Magnus Lindberg

Magnus Gustaf Adolf Lindberg (born 27 June 1958) is a Finnish composer and pianist. He was the New York Philharmonic's composer-in-residence from 2009 to 2012 and the London Philharmonic Orchestra's composer-in-residence from 2014 to 2017.

Early life

Lindberg was born in Helsinki, where he studied at the Sibelius Academy under Einojuhani Rautavaara and Paavo Heininen, beginning with piano. He attended summer courses in Siena (with Franco Donatoni) and Darmstadt (with Brian Ferneyhough). After graduating in 1981, he traveled widely in Europe, attending private studies with Vinko Globokar and Gérard Grisey in Paris, and observing Japanese drumming and punk rock in Berlin.

Compositions and style

Lindberg's juvenilia include the large orchestral work ''Donor'', composed at age 16. ''Quintetto dell’Estate'' (1979) is generally held to be Lindberg's first opus. His first piece performed by a professional orchestra was ''Sculpture II'' in 1982, the second part of a trilogy whose first and third sections were long unwritten. His first great success came with "Action-Situation-Signification" (1982), the first work in which he explored ''musique concrète''. This piece was written for and premiered by the new-music ensemble Toimii ("It Works" in Finnish), which Lindberg founded in the summer of 1980. Around the same period, Lindberg founded an informal grouping known as the ''Ears Open Society'' including Lindberg and his contemporaries Eero Hämeenniemi, Jouni Kaipainen, Kaija Saariaho, Esa-Pekka Salonen and Herman Rechberger. He is a trained pianist and has performed several of his works as part of Toimii.

''Kraft'' (1983–85), another piece written for Toimii, is Lindberg's largest work to date, with harmonies of over 70 notes and a meter-high score. It uses traditional instrumentation as well as percussion on scrap metal and spoken word. After finishing it Lindberg found it hard to compose, and with the exception of 1986's ''Ur'', which he called "''Kraft'' in chamber form", he entered a creative hiatus that lasted over two years. During this time he was not only rethinking his style but also recovering from a tropical disease contracted during travel in Indonesia.

''Kraft'' made use of a chaconne-type structure where the progression of the piece is based on a repeated chain of chords. It was this idea that served as the basis for Lindberg's next style. He returned with an orchestral trilogy consisting of ''Kinetics'' (1988), ''Marea'' (1989–90), and ''Joy'' (1990). Though Lindberg became less interested in electronic manipulation of sound, he continued to explore the possibilities of compositional software, and ''Engine'' displays complex computer-generated counterpoint. Since ''Joy'', Lindberg has gradually refined his style, orchestrations and harmonies. This showed itself first in ''Corrente'' for chamber ensemble (1992) and its subsequent orchestral version, ''Corrente II'', and in Duo Concertante (1992). In these works Lindberg showed influences ranging from Pierre Boulez and Tristan Murail to Igor Stravinsky and minimalism. His symphonic work ''Aura'' (1994) reflects a newer, more eclectic style.

Lindberg has since built upon these developments, further refining his style, which now leans toward a type of new tonality hinted at in works such as ''Joy'' and ''Aura''. This development has culminated in one of his most popular scores to date, his Clarinet Concerto (2002), which has a folk-like melody and rich orchestration. His recent work, ''Two Episodes'', was premiered at the BBC Proms on 24 July 2016. It is a companion piece to Beethoven's Ninth Symphony, containing allusions to both the symphony and other works by the composer, rather in the same way that I.M. Pei's Louvre Pyramid complements the Tuileries Palace in Paris.

Awards and honors

Lindberg has received a number of composition prizes, including the Prix Italia (1986), the UNESCO International Rostrum of Composers (1986), the Nordic Council Music Prize (1988) for ''Kraft'', and the Royal Philharmonic Society Prize for large-scale composition (1992).

Lindberg became the new composer-in-residence at the New York Philharmonic for the 2009–2010 season at the invitation of the incoming music director Alan Gilbert. The Philharmonic's September 2009 opening night gala, which was Gilbert's debut as music director, featured a well-received new work by Lindberg, '' EXPO''. Lindberg's fourth and final commission as composer-in-residence was the Piano Concerto No. 2, which was premiered on 3 May 2012.

Works

Orchestral

*''Sculpture II'' (1981)
*''Kraft'' for small solo ensemble and orchestra (1983–85)
*''Kinetics'' (1988–89)
*''Marea'' (1989–90)
*''Corrente II'' (1992)
*'' Aura (In memoriam Witold Lutosławski)'' (1994)
*''Arena'' (1995)
*''Feria'' (1997)
*'' Cantigas'' (1998–99)
*''Fresco'' (1997)
*'' Parada'' (2001)
*''Bright Cecilia: Variations on a Theme by Purcell'' (2002)
*''Chorale'' (2002)
* Concerto for Orchestra (2003)
*''Tribute'' (2004)
*''Sculpture'' (2005)
*''Seht die Sonne'' (2007)
*'' EXPO'' (2009)
*'' Al largo'' (2010)
*''Era'' (2013)
*''Vivo'' (2015)
*'' Two Episodes'' (2016)
*'' Tempus fugit'' (2016–17)
*''Agile'' (2017–18)
*''Absence'' (2020)
*''Encore'' (2021)
*''Serenades'' (2023)

