Mambo Music
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Mambo is a genre of Cuban dance music pioneered by the charanga
Arcaño y sus Maravillas Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón- ...
in the late 1930s and later popularized in the
big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and ...
style by
Pérez Prado Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.''On Becoming Cuban: Identity, Nationality, and Culture'' Louis A. Pérez Jr. - 2012 ...
. It originated as a syncopated form of the
danzón Danzón is the official genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in USA and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork ...
, known as
danzón-mambo The danzón-mambo (also known as ''danzón de nuevo ritmo'') is a subgenre of Cuban dance music that marked the transition from the classical danzόn to the mambo and the cha-cha-chá. It was also in the context of the danzón-mambo that the Cub ...
, with a final, improvised section, which incorporated the ''
guajeo A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by ...
s'' typical of son cubano (also known as ''
montuno Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so '' son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Ano ...
s''). These ''guajeos'' became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
. By the late 1940s and early 1950s, mambo had become a "dance craze" in
Mexico Mexico, officially the United Mexican States, is a country in North America. It is the northernmost country in Latin America, and borders the United States to the north, and Guatemala and Belize to the southeast; while having maritime boundar ...
and the
United States The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 ...
as its associated dance took over the East Coast thanks to
Pérez Prado Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.''On Becoming Cuban: Identity, Nationality, and Culture'' Louis A. Pérez Jr. - 2012 ...
,
Tito Puente Ernest Anthony Puente Jr. (April 20, 1923 – May 31, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, timbalero, and record producer. He composed dance-oriented mambo and Latin jazz music. He was also k ...
,
Tito Rodríguez Pablo Rodríguez Lozada (January 4, 1923 – February 28, 1973), better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both m ...
and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new derivative styles appeared, such as dengue; by the 1970s it had been largely incorporated into
salsa Salsa most often refers to: * Salsa (food), a variety of sauces used as condiments * Salsa music, a popular style of Latin American music * Salsa (dance), a Latin dance associated with Salsa music Salsa or SALSA may also refer to: Arts and ent ...
.


History


Origins in Cuba

The earliest roots of mambo can be traced to the '' danzón de nuevo ritmo'' (danzón with a new rhythm), later known as danzón-mambo, made popular by the orchestra
Arcaño y sus Maravillas Arcaño y sus Maravillas was a Cuban charanga founded in 1937 by flautist Antonio Arcaño. Until its dissolution in 1958, it was one of the most popular and prolific danzón orchestras in Cuba, particularly due to the development of the danzón- ...
conducted by flautist
Antonio Arcaño Antonio Arcaño Betancourt (Atarés, Havana 29 December 1911 – 1994) was a Cuban flautist, bandleader and founder of Arcaño y sus Maravillas, one of Cuba's most successful charangas. He retired from playing in 1945, but continued as director ...
.
Orestes López Orestes López Valdés (August 28, 1908 – January 26, 1991), nicknamed Macho, was a Cuban multi-instrumentalist, composer and bandleader. As a double bassist he was a founding member of the Havana Philharmonic Orchestra, and later a member of t ...
and his brother Israel López "Cachao", main composers of the Maravillas, were the first to denominate a final upbeat, improvised section of the popular Cuban
danzón Danzón is the official genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in USA and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork ...
as a ''mambo''. This innovation was a key step in the process of evolution of the danzón, which over the years had progressively lost its structural rigidity to the benefit of musicians and dancers alike. Prior to the ''danzón de nuevo ritmo'', in 1910,
José Urfé José Urfé González (February 6, 1879 – November 14, 1957) was a Cuban clarinetist and composer. An innovator of the danzón, his 1910 composition "El bombín de Barreto" pioneered the introduction of elements from son cubano into the genr ...
had first added a
montuno Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so '' son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Ano ...
(typical
son A son is a male offspring; a boy or a man in relation to his parents. The female counterpart is a daughter. From a biological perspective, a son constitutes a first degree relative. Social issues In pre-industrial societies and some current ...
improvised closing section) as a final part of his composition ''El bombín de Barreto''. This was a swinging section consisting of a repeated musical phrase, which introduced some elements of the son into the danzón. During the mid-to-late 1930s, some members of the Arcaño group were saying ''vamos a mambear'' ("let's mambo") when referring to the montuno or final improvisation of the danzón. It was Arcaño's cellist,
Orestes López Orestes López Valdés (August 28, 1908 – January 26, 1991), nicknamed Macho, was a Cuban multi-instrumentalist, composer and bandleader. As a double bassist he was a founding member of the Havana Philharmonic Orchestra, and later a member of t ...
, who created the first danzón called "
Mambo Mambo most often refers to: *Mambo (music), a Cuban musical form *Mambo (dance), a dance corresponding to mambo music Mambo may also refer to: Music * Mambo section, a section in arrangements of some types of Afro-Caribbean music, particul ...
" (1938). In this piece, some syncopated motives taken from the son style were combined with improvised flute passages. Antonio Arcaño described the mambo as follows: "Mambo is a type of syncopated ''montuno'' that possesses the rhythmic charm, informality and eloquence of the Cuban people. The pianist attacks the mambo, the flute picks it up and improvises, the violin executes rhythmic chords in double stops, the double bass inserts a ''
tumbao In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called ''tumbao''. In the contemporary form of Cuban popular dance music known as timba, pian ...
'', the ''timbalero'' plays the cowbell, the ''güiro'' scrapes and plays the ''maracas'' rhythm, the indispensable ''tumba'' (
conga drum The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), an ...
) reaffirms the bass ''tumbao'' and strengthens the ''timbal''."


