Manuel Rodrigues Coelho
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Manuel Rodrigues Coelho (ca. 15551635) was a Portuguese
organist An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental ...
and
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ...
. He is the first important
Iberian Iberian refers to Iberia. Most commonly Iberian refers to: *Someone or something originating in the Iberian Peninsula, namely from Spain, Portugal, Gibraltar and Andorra. The term ''Iberian'' is also used to refer to anything pertaining to the fo ...
keyboard composer since Cabezón. Coelho was born in
Elvas Elvas (), officially the City of Elvas (), is a Portuguese municipality, former episcopal city and frontier fortress of easternmost central Portugal, located in the district of Portalegre in Alentejo. It is situated about east of Lisbon, and ab ...
around 1555 and probably received early education at the Elvas Cathedral. He may also have studied at the
Badajoz Cathedral The Metropolitan Cathedral of Saint John the Baptist () is a Catholic cathedral in Badajoz, Extremadura, western Spain. Since 1994, together with the Co-cathedral of Saint Mary Major of Mérida, it is the seat of the Archdiocese of Mérida-Badaj ...
, where he worked as organist from 1573 to 1577. At some point during the 1580s Coelho returned to Elvas and worked at the cathedral there. He left the post in 1602 after becoming court organist at
Lisbon Lisbon ( ; ) is the capital and largest city of Portugal, with an estimated population of 567,131, as of 2023, within its administrative limits and 3,028,000 within the Lisbon Metropolitan Area, metropolis, as of 2025. Lisbon is mainlan ...
. He died in 1635, probably in Lisbon. The composer's surviving works are preserved in a 1620 print ''Flores de musica pera o instrumento de tecla & harpa'', published in Lisbon. The collection, dedicated to
Philip II of Portugal Philip III (; 14 April 1578 – 31 March 1621) was King of Spain and King of Portugal, Portugal (where he is known as Philip II of Portugal) during the Iberian Union. His reign lasted from 1598 until his death in 1621. He held dominion over the S ...
, is the earliest surviving Portuguese keyboard print. It contains 24 ''
tiento ''Tiento'' (, ) is a musical genre originating in Spain in the mid-15th century. It is formally analogous to the fantasia (fantasy), found in England, Germany, and the Low Countries, and also the ricercare, first found in Italy. By the end of ...
s,'' 101 liturgical organ versets (''
kyrie ', a transliteration of Greek , vocative case of ('' Kyrios''), is a common name of an important prayer of Christian liturgy, also called the ( ; ). In the Bible The prayer, , "Lord, have mercy" derives from a Biblical phrase. Greek , ...
s'' and hymn settings), four settings of the Spanish/
Mozarabic Mozarabic may refer to: *Andalusi Romance, also called the Mozarabic language *Mozarabs The Mozarabs (from ), or more precisely Andalusi Christians, were the Christians of al-Andalus, or the territories of Iberia under Muslim rule from 711 to ...
version of ''
Pange lingua ''Pange lingua'' may refer to either of two Mediaeval Latin hymns: *"'' Pange lingua gloriosi proelium certaminis''" by Venantius Fortunatus, a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week ...
'', and four
intabulation Intabulation, from the Italian word ''intavolatura'', refers to an arrangement of a vocal or ensemble piece for keyboard, lute, or other plucked string instrument, written in tablature. History Intabulation was a common practice in 14th–16th c ...
s of
Lassus Orlando di Lasso ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierlu ...
' ''Susanne ung jour''. This large collection is probably a compilation of earlier composed material. Coelho's most important compositions are his ''tientos,'' which are very long (200–300 bars on average), multi-sectional pieces. Imitative counterpoint has a secondary role in them, whereas motivic figures and figuration, hallmarks of the Baroque style, are in the foreground. The harmonic language is simple and clear in sharp contrast to the contemporary Italian composers (i.e.,
Ascanio Mayone Ascanio Mayone (ca. 1565 – 1627) was a Neapolitan composer and harpist. He trained as a pupil of Giovanni de Macque in Naples, and worked at Santissima Annunziata Maggiore there as organist from 1593 and ''maestro di cappella'' from 1621; ...
,
Giovanni Maria Trabaci Giovanni Maria Trabaci (ca. 1575 – 31 December 1647) was an Italian composer and organist. He was a prolific composer, with some 300 surviving works preserved in more than 10 publications; he was especially important for his keyboard music. B ...
and
Girolamo Frescobaldi Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of ke ...
); the contrapuntal techniques are reminiscent of
Sweelinck Jan Pieterszoon Sweelinck ( ; April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard comp ...
. Coelho's liturgical pieces are less ornate, and generally employ more strict counterpoint. They include a group of 23 versets ''para se cantarem ao órgâo'', "for singing to the organ", which all consist of a vocal line with organ accompaniment.


