Mbube (genre)
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Mbube is a form of South African vocal music, made famous by the South African group
Ladysmith Black Mambazo Ladysmith Black Mambazo are a South African male choral group singing in the local vocal styles of ''isicathamiya'' and ''mbube (genre), mbube''. They became known internationally after singing with American Paul Simon on his 1986 album ''Grace ...
. The word ''mbube'' means "
Lion The lion (''Panthera leo'') is a large Felidae, cat of the genus ''Panthera'', native to Sub-Saharan Africa and India. It has a muscular, broad-chested body (biology), body; a short, rounded head; round ears; and a dark, hairy tuft at the ...
" in Zulu. Traditionally performed ''
acappella Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Rena ...
'', the members of the group are male, although a few groups have a female singer. In this form, groups of voices singing homophonically in rhythmic unison are employed to create intricate harmonies and textures.


Background

In Johannesburg,
Solomon Linda Solomon Popoli Linda OIG (19098 September 1962), also known as Solomon Ntsele ("Linda" was his clan name),Gilmore, Inigo"Penniless sisters fight record industry over father's hit song" ''The Telegraph'' (UK), 11 June 2000. was a South African ...
, a man from
Natal NATAL or Natal may refer to: Places * Natal, Rio Grande do Norte, a city in Brazil * Natal, South Africa (disambiguation), a region in South Africa ** Natalia Republic, a former country (1839–1843) ** Colony of Natal, a former British colony ( ...
, created one of the most famous African songs, " Mbube", which eventually became its own genre. In 1933 Linda began singing with a group of friends called the Evening Birds. In 1939, they recorded a few tracks for Gallo Records when Linda improvised the first 15 notes of a song they called "Mbube". The success of this song led to the conception of a whole new genre, characterized by a loud and powerful cappella four part harmony, accompanied by dancing. The song was later made internationally famous, by
The Weavers The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from ...
as " Wimoweh" in 1948 and then as "
The Lion Sleeps Tonight "The Lion Sleeps Tonight" is a song originally written and first recorded in 1939 by Solomon Linda under the title "Mbube", through South African Gallo Record Company. In 1961, a version adapted into English by the doo-wop group the Tokens bec ...
" by
The Tokens The Tokens were an American doo-wop band (rock and pop), band and production of phonograph records, record production company group from Brooklyn, Brooklyn, New York City. The group had four top 40 hits on the Billboard Hot 100, ''Billboard'' H ...
in 1961.
Miriam Makeba Zenzile Miriam Makeba ( , ; 4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, ja ...
's recording of "The Lion Sleeps Tonight" in the 1960s helped popularize the genre and establish the singing tradition. However, it was Robert John’s rendition of "The Lion Sleeps Tonight" that is the most well-known; the song reached #3 on the US charts, and selling more than one million copies for which he was awarded a gold disc by the Recording Industry Association of America. Associated with poor migrant workers, the origins of Mbube can be traced back to the 1920s in the Natal region when the area became heavily industrialized with coal mines and factories. According to Joseph Shabalala (leader and founder of Ladysmith Black Mambazo), young South African Zulu men from nearby towns and villages began to flock to this area to find work, often in mines. These men brought with them their own cultures and, in order to preserve a sense of community, formed choirs. These male workers were often lodging in hostels where they created a weekend social life that revolved around singing and dancing. There were competitions where the best groups would showcase their talents and a winner would be awarded not with money, but honor. As these competitions became more popular so did this new style of music. It spread to Johannesburg, one of the largest South African cities. Mbube is a precursor to the more currently popular African choral genres
mbaqanga Mbaqanga () is a style of South African music that emerged in the early 1960s in the urban townships, particularly around Johannesburg. It draws from a variety of ethnic traditions, including Zulu, Xhosa, Sotho, Pedi, and Tsonga musical element ...
and iscathamiya. Since the formation of Ladysmith Black Mambazo, the mbube has fallen out of style in favor of isicathamiya, which is a softer, lighter genre.


Citations


General sources

* ''Mbube Roots'', Rounder Records #5025 * AMARYONI Artist Biography African Cream Music, Johannesburg, South Africa. Retrieved 14 November 2008 * Broughton, Simon, and Kim Burton. ''World Music: the Rough Guide''. London: Rough Guides, 1994. Print * Malan, Rian. "In the Jungle". ''
Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner and the music critic Ralph J. Gleason. The magazine was first known fo ...
''. 25 May 2000. Web. "Africa". Def. 5. Southern Africa. Credo Reference. Harvard Dictionary of Music, 2003. Web. 31 Mar. 2011. * Johnson, Keith. "Mbube".
AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus ...
. N.p., n.d. Web. 31 Mar. 2011. * Wassel, Deborah. "From Mbube to Wimoweh: African Folk Music in Dual Systems of Law". ''Fordham Intellectual Property, Media & Entertainment Law Journal'' XX.1 (2009): 290–326. Fordham Law Blog. Web. 31 Mar. 2011.


Further reading

* Erlmann, Veit, Horses in the Race Course': The Domestication of Ingoma Dancing in South Africa, 1929–39", ''Popular Music'', Vol. 8, No. 3, African Music (Oct. 1989), pp. 259–273. . Cambridge University Press. Collected in: ''Nightsong: Power, Performance, and Practice in South Africa''. University of Chicago Press (1995) https://books.google.com/books?id=FcNIuMDsEV8C * Frith, Simon
''Popular music: critical concepts in media and cultural studies, Volume 4''
London: Routledge, 2004.
Cf. p. 271
* Xulu, M. K., ''The Re-emergence of Amahubo Songs, Styles and Ideas in Modern Zulu Musical Styles''. PhD dissertation,
University of Natal The University of Natal was a university in the former South African province Natal which later became KwaZulu-Natal. The University of Natal no longer exists as a distinct legal entity, as it was incorporated into the University of KwaZulu- ...
. 1992.
Mbube website official
{{DEFAULTSORT:Mbube (Genre) Zulu music South African styles of music fi:Mbube