1940-1952: "Brass" Mambo in Mexico City

Dámaso Pérez Prado Dámaso is a Spanish masculine given name. The name is equivalent to that of Pope Damasus I in English. The name also exists in Italian as Damaso, though it is uncommon. People * Dámaso Alonso (1898–1990), Spanish poet * Dámaso Berenguer, 1s ...
, a pianist and arranger from
Matanzas, Cuba Matanzas (Cuban ; ) is the capital of the Cuban province of Matanzas Province, Matanzas. Known for its poets, culture, and Afro-American religions, Afro-Cuban folklore, it is located on the northern shore of the island of Cuba, on the Bay of Mat ...
, established his residence in Havana at the beginning of the 1940s and began to work at night clubs and orchestras, such as Paulina Alvarez's and Casino de La Playa. In 1949 he traveled to Mexico looking for job opportunities and achieved great success with a new style, to which he assigned a name that had been already used by
Antonio Arcaño Antonio Arcaño Betancourt (Atarés, Havana 29 December 1911 – 1994) was a Cuban flautist, bandleader and founder of Arcaño y sus Maravillas, one of Cuba's most successful charangas. He retired from playing in 1945, but continued as director ...
, the ''mambo''. Perez Prado's style differed from the previous mambo concept. The new style possessed a greater influence from North-American
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
, and an expanded instrumentation consisting of four to five trumpets, four to five saxophones, double bass, drums, maracas, cowbell, congas and bongos. This new mambo included a catchy counterpoint between the trumpets and the saxophones that induced the body to move along with the rhythm, stimulated at the end of each musical phrase by a characteristic deep throat sound expression. Because his music was aimed at an audience that lived primarily outside Cuba, Pérez Prado used a large number of international influences, especially North-American, in his arrangements. This is evident in his arrangements of songs such as "Mambo Rock", "Patricia" and "Tequila", where he uses a triple meter U.S. "swing" rhythm fused with elements from
Cuban rumba Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, n ...
and son.
Pérez Prado Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.''On Becoming Cuban: Identity, Nationality, and Culture'' Louis A. Pérez Jr. - 2012 ...
gained hits such as " Mambo No. 5" and "Mambo No. 8" in 1950. The mambo boom peaked in the US in early 1950s, when Pérez Prado hit the American
charts A chart (sometimes known as a graph) is a graphical representation for data visualization, in which "the data is represented by symbols, such as bars in a bar chart, lines in a line chart, or slices in a pie chart". A chart can represent t ...
at number one with a cha-cha-chá version of "
Cherry Pink (and Apple Blossom White) "Cherry Pink and Apple Blossom White" or "Cerezo Rosa" or "Ciliegi Rosa" or "Gummy Mambo", is the English version of "Cerisiers Roses et Pommiers Blancs", a popular song with music by Louiguy written in 1950. French lyrics by Jacques Larue and E ...
". Pérez Prado's repertoire included numerous international pieces such as "Cerezo Rosa", "María Bonita", "Tea for Two", " La Bikina", " Cuando Calienta El Sol", " Malagueña" and "En Un Pueblito Español", among many others. Prado's recordings were meant for the Latin American and U.S. ''latino'' markets, but some of his most celebrated mambos, such as "Mambo No. 5" and "Que Rico El Mambo", quickly crossed over to a wider U.S. audience.León, Javier F. "Mambo." ''Encyclopedia of Latino Popular Culture''. Ed. Cordelia Chávez Candelaria, Arturo J. Aldama, Peter J. García, Alma Alvarez-Smith. 2 vols. Connecticut: Praeger, 2004: 510 Cuban singer Beny Moré also lived in Mexico between 1945 and 1952. He composed and recorded some mambos there with Mexican orchestras, especially the one led by Rafael de Paz; they recorded "Yiri Yiri Bon", "La Culebra", "Mata Siguaraya", " Solamente Una Vez" and "Bonito Y Sabroso". Benny and Perez Prado recorded 28 mambo songs including "La Múcura", "Rabo Y Oreja", and "Pachito E'ché". At this time Benny also recorded with the orchestra of Jesús "Chucho" Rodríguez.