References

* Apel, Willi (1972), ''The History of Keyboard Music to 1700''. Translated by Hans Tischler. Indiana University Press. . Originally published as ''Geschichte der Orgel- und Klaviermusik bis 1700'' by Bärenreiter-Verlag, Kassel. *Bernardes, J. M. R. e Bernardes, I. R. S. (2003), Uma Discografia de Cds da Composição Musical em Portugal: Do Século XIII Nossos Dias, INCM. p. 114–119 *Cruz, Maria Antonieta de Lima (1948), Rodrigues Coelho, Lisboa, Ed. Europa, Colecção Os Grande Músicos. * *Kastner, Santiago (1936), Música Hispânica: O estilo do Padre Manuel R. Coelho e a interpretação da música hispânica para tecla desde 1450 até 1650. Lisboa: Editorial Ática. *Kastner, Macário Santiago (ed.), (1936), P. Manuel Rodrigues Coelho: 5 Tentos, Mainz: Schott’s Söhne. *Kastner, Macário Santiago (ed.), (1955), P. Manuel Rodrigues Coelho: 4 Susanas, Mainz: Schott’s Söhne. *Kastner, Santiago (1941), Contribución al estúdio de la música española y portuguesa. Lisboa: Editorial Ática. *Kastner, Macário Santiago (ed.), (1976/1959), Manuel Rodrigues Coelho: Flores De Musica Pera o Instrumento de Tecla & Harpa, Vol. I 4 Tentos Portugaliae Musica, Fundação Calouste Gulbenkian, 2.ª edição. *Kastner, Macário Santiago (ed.), (1961), Manuel Rodrigues Coelho: Flores De Musica Pera o Instrumento de Tecla & Harpa, Vol. II yries, Versos, Susanas, etc. Portugaliae Musica, Fundação Calouste Gulbenkian. *Kastner, Macario Santiago (1979), Três Compositores Lusitanos para Instrumentos de Tecla/Drei Lusitanische Komponisten für Tasteninstrumente. António Carreira, Rodrigues Coelho, Pedro de Araújo. Lisboa: Fundação Calouste Gulbenkian, pp. 27–116. *Mazza, José (1944-1945), Dicionário Biográfico de Músicos Portugueses, ed. e notas de José Augusto Alegria, Ocidente, Lisboa, Tipografia da Editorial Império. *Nery, Rui Vieira (1984), A Música no Ciclo da Bibliotheca Lusitana, Lisboa, Fundação Calouste Gulbenkian. *Rocha, Edite Maria Oliveira da (2010), Manuel Rodrigues Coelho “Flores de Música”: Problemas de Interpretação, Tese de Doutoramento, Departamento de Comunicação e Arte, Universidade de Aveiro, Policopiado. *Vasconcelos, Joaquim de (1870), Os Músicos Portuguezes: Biografia, Bibliografia, 2 volumes, Porto, Imprensa Portugueza. *Vieira, Ernesto (2007/1900), Diccionario Biographico de Musicos Portuguezes, Lisboa, Lambertini, Edição Facsimilada de Arquimedes Livros. *Viterbo, Francisco Marques de Sousa (1908), Tangedores da Capella Real: Manuel Rodrigues Coelho, Sep. da Arte Musical. Hello


External links


Free scores
at ''Órgãos de Portugal''

* on * THE END. {{DEFAULTSORT:Coelho, Manuel Rodrigues 1550s births 1635 deaths Renaissance composers Portuguese Baroque composers People from Elvas 16th-century Portuguese people 17th-century Portuguese people 17th-century Portuguese classical composers Portuguese male classical composers 17th-century male musicians