Mamiya RZ67
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The Mamiya RZ67 is a professional
medium format Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35&n ...
single-lens reflex
camera A camera is an instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photograp ...
manufactured by Mamiya. There are three successive models: the RZ67 Professional (released in 1982), RZ67 Professional II (released in 1993) and RZ67 Professional IID (released in 2004). It is primarily designed for
studio A studio is a space set aside for creative work of any kind, including art, dance, music and theater. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. Types Art The studio of any artist, esp ...
use, but can also be used in the field.


Details

The RZ67 is a modular camera system, meaning the lenses, viewfinders,
ground glass Ground glass is glass whose surface has been ground to produce a flat but rough ( matte) finish, in which the glass is in small sharp fragments. Ground glass surfaces have many applications, ranging from ornamentation on windows and table glass ...
, film winders and film backs designed for the system are all interchangeable. The RZ67's Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a set of
bellows A bellows or pair of bellows is a device constructed to furnish a strong blast of air. The simplest type consists of a flexible bag comprising a pair of rigid boards with handles joined by flexible leather sides enclosing an approximately airtig ...
. The camera accepts 120 and 220 film film with film backs configurable for 6×7 cm, 6×6 cm and 6×4.5 cm exposures. These backs are rotating, allowing for both landscape and portrait orientation without removing the back. Special-purpose backs allow for the use of Polaroid film as well as Quadra 72 4×5 sheet film. Mamiya RB67 backs are also supported via the G-Adapter. The film speed is set on each RZ back via a dial. There are two versions of the 6×7 and 6×4.5 backs. The model II versions have a second film counter to always show the film count on the top, regardless of the back orientation. The RZ67 operates on one 6V 4SR44
silver oxide battery A silver oxide battery Battery nomenclature#IEC_electrochemical system codes for primary batteries, (IEC code: S) is a primary cell using silver oxide as the cathode material and zinc for the anode. These cells maintain a nearly constant nomin ...
, or 6V 4LR44
alkaline battery An alkaline battery (IEC code: L) is a type of primary battery where the electrolyte (most commonly potassium hydroxide) has a pH value above 7. Typically, these batteries derive energy from the reaction between zinc metal and manganese diox ...
. It can be used in an emergency with a mechanical mode fixed at 1/400 sec shutter speed. Multiple exposures are possible in the M-mode. Mirror lock up is supported for long exposures and macro photography. The body has one standard flash hot shoe on its left side, one plug for a standard shutter cable release, and a PC socket for an electronic shutter trigger. The RZ67 measures 104mm (W) × 133.5mm (H) × 211.5mm (L) with the 110mm lens, and weighs approximately 2.4 kg (5.29 lbs). The flange distance is 105mm. The RZ67 name is adopted from the model name of the Mamiya RB67 (in which RB stands for "Revolving Back"), which was first introduced in 1970. The main difference between RB67 and RZ67 is that the RB67 is completely mechanical. The RZ67 body is able to transmit exposure information from the lens to the body. In addition, the RZ67 has plastic exterior body, making it somewhat lighter. Similar to the RB67, the RZ67 film backs can be rotated 90 degrees to provide a horizontal or vertical
composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include ...
. The orientation is shown in the
viewfinder In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direct ...
with black guides. The viewfinder also hosts LEDs informing of the state of the camera (flash ready, low battery, dark slide not removed, shutter not cocked). Both cameras also can manually set their shutter speed and aperture. In addition to manual operation, the RZ67 is able to operate in an automatic exposure mode with an AE viewfinder, which transmits exposure information directly to the body. In L compatibility mode, the RZ67 is able to use RB67 lenses.


Versions

Original RZ67 Professional (RZ67 Pro I): * Electronic shutter 8 sec: sec with full EV steps RZ67 Professional II (RZ67 Pro II): * Some improvements of the electronics * An additional knob was added to the right side of the focusing unit for fine tuning of the focus * Shutter can be adjusted in 0.5 EV steps RZ67 Professional IID (RZ67 Pro IID): * Has an integrated interface for communicating with digital backs (the earlier versions need either an interface plate or external triggering wires) * Minor internal mechanical improvements File:Mamiya RZ67 Professional body.jpg, RZ67 Pro I File:Mamiya RZ67 Professional II body.jpg, RZ67 Pro II, not much exterior difference between the models except the Pro II version has a critical focus knob.


