''Mala Pilla'' or ''Malapilla'' (''English: ''Girl from
Mala caste) is a 1938 Indian Telugu-language
social problem film directed by
Gudavalli Ramabrahmam and written by
Tapi Dharma Rao.
[S. V. Rama Rao (2006) ''Naati 101 Chitralu''. Kinnera Publications, Hyderabad. p. 14.] The film was produced by Raja of
Challapalli,
Yarladadda Sivarama Prasad on
Sarathi Films banner.
It featured
Kanchanamala in the
title role with Gali Venkateswara Rao,
Govindarajula Subba Rao,
P. Suribabu
P. Suri Babu, or Puvvula Suri Babu (Telugu: పువ్వుల సూరిబాబు) (22 February 1915 – 12 February 1968), was an Indian actor and singer on stage and cinema. He had a peculiar bold voice and was called Kanchu Kantham ...
, Sundaramma in other prominent roles.
It is a social drama depicting the love story between a
Brahmin boy and a
Dalit girl.
[Nostalgia Mala Pilla (1938) at Cinegoer.com](_blank)
The film dealt with themes like
untouchability, taboo on entry into temples for
Dalits,
Gandhism, and
nationalism in pre-independent India.
The film was dedicated to the
Maharajah of Travancore,
Chithira Thirunal Balarama Varma
Sree Padmanabhadasa Sree Chithira Thirunal Balarama Varma , popularly known as Sree Chithira Thirunal, was the last ruling Maharaja of the Princely State of Travancore, in southern India until 1949 and later the Titular Maharajah of Travancore ...
who had passed a
law allowing members of all castes to enter temples.
''Malapilla'' was released in a record 12 centres on September 25, 1938, and was a big hit.
On its release, the film caused a sensation, rejecting the
stage-derived
mythological
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrat ...
genre dominating
Telugu cinema in the 1930s.
The film's success kindled interest in other Telugu
filmmakers to make films based on social themes.
''Malapilla'' was also the 50th
talkie film made in Telugu cinema.
Plot
Inspired by
Gandhi, Radhabayamma (Hemalatha Devi) launches Harijan movement in Kalyanapuram village much to the chagrin of the orthodox
Brahmin community and the upper castes. When Dalits try to enter the temple, the trustee Sundara Ramasastry (Govindarajula Subbarao) stops them. His son Nagaraju (Gali Venkateswara Rao), a photographer falls in love with Sampalatha. Chowdharayya (P. Suribabu), a
Gandhian, makes a futile attempt to bring a compromise between the upper castes and the Dalits. Nagaraju and Sampalatha elope to
Calcutta where he finds a job. Anasuya (Sundaramma) Sampalatha's sister accompanies them. Nagaraju educates Sampalatha. In the village, Chowdharayya leads a non-violent movement by Dalits against the upper castes. Dalits save Sundara Ramasastry's wife from a fire accident and Sastry is a changed man now agreeing to allow harijans into the temple. With his father's blessings, Nagaraju marries Sampalatha.
Cast
*
Kanchanamala as Sampalatha
* Gali Venkateswara Rao as Nagaraju
*
Govindarajula Subba Rao as Sundara Ramasastry
*
P. Suribabu
P. Suri Babu, or Puvvula Suri Babu (Telugu: పువ్వుల సూరిబాబు) (22 February 1915 – 12 February 1968), was an Indian actor and singer on stage and cinema. He had a peculiar bold voice and was called Kanchu Kantham ...
as Chowdharayya
* V. V. Subbaiah
* Raghavan
* Sundaramma as Anasuya
* Hemalatha Devi as Radhabayamma
* Gangarathnam
* Katuri Jaganmohan
*
Vangara
Production
Development
The village girl Sampalatha's character in ''Malapilla'' based on
Gudipaati Venkata Chalam's unpublished novelette.
Tapi Dharma Rao wrote the screenplay for ''Malapilla'', while most of Chalam's dialogues were retained.
Casting
During his stint as a production director with Vel Pictures, Ramabrahmam felt that Kancanamala was not fit for acting and rejected her. As she rose in career, he realised he was wrong and signed her for the village girl Sampalatha's character. Sceptics commented that she was a misfit for such a complex character as she was famous for glamorous roles until then. But her performance as an illiterate downtrodden village belle in the first half and as the literate modern city woman in the later portions was commended
Dr. Govindarajula Subbarao, a veteran stage actor and a popular LMP doctor from
Tenali was cast for the role of the antagonist Sundara Ramasastry. At first he refused to take up the assignment as he was asked to shave his head and moustache. After his mother gave him permission to do so, he relented.
Filming
The film was shot in 40 days at K. Subrahmanyam's Motion Picture Producers Studio in
Mount Road, Madras that was later acquired in an auction by
S. S. Vasan who renamed it
Gemini Studios.
The film was dedicated to the
Maharajah of Travancore,
Chithira Thirunal Balarama Varma
Sree Padmanabhadasa Sree Chithira Thirunal Balarama Varma , popularly known as Sree Chithira Thirunal, was the last ruling Maharaja of the Princely State of Travancore, in southern India until 1949 and later the Titular Maharajah of Travancore ...
who had passed a
law allowing members of all castes to enter temples.
Music
Bhimavarapu Narasimha Rao (BNR) composed the music for the film.
The soundtrack had 17 songs and 5 poems mostly based on
folk music. Ramabrahmam took three of Basavaraju Apparao's by then popular lyrics – ''Kollayi gattithe nemi'', ''Nallavaade Gollapillavaade'', and ''Aa mabbu…ee mabbu''. The songs were highly popular.
* ''Aa Mabbu Ee Mabbu''
* ''Jai Mahadev''
* ''Jatara Setamu Ra''
* ''Vaduku Vaduku''
* ''Kuleelandaru Ekamu Kavale Ra''
* ''Venu Manohara Ganamu''
* ''Savirahe Tavadeena''
* ''Nallavade Gollapillavade''
Release
The film was released in a record 12 centres on 25 September 1938. Some people tried to stop the screening; in retaliation Ramabrahmam gave free passes to Brahmins who wanted to watch it. Some people who watched the film went home and bathed to get rid of the sin of watching such a film.
Reception and legacy
The film was a big hit.
On its release, it caused a sensation, rejecting the stage-derived
mythological
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrat ...
genre dominating Telugu cinema in the 1930s.
The film's success kindled interest in other Telugu
filmmakers to make films based on social themes.
''Malapilla'' discarded the litearary Telugu used in films until then and traded it for colloquial Telugu in its dialogue. Kanchanamala's still from the film's promotional calendar became popular and found its way into many calendars in Telugu homes.
References
External links
* {{IMDb title, tt0259415, Malapilla
1930s Telugu-language films
1938 films
Indian black-and-white films
Indian drama films
1938 drama films
Films scored by Master Venu
Films about the caste system in India