Maria Hester Park
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Maria Hester Park (née Reynolds) (29 September 1760 – 7 June 1813) was a British composer, pianist, and singer. She was also a noted
piano teacher Piano pedagogy is the study of the teaching of piano playing. Whereas the professional field of music education pertains to the teaching of music in school classrooms or group settings, piano pedagogy focuses on the teaching of musical skills t ...
who taught many students in the nobility, including the Duchess of Devonshire and her daughters.


Biography

Before her marriage, Maria Hester Park gave four well-received performances, mostly in the Oxford area, on both the piano and the
harpsichord A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
.Wollenberg, p. 284. Her first public appearance was at the age of twenty-two as Maria Hester Reynolds in the Hanover Square concert series with a concerto on the harpsichord. She played a
Clementi Clementi may refer to: People * Aldo Clementi (1925–2011), Italian composer * Carlo Mazzone-Clementi (1920–2000), Italian actor and mime * Cecil Clementi (1875–1947), British colonial administrator, Governor of Hong Kong and Straits Sett ...
duet with Jane Mary Guest on 29 April 1783, a concerto at
Willis's Rooms Almack's was the name of a number of establishments and social clubs in London between the 18th and 20th centuries. Two of the social clubs would go on to fame as Brooks's and Boodle's. Almack's most famous establishment was based in assembly ro ...
in March 1784 and a performance as Mrs Park ("late Reynolds") in May 1791. After her marriage in London in April 1787 to
Thomas Park Thomas Park (1759–1834) was an English antiquary and bibliographer, also known as a literary editor. Life He was the son of parents who lived at East Acton, Middlesex. When ten years old he was sent to a grammar school at Heighington, County ...
, an engraver turned antiquarian and man of letters, she ended her career as a performer, although she earned even more fame as composer and teacher. Her marriage appears to have been happy; several of her husband's love poems to her still exist. She corresponded with
Joseph Haydn Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
, who, on 22 October 1794, sent her a
sonata In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until th ...
of his composition (Hob. XVI:51) and a
thank you letter A letter of thanks, letter of gratitude, thank you card, or thank you letter is a letter or greetings card that is used when one person/party wishes to express appreciation to another. They are frequently sent after an event (a birthday party, ...
in exchange for two of her pieces. She died in
Hampstead Hampstead () is an area in London, England, which lies northwest of Charing Cross, located mainly in the London Borough of Camden, with a small part in the London Borough of Barnet. It borders Highgate and Golders Green to the north, Belsiz ...
, London at the age of 53, after many years of ill health. The Parks had five daughters and a son.


Park's music

It has been said of Maria Hester Park that she was "hugely popular in the elegant drawing rooms of eighteenth century England" and that she "made her living composing the sort of music performed by
Jane Austen Jane Austen ( ; 16 December 1775 – 18 July 1817) was an English novelist known primarily for #List of works, her six novels, which implicitly interpret, critique, and comment on the English landed gentry at the end of the 18th century ...
heroines.".Interview with Diana Ambache
BBC, ''Woman's Hour,'' Monday 1 April 2002, Accessed 10 September 2010.
She has been described as "one of the most prolific of the 18th century women composers." Her works are varied, competent, and professionally arranged. Her sonatas, according to ''The Norton/Grove dictionary of women composers,'' are "varied and spirited."Sadie, p. 361. Her Sonata in C is stylistically close to
Mozart Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
, pleasant to the ear without being overly challenging either to the performer or the listener. Mozartean features apparent in her Sonata in F include a constant bass line of straight eighth notes that form the outlines of chords, and a distinct
melody A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figurativel ...
with
ornamentation An ornament is something used for decoration. Ornament may also refer to: Decoration * Ornament (art), any purely decorative element in architecture and the decorative arts * Ornamental turning * Biological ornament, a characteristic of animals ...
. There are also many basic scale patterns and simple
arpeggio An arpeggio () is a type of Chord (music), chord in which the Musical note, notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords. Arpe ...
s, and the majority of her pieces are clean, lacking the
melodrama A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on ...
of later romantic works. Her surviving music spans a quarter of a century.


Works

*Op. 1, Sonatas, harpsichord/pianoforte, violin accompaniment, 1785, dedicated to Countess of Uxbridge. *Op. 2, 3 Sonatas, harpsichord/pianoforte, c.1790. *Op. 3, A Set of Glees with the Dirge in Cymbeline, ?1790. *Op. 4, 2 Sonatas (No. 1 in F, No. 2 in F major), harpsichord/pianoforte, 1790. *Op. 6, Concerto in E flat major, harpsichord/pianoforte, strings, ?1795. *Op. 7, Sonata in C major, pianoforte, ?1796. *Op. 8, Six easy divertimentos for the harp and piano-forte in which are introduced a celebrated German minuet & waltz . . . , op. VIII. London 797?*Op. 12, Sonata for the Piano-Forte in which is introduced Prince Aldolphus's Fancy . . . , Op.XII. London, c.1800?. *Op. 13, 2 Sonatas, pianoforte, violin accompaniment, ?1801. * – Waltz, pianoforte, ?1801 * – Divertimento, pianoforte, violin accompaniment, ?1811.


Discography

*''Music by Maria Hester Park, Marie Bigot, and Fanny Mendelssohn Hensel;'' Release Date – 8 December 2000; Label – Centaur Records; Catalog – 2320; Performer- Betty Ann Miller *''18th Century Women Composers: Music For Solo Harpsichord, Volume 1'' (Maria Hester Park, Elisabetta de Gambarini, Marianna von Auenbrugg, Marianne (Anna Katharina) von Martínez); Release Date – 22 August 1995; Label – Gasparo Records; Catalog – 272; Performer – Barbara Harbach *''18th Century Women Composers: Music for Solo Harpsichord, Volume 2'' (Maria Hester Park, Elisabetta de Gambarini, Marianna von Auenbrugg, Marianne (Anna Katharina) von Martínez); Release Date – 22 August 1995; Label – Gasparo Records; Catalog – 272; Performer – Barbara Harbach


References

*Baldwin, Olive and Wilson, Thelma: ‘''Park ee Reynolds Maria Hester, Grove Music Online ed. L. Macy (Accessed 4 Feb 2007, http://www.grovemusic.com *Meling zgen Lise Karin, ''Maria Hester Park (1760–1813): the life and works of an unknown female composer, with an analysis of selected keyboard sonatas,'' thesis/dissertation, Indiana University Press, 2002. *Sadie, Julie Anne and Samuel, Rhian: "''Park (nee Reynolds), Maria Hester,''" ''The Norton/Grove dictionary of women composers,'' WW Norton, 1995, , *Schleifer, Martha F., ''From convent to concert hall: a guide to women composers, '' Greenwood Press, 2003. *Tuttle, Raymond, “''Barbara Harbach, Hester Park and Other Women of Note.''” Fanfare 1996, http://www.umsl.edu/~harbachb/fanfare.htm *Wollenberg, Susan, and McVeigh, Simon: ''Concert life in eighteenth-century Britain,'' Ashgate Publishing Ltd., 2004, , .


External links

* {{DEFAULTSORT:Park, Maria Hester 1760 births 1813 deaths 18th-century classical composers 18th-century keyboardists 19th-century British classical composers British classical pianists British women pianists British Classical-period composers British women classical composers 19th-century British composers 19th-century British women composers 18th-century British women composers 19th-century women pianists