Films * ''The Medium'' (1921 film), a German silent film * ''The Medium'' (1951 film), a film vers ...
” refers not only to the means of
communication Communication is commonly defined as the transmission of information. Its precise definition is disputed and there are disagreements about whether Intention, unintentional or failed transmissions are included and whether communication not onl ...
, but also to different
genre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
s. In the case of the Watergate Affair, for example, the transfer of information with the help of television was only successful in the form of secondary reporting. This did not mean, however, that visual communication is fundamentally impossible with a topic like this. The genre of the
feature film A feature film or feature-length film (often abbreviated to feature), also called a theatrical film, is a film (Film, motion picture, "movie" or simply “picture”) with a running time long enough to be considered the principal or sole present ...
was very successful and effective ("
All the President's Men ''All the President's Men'' is a 1974 non-fiction book by Carl Bernstein and Bob Woodward, two of the journalists who investigated the June 1972 break-in at the Watergate Office Building and the resultant political scandal for ''The Washingto ...
"). The question of media adequacy thus relates more to
genre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
s (in the field of print media:
text types Text types in literature form the basic styles of writing. Factual texts merely seek to inform, whereas literary texts seek to entertain or otherwise engage the reader by using creative language and imagery. There are many aspects to literary wr ...
) and not only to primary media. In addition to the constraints of production, the conditions of reception also play a role. Content on a website has a different effect when it is received on a tablet or a stationary
computer A computer is a machine that can be Computer programming, programmed to automatically Execution (computing), carry out sequences of arithmetic or logical operations (''computation''). Modern digital electronic computers can perform generic set ...
. Using one and the same content via the
Internet The Internet (or internet) is the Global network, global system of interconnected computer networks that uses the Internet protocol suite (TCP/IP) to communicate between networks and devices. It is a internetworking, network of networks ...
is more successful compared to working with the same content on a
DVD The DVD (common abbreviation for digital video disc or digital versatile disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any ki ...
. Thus, the medium is as important as other variables, for example the learner type (social learner type, introspective learner type). Another example: Icelandic singer
Björk Björk Guðmundsdóttir ( , ; born 21 November 1965), known mononymously as Björk, is an Icelandic singer, songwriter, composer, record producer, and actress. Noted for her distinct voice, three-octave vocal range, and eccentric public per ...
was the first artist to promote a music album not only with music videos but also with interactive apps; this app compilation, created by media artist Scott Snibbe, was later acquired by the
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street (Manhattan), 53rd Street between Fifth Avenue, Fifth and Sixth Avenues. MoMA's collection spans the late 19th century to the present, a ...
as the first downloadable app artwork. From an innovative and artistic point of view, this was a remarkable achievement. However, the compilation proved to be counterproductive in terms of its effect on the music to which the apps, like music videos, were intended to relate. Although music videos offer additional visual information that can distract from the music, they generally support the respective song and focus attention on the piece of music. In contrast, the interactive apps were cognitively dominant and were therefore unable to develop the effect for which they were produced. Ultimately, it is a question of complex interactions between content, medium and reception process. In contrast to, for example, content analysis or reception or learner research, the scientific study of media adequacy is relatively new. It is only since the triumph of microelectronics that not only specialists have been able to publish with their medium. Meanwhile, in many areas there is the possibility (and opportunity, but often also the compulsion) to work cross-medially, so that the question of the appropriate (media-adequate) presentation of content becomes urgent.


History, theory, observations

There are various theories about the use of media in different contexts and regarding different objectives. The approaches of Herbert Marshall McLuhan are well known, as is the " media richness theory" by Richard Daft and Robert Lengel. Daft and Lengel speak of different degrees of "media richness" depending on how much the media is absorbed: Less "rich" media are not intensive enough to attract a user's full and undisturbed attention (for example: discussion forums, chats, e-mails or other forms of textual communication). This almost inevitably leads to a certain attention deficit. The use of weak media therefore means that utilising such media requires a greater cognitive effort on the part of the user. Perhaps this is why greater self-discipline is required in the context of media-supported learning than in traditional learning situations. Relatively new, however, is the attempt to link media theory statements with studies on cognitive styles., Usually it is referred to traditional teaching, and it of course has to be taken into consideration that there are differences between information processing and learning (Rehder/Hoffmann 2005). The common factor, however, is how one takes in and processes information and might even be able to adopt to new developments, to solve problems and reaches decisions. A pioneering theoretical approach to this is, for example, the "
cognitive load theory In cognitive psychology, cognitive load is the effort being used in the working memory. According to work conducted in the field of instructional design and pedagogy, broadly, there are three types of cognitive load: * ''Intrinsic'' cognitive load ...
" that relates considerations from Robert J. Sternberg to media effects. Sternberg's "theory of mental self-government" is quite complex and therefore sometimes difficult to operationalise. It assumes that under ideal (and free) conditions learners organise the learning process in accordance with their cognitive abilities. This leads to different forms of mental representations or different codings, and thus to different forms of how to use media. All in all, it seems to be clear that a successful information transfer depends on the situation and the strategies of how content is mediatised. With some users, it might be successful in the context of interactive group processes, whilst others need quietness to concentrate. This example has been chosen because it connects cognitive styles with media effects. The former group will probably benefit significantly from discussion forums. For introspective users, on the other hand, they would more likely be a hindrance in the process of a successful information transfer. Another example: it has also long been known that some - not all - learners learn best by observing. Obviously, mirror neurons become active when they see corresponding efforts by other learners, so that their self-motivation and ultimately their learning success increases. Here it can be assumed that examples from the media (such as television programmes) can also have a positive effect. Conversely, other learners must have their own experiences in order to store and process information successfully. Mediated communication therefore means a limitation for them; on the other hand, it could be that users with individual concepts for learning have an advantage through and in online learning environments - at least compared to the 'observant learner type'. Furthermore, different cognitive styles require a different density and volume of information in order to ultimately benefit from information transfer efforts in the context of meta cognitive processes. Perhaps this explains the findings of Baruch and Nicholson, who observed that learners with a high tendency to avoid uncertainty - i.e. who have only a low willingness to take risks - tend to feel uncomfortable with self-learning media. There are also parallels to another observation described above: Since online media increase the degree of ambiguity both in terms of tasks and expectations of the respective user, users with a lower tolerance of uncertainty avoidance are disadvantaged, while users with a higher degree of uncertainty avoidance can even generate further advantages. In assessing whether the use is meaningful at all, the observation that a media-supported information transfer is fundamentally more time-intensive than traditional learning also seems significant.Giessen, H W (2015). Media-Based Learning Methodology: Stories, Games, and Emotions. In: Ally, M & Khan, B H, The International Handbook of E-Learning. London: Routledge, 43–54. Accordingly, it is important to use media-supported learning materials in such a way that the added value in terms of content is correspondingly high and the majority of learners benefit from it. There are other variables whose effects for a successful information transfer by now have been little or not at all investigated, at least not from a media perspective (such as
gender Gender is the range of social, psychological, cultural, and behavioral aspects of being a man (or boy), woman (or girl), or third gender. Although gender often corresponds to sex, a transgender person may identify with a gender other tha ...
, the cultural imprint of the media user, etc.). Summarising, it is desirable to know whether and how a media-supported information transfer can be established sensibly and efficiently. However, it is questionable whether a system can be developed that links content, user type and medium, since the mentioned variables and their interactions already give rise to too many different situations, not least since technical developments are constantly changing the media and their effects.


References

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