Manuel Granada
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Manuel Granada (6 November 1896 - 30 January 1974) was an Argentine actor who appeared in
American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, p ...
,
Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many countries in the Americas **Spanish cuisine **Spanish history **Spanish culture ...
,
Argentine Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their ...
and Mexican films. For the first half of his career, he worked under the names Paul Ellis and Manuel Granado. Granada was born Benjamin Ingenito in
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
on November 6, 1896. He made his film debut in the Metro-Goldwyn film '' The Bandolero'' in 1924 under the name Manuel Granado. He was signed to a contract by
Louis B. Mayer Louis Burt Mayer (; born Lazar Meir; July 12, 1884Mayer maintained that he was born in Minsk on July 4, 1885. According to Scott Eyman, the reasons may have been: * Mayer's father gave different dates for his birthplace at different times, so ...
and listed as a Metro-Goldwyn principal player in the same year. An April 1925 article by Harry Carr for ''Motion Picture'' dubbed him 'Hollywood's New Sheik.' Like other Latino actors in
silent-era A silent film is a film without synchronized Sound recording and reproduction, recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) ...
Hollywood, he had adapted a WASPy screen name, which stood in contrast to his dark features, a look that was popular at the time. Despite this, he was still cast almost exclusively as secondary ethnic characters, unlike his contemporaries in silent-era Hollywood like
Gilbert Roland Luis Antonio Dámaso de Alonso (December 11, 1905 – May 15, 1994), known professionally as Gilbert Roland, was a Mexican-born American film and television actor whose career spanned seven decades from the 1920s until the 1980s. He was twice no ...
and
Barry Norton Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentine-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role a ...
(a fellow Argentine). He was singled out for praise by ''The
Los Angeles Herald Examiner The ''Los Angeles Herald Examiner'' was a major Los Angeles daily newspaper, published in the afternoon from Monday to Friday and in the morning on Saturdays and Sundays. It was part of the Hearst Corporation, Hearst syndicate. It was formed w ...
'' and other Los Angeles newspapers after the 1926 premiere of ''The Dancer of Paris''. The coming of sound found Paul Ellis relegated to bit parts, though he did secure some substantial roles in Spanish-language versions of English-language films such as '' La Voluntad del muerto'' (1930). In 1930, he also wrote and appeared in the film ''Alma De Gaucho''. Ellis also appeared in '' Charros, gauchos y manolas'', a musical directed by
Xavier Cugat Xavier Cugat (; ; 1 January 1900 – 27 October 1990) was an American musician and bandleader who was a leading figure in the spread of Latin music. Originally from Girona, Spain, he spent his formative years in Havana, Cuba, before arriving i ...
. These films were usually released in Spanish-language territories only. He continued to appear in American films for another ten years, mostly in brief uncredited roles, though he is remembered by some for his appearance in '' Marihuana'' (1936), which retains a small cult following. He made his last American film, '' Whistling in the Dark'', in 1941. Still using the name Paul Ellis, Granada next shows up in films in 1947 in Argentina, and continued to appear in films in Argentina. He appeared in the Mexican/Argentine co-production ''La Tierra del Fuego se apaga''.


Selected filmography

*'' The Bandolero'' (1924) *'' Pretty Ladies'' (1925) *'' The Pace that Thrills'' (1925) *'' The Dancer from Paris'' (1926) *'' Three Hours'' (1927) *''
The Younger Generation ''The Younger Generation'' is a 1929 sound part-talkie American drama film directed by Frank Capra and starring Ricardo Cortez. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical scor ...
'' (1929) *'' In Old California'' (1929) *''
The Bridge of San Luis Rey ''The Bridge of San Luis Rey'' is American author Thornton Wilder's second novel. It was first published in 1927 to worldwide acclaim. The novel won the Pulitzer Prize in 1928, and was the best-selling work of fiction that year. Premise ''The ...
'' (1929) *'' Charros, gauchos y manolas'' (1930) *''Alma de Gaucho'' (1930) *'' La Voluntad del muerto'' (1930) *'' The Common Law'' (1931) *''El pasado acusa'' (1931) *''Hombres de mi vida'' (1932) *''Soñadores de gloria'' (1932) *'' No Man of Her Own'' (1932) *''Contrabando'' (1932) *'' Laughing at Life'' (1933) *'' The Woman Condemned'' (1934) *''
One Night of Love ''One Night of Love'' is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story ''Don't Fall in Love'', ...
'' (1934) *''
The Merry Widow ''The Merry Widow'' ( ) is an operetta by the Austria-Hungary, Austro-Hungarian composer Franz Lehár. The Libretto, librettists, Viktor Léon and Leo Stein (writer), Leo Stein, based the story – concerning a rich widow, and her countrymen's ...
'' (1934) *'' Women Must Dress'' (1935) *'' Captured in Chinatown'' (1935) *'' Reckless'' (1935) *'' Tailspin Tommy in the Great Air Mystery'' (1935) *'' Rip Roaring Riley'' (1935) *'' Never Too Late'' (1935) *''
Wife vs. Secretary ''Wife vs. Secretary'' (or ''Wife Versus Secretary'') is a 1936 American romantic comedy drama film starring Clark Gable, Myrna Loy and Jean Harlow. Directed and co-produced by Clarence Brown, it was the fifth of six collaborations between Gabl ...
'' (1936) *'' Marihuana'' (1936) *'' Murder at Glen Athol'' (1936) *'' Heroes of the Alamo'' (1937) *''El Trovador de la Radio'' (1938) *'' The Buccaneer'' (1938) *'' Bachelor Father'' (1939) *''Di que me quieres'' (1939) *''
Ninotchka ''Ninotchka'' is a 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas. It was written by Billy Wilder, Charles Brackett, and Walter Reisch, b ...
'' (1939) *''
Rose of Washington Square ''Rose of Washington Square'' is a 1939 American musical drama film, featuring the already well-known popular song with the same title. Set in 1920s New York City, the film focuses on singer Rose Sargent and her turbulent relationship with con a ...
'' (1939) *'' Arizona Gang Busters'' (1940) *''
Down Argentine Way ''Down Argentine Way'' is a 1940 American musical film made in Technicolor by Twentieth Century Fox. It made a star of Betty Grable in her first leading role for the studio although she had already appeared in 31 films, and it introduced America ...
'' (1940) *'' They Met in Argentina'' (1941) *'' Blood and Sand'' (1941) *'' Too Many Blondes'' (1941) *''
Desperate Cargo ''Desperate Cargo'' is a 1941 American crime drama film directed by William Beaudine and starring Ralph Byrd, Carol Hughes, Julie Duncan and Jack Mulhall. It was made by the low-budget independent Producers Releasing Corporation. It is based on ...
'' (1941) *'' Whistling in the Dark'' (1941) *'' La senda oscura'' (1947) *''El precio de una vida'' (1947) *''Derecho viejo'' (1951) *''Rebelión en los llanos'' (1953) *''Stella Maris'' (1953) *''El pescador de coplas'' (1954) *''La Tierra del Fuego se apaga'' (1955)


References


External links

* {{DEFAULTSORT:Granada, Manuel 1896 births 1974 deaths Argentine male silent film actors Argentine people of Spanish descent Argentine people of Irish descent Argentine male film actors Male actors from Buenos Aires 20th-century Spanish male actors Spanish male film actors Argentine male television actors 20th-century Argentine male actors