Lenses

There are a wide variety of lenses available for the RZ67: * Four
wide-angle lens In photography and cinematography, a wide-angle lens is a Photographic lens, lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows mo ...
es: : 43 mm . prototype lens. ULD glass, floating system and aspherical. 21 mm equivalent : 50 mm . Two versions exist, the non ULD and ULD L (contains floating element), the ULD version is clearly marked. 24 mm equivalent : 65 mm , two versions (the second one has a floating element), 32 mm equivalent : 75 mm , with floating element, 36 mm equivalent * Three normal lenses: : 90 mm , with extension tubes 1 and 2 has the largest magnification of all RZ67 lenses, able to shoot 1.92:1. A prototype lens of 90 3.5 M L-A with floating system also exists. 44 mm equivalent : 110 mm , smallest of the RZ lenses, also has largest aperture, 53 mm equivalent : 127 mm and an older model , 62 mm equivalent * Eight
telephoto lens A telephoto lens, also known as telelens, is a specific type of a long-focus lens used in photography and cinematography, in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens ...
es: : 150 mm , 73 mm equivalent : 180 mm , three generations,W-N version is the latest and has improved optics, 87 mm equivalent : 210 mm APO,
apochromatic An apochromat, or apochromatic lens (apo), is a photographic or other lens that has better correction of chromatic and spherical aberration than the much more common achromat lenses. The prefix ''apo-'' comes from the Greek preposition ''ἀ ...
ally corrected design, 102 mm equivalent : 250 mm , 2 versions (newer one is APO), 121 mm equivalent : 350 mm APO, 170 mm equivalent : 360 mm , an older lens, 175 mm equivalent : 500 mm APO and an older model , longest of the RZ lenses, 238 mm equivalent * Seven specialty lenses: : 37 mm Fisheye, (the widest RZ lens), captures 180 degrees diagonally across the frame, does not correct distortion, 18 mm equivalent : 75 mm Short Barrel, possible to use with a tilt/shift adapter for perspective and focus plane control, needs an SB spacer for normal 75 mm use, 36 mm equivalent : 75 mm Shift, perspective control lens, needs manual cocking of the shutter, 36 mm equivalent : 140 mm Macro, two versions - "Mamiya M Macro L-A" and "Mamiya-Sekor Macro Z W" (both containing floating element system with "M" being the newer of the two, producing better results), able to shoot 1:3 without extension tubes or bellows and 1.22:1 with extension tubes 1 and 2, 68 mm equivalent : 180 mm Variable Soft Focus, uses three interchangeable diffusion and spherical aberration disks for soft effect, 87 mm equivalent : 180 mm Short Barrel, for tilt and shift adapter, needs an SB spacer for normal 180 mm use, 87 mm equivalent : 100-200 mm Zoom, the only RZ zoom lens, 48-97 mm equivalent * All RB67 lenses are mechanical only All lenses have internal electronic Seiko #1 shutters with a maximum 1/400 sec speed, PC-type X flash sync plug, T-switch for long exposures, a plug for a standard cable release for B exposures,
depth of field The depth of field (DOF) is the distance between the nearest and the farthest objects that are in acceptably sharp focus (optics), focus in an image captured with a camera. See also the closely related depth of focus. Factors affecting depth ...
preview lever, distance scale, aperture adjust ring. In "B" mode, the RZ67 models will expose up to 30 seconds (a warning beep will sound for the last 10 seconds). In "T" mode, the camera can expose indefinitely without drawing power from the battery. Most lenses, except for the 37mm, 75mm shift lenses and the 500mm lenses have 77mm filter threads on the front of the lens. Those lenses have 105mm filter threads. Some lenses have a floating element; focusing these lenses involves setting a subject distance ring on the lens after focusing with the bellows.


Accessories

* Waist level viewfinder with a magnifier loupe (interchangeable with different dioptre adjusts) * AE prism, prism and chimney viewfinders * Vertical split image, matte, matte with corners, checker (default), microprism, crosshair and rangefinderspot microprism ground glasses * Variable dioptre flip-up magnifier for RB and RZ prism finders * G-2 Bellows lens hood (a simpler version of the G-3 Bellows lens hood) * G-3 Bellows lens hood (65–350mm lens adjustable) * Bellows front hood extension for G-3 bellows lens hood * 100–200mm zoom lens mounting ring, prevents G-3 from rotating when zooming * Gelatine filter holder for 50–350mm lenses * Adjustable sun shield plate * Metz SCA 395 flash module * Hot shoe PC flash adapter * Quick shoe for fast attaching and detaching for tripods * Mirror-lock-up dual cable release (attaches both to body and lens) * External battery case for keeping battery warm in cold weather * Electromagnetic cable release * Left hand grip (L-Grip) and U-shaped Aerial Grip, these attach to the electronic coupling on the body * Adjustable flash bracket * Infrared transmitter and receiver * Tilt/Shift adapter for 75mm and 180mm SB lenses, with special electronic cable release adapter * Ground glass for Tilt/Shift adapter * Power winder, winds 1 frame per 1.5 sec, uses six AA cells, attaches to the base of the body * 1.4× tele converter for best use with 90mm, 110mm, 127mm, 140mm, 180mm and 100–200mm lenses * 45mm and 82mm auto extension tubes, electronically coupled * short barrel spacer for use with the 75mm and 180mm short barrel lenses without the Tilt/Shift adapter at infiniti * viewfinder masks for the 6×6 cm and 6×4.5 cm backs Polaroid also made a radio transmitter and receiver for the RZ series.


Famous photos

Arguably the most famous photo taken with this camera is the "
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" photo used as the default background for Microsoft
Windows XP Windows XP is a major release of Microsoft's Windows NT operating system. It was released to manufacturing on August 24, 2001, and later to retail on October 25, 2001. It is a direct successor to Windows 2000 for high-end and business users a ...
. Seen by millions of people every day, this photo was taken by photographer Charles O'Rear in 1996. RZ67 was used by
Annie Leibovitz Anna-Lou Leibovitz ( ; born October 2, 1949) is an American Portrait photography, portrait photographer best known for her portraits, particularly of celebrities, which often feature subjects in intimate settings and poses. Leibovitz's Polaroid ...
for many of her famous works in the 1980s and 1990s


References


Further reading

* Bob Shell (1995). ''Mamiya Pro Guide''. Hove Foto Books, Newpro, Faringdon Oxon., UK. {{ISBN, 0-906447-76-3.


External links

In English:
RZ67II Review in ephotozine (2001)
by David Tarn

by Christoph Sensen

by Christoph Sensen

In French:

o
www.collection-appareils.fr
by Sylvain Halgand In Japanese:

in th

of th

covers the original RZ67 Professional 120 film cameras Mamiya SLR cameras ja:マミヤ・オーピーのカメラ製品一覧#マミヤRZ67シリーズ