Mambo in New York City: 1947-1960

Mambo arrived in 1947 and mambo music and dance became popular soon after. Recording companies began to use ''mambo'' to label their records and advertisements for mambo dance lessons were in local newspapers. New York City had made mambo a transnational popular cultural phenomenon. In New York the mambo was played in a high-strung, sophisticated way that had the
Palladium Ballroom The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street.''New York Post'', March 14, 1946; ...
, the famous Broadway dance-hall, jumping. The Ballroom soon proclaimed itself the "temple of mambo", for the city's best dancers—the Mambo Aces, Cha Cha Taps, "Killer Joe" Piro, Augie and Margo Rodriguez. Augie and Margo were still dancing 50 years later (2006) in
Las Vegas Las Vegas, colloquially referred to as Vegas, is the most populous city in the U.S. state of Nevada and the county seat of Clark County. The Las Vegas Valley metropolitan area is the largest within the greater Mojave Desert, and second-l ...
. Some of New York's biggest mambo dancers and bands of the 1950s included: Augie & Margo, Michael Terrace & Elita, Carmen Cruz & Gene Ortiz, Larry Selon & Vera Rodríguez, Mambo Aces(Anibal Vasquez and Samson Batalla), Cha Cha Taps (Carlos Arroyo and Mike Ramos),
Killer Joe Piro Frank "Killer Joe" Piro (2 March 1921 – 5 February 1989) was an American dance instructor to upper class, high society who popularized steps of the discotheque era of the 1960s and 1970s. Early life Piro was born in East Harlem, the son of a ...
, Paulito and Lilon, Louie Maquina,
Pedro Aguilar Pedro "Cuban Pete" Aguilar (June 14, 1927 – January 13, 2009) was named "the greatest Mambo dancer ever" by ''Life'' magazine and Tito Puente. Pedro Aguilar was nicknamed "Cuban Pete" and . Aguilar was born in San Juan, Puerto Rico. He took ...
("Cuban Pete"),
Machito Frank Grillo (born Francisco Raúl Gutiérrez Grillo; December 3, 1909 – April 15, 1984) known professionally as Machito (previously as Macho), was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music ...
,
Tito Rodríguez Pablo Rodríguez Lozada (January 4, 1923 – February 28, 1973), better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both m ...
, Jose Curbelo, Akohh, and
Noro Morales Norberto "Noro" Morales (January 4, 1911 – January 15, 1964) was a Puerto Rican pianist and bandleader. Biography Morales was born in the subbarrio Puerta de Tierra of San Juan, Puerto Rico to father Luis Morales Barada, a musician, and m ...
.


See also

*
Rhumba Rhumba, also known as ballroom rumba, is a genre of ballroom music and ballroom dance, dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cub ...
*
Enrique Jorrín Enrique Jorrín (December 25, 1926 – December 12, 1987) was a Cuban charanga violinist, composer and music director. He is considered the inventor of the '' cha-cha-chá'', a popular style of ballroom music derived from danzón. Biography Jor ...
*
Pachanga Pachanga is a genre of music which is described as a mixture of son montuno and merengue and has an accompanying signature style of dance. This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. Pachanga ...
*
Guaracha The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word has been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical the ...
* Merengue


References


Further reading

* Pérez Firmat, Gustavo. "Mad for Mambo," in ''The Havana Habit''. New Haven and London: Yale University Press, 2010.


External links


Perez Prado and Mambo Mania


{{Authority control Hispanic and Latino American culture in New York City