Chamber orchestra or ensemble

*''Ritratto'' (1979–83)
*''Tendenza'' (1982)
*''Joy'' (1989–90)
*''Corrente'' (1992)
*''Coyote Blues'' (1996)
*''Engine'' (1996)
*''Corrente – China Version'' (2000)
*''Bubo bubo'' (2002)
*''Jubilees'' (2002)
*''Counter Phrases'' (2002–03)
*''Souvenir'' (2010)
* ''Red House ''(2013)
* ''Aventures'' (2013)
* ''Shadow of the Future'' (2019)

Soloist(s) and orchestra

*''Away'' for solo clarinet, string orchestra, piano and percussion (1994)
* Piano Concerto No. 1 (1991/94)
*''Campana In Aria'' for horn and orchestra (1998)
* Cello Concerto No. 1 (1999)
*Clarinet Concerto (2002)
* Violin Concerto No. 1 (2006)
* Piano Concerto No. 2 (2011–12)
* Cello Concerto No. 2 (2013)
* Violin Concerto No. 2 (2015)
* Piano Concerto No. 3 (2022)
*Viola Concerto (2023–24)

Wind orchestra

*''Zungenstimmen'' for wind orchestra (1994)
*''Gran Duo'' for wind orchestra (1999–2000)
*''Ottoni'' for brass ensemble (2005)

Small ensemble

*''Musik för två pianon'' (Music for Two Pianos) (1976)
*''Arabesques'' for flute, oboe, clarinet, bassoon, and horn (1978)
*''Play I'' for two pianos (1979)
*''Quintetto dell' estate'' for flute, clarinet, violin, cello and piano (1979)
*''Linea d'ombra'' for small ensemble (1981)
*"...de Tartuffe, je crois..." for piano quintet (1981)
*''Action-Situation-Signification'' for small ensemble and electronics (1982)
*''Ablauf'' for clarinet and percussion (1983)
*''Zona'' for cello solo and seven instruments (1983)
*''Metal Work'' for accordion and percussion (1984)
*''UR'' for small ensemble (1986)
*''Moto'' for cello and piano (1990)
*''Steamboat Bill Jr.'' for clarinet and cello (1990)
*Clarinet Quintet (1992)
*''Duo Concertante'' for solo clarinet, solo cello and ensemble (1992)
*''Decorrente'' for small ensemble (1992)
*''Kiri'' for clarinet, cello, percussion and electronics (1993)
*''Related Rocks'' for two pianos, percussion and electronics (1997)
*''Dos Coyotes'' for cello and piano (2002)
*''Konzertstück'' for cello and piano (2006)
*Trio for clarinet, cello and piano (2008) (also arranged for violin, cello and piano (2011–12))
*''Acequia Madre'' for clarinet and piano (2012) (also arranged for viola and piano)
*''Maguey de tlalcoyote'' for string trio (2018) (also arranged for double string trio (2021))
*''Deux Études pour trois clarinettes'' for three clarinets (2020)
*''Quintet'' for piano, oboe, clarinet, horn, and bassoon (2023)

Solo instrument

*''Klavierstück'' for piano (1977)
*''Tre Pianostycke'' (Three Piano Pieces, or Three Short Pieces) for piano (1978)
*''Ground'' for harpsichord (1983)
*''Stroke'' for cello (1984)
*''Twine'' for solo piano (1988)
*''Jeux d'anches'' for solo accordion (1990)
*''Jubilees'' for piano (2000)
*''Partia'' for cello solo (2001)
*''Etude I'' for piano (2001)
*''Mano a mano'' for guitar (2004)
*''Etude II'' for piano (2004)
*''Duello'' for cello (2010)
*''Fanfar för Victoria'' for trumpet (2015)
*''Fratello'' for piano (2016)
*''Promenade'' for piano (2017)
*''Caprice'' for violin (2022)

Vocal

*''Jag vill breda vingar ut'' for mezzo-soprano and piano (1977–78)
*''Untitled'' for chamber chorus a cappella (1978)
*''Songs from North and South'' for children's chorus a cappella (1993–2008)
*''Graffiti'' for chamber chorus and orchestra (2008–09)
*''Accused'' for soprano and orchestra (2014)
*''Triumf att finnas till'' (''Triumph to Exist'') for chorus and orchestra (2018)
*''Like As The Waves'' for soprano and violin (2021)

References

Further reading

*Howell, Tim. 2006. ''After Sibelius: Studies in Finnish Music''
Chapter 9
pp. 231–262. Aldershot and Vermont: Ashgate Publishing, Ltd.
*Nieminen, Risto. 1993. ''Magnus Lindberg''. Paris: Ircam, Centre Georges-Pompidou. (in French)
*
*Stenius, Caterina. 2006. ''Chaconne: En bok om Magnus Lindberg och den nya musiken''. Med verkförteckning av Risto Nieminen. Helsinki: Söderströms.

External links

Magnus Lindberg at Boosey & HawkesEntry at the Finnish Music Information CentreMagnus Lindberg page at Ondine Records
conducted by Kirk Noreen and Joshua Cody in 1999.

Magnus Lindberg biography
at ''Biografiskt lexikon för Finland''.
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{{DEFAULTSORT:Lindberg, Magnus
1958 births
Living people
20th-century Finnish classical composers
21st-century Finnish classical composers
Musicians from Helsinki
Swedish-speaking Finns
Sibelius Academy alumni
Honorary members of the Royal Academy of Music
International Rostrum of Composers prize-winners
Members of the Academy of Arts, Berlin
Pupils of Gérard Grisey
Finnish male classical composers
20th-century Finnish male musicians
21st-century Finnish male musicians