Marsuppini Coronation
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The ''Marsuppini Coronation'' is a painting of the
Coronation of the Virgin A coronation ceremony marks the formal investiture of a monarch with regal power using a crown. In addition to the crowning, this ceremony may include the presentation of other items of regalia, and other rituals such as the taking of special ...
by the
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance languag ...
Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
painter
Filippo Lippi Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many paint ...
, dating to after 1444. It is in the
Pinacoteca Vaticana The Vatican Museums (; ) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the best-known Roman sculptures and ...
,
Rome Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...
.


History

The panel was commissioned by the chancellor of the
Republic of Florence The Republic of Florence (; Old Italian: ), known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Flor ...
,
Carlo Marsuppini Carlo Marsuppini (1399–1453), also known as Carlo Aretino and Carolus Arretinus, was an Italian Renaissance humanist and chancellor of the Florentine Republic. Biography Marsuppini was born in Genoa into a family from Arezzo, but grew up and ...
, for the Saint Bernard Chapel in the eponymous church at
Arezzo Arezzo ( , ; ) is a city and ''comune'' in Italy and the capital of the Province of Arezzo, province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of Above mean sea level, above sea level. As of 2 ...
. His father Gregorio, to whom it would be dedicated, had died in 1444, and thus the work must date to that year or later, up to c. 1460. The work remained in Arezzo until 1785, when the monastery which owned the church was suppressed. It was subsequently split into three parts and sold to privates, and was later acquired by
Pope Gregory XVI Pope Gregory XVI (; ; born Bartolomeo Alberto Cappellari; 18 September 1765 – 1 June 1846) was head of the Catholic Church and ruler of the Papal States from 2 February 1831 to his death in June 1846. He had adopted the name Mauro upon enteri ...
. Thenceforth it has been in the Art Gallery of the
Vatican Museums The Vatican Museums (; ) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the best-known Roman sculptures and ...
.


Description

The panel has a sober and archaic style, similar to that of
Fra Angelico Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent" ...
. It is divided into three sections. The central one, on his podium with steps and framed by a shell-shaped niche, is the scene of the coronation of Mary: she is kneeling at the feet of Christ, who puts the crown on his head. At the sides are two symmetrical compositions of three musician angels and two standing saints in the foreground. The latter, who are connected to the monastic orders, are presenting the two donors, Gregorio Marsuppini and his son Carlo, both kneeling. The musician angels were executed (at least partly) by assistants.


References


Page at Filippi Lippi paintings restoration website
{{Filippo Lippi 1440s paintings Paintings by Filippo Lippi Paintings of the Coronation of the Virgin Paintings in the Vatican Museums Musical instruments in art Angels in art