Lü Ban (director)
   HOME

TheInfoList



OR:

Lü Ban (; 1913–1976), born Hao Enxing (), was a Chinese actor, comedian and film director, and a member of the
Chinese Communist Party The Communist Party of China (CPC), also translated into English as Chinese Communist Party (CCP), is the founding and One-party state, sole ruling party of the People's Republic of China (PRC). Founded in 1921, the CCP emerged victorious in the ...
. He was the author of the first Chinese satirical comedy film in 1956. His career ended a year later when he was banned from film-making for ''
The Unfinished Comedy ''The UnfinisheComedy' ( zh, 没有完成的喜剧, ''Méiyǒu wánchéng de xǐjù'') is a 1957 Chinese sound film directed by actor-turned-director Lü Ban (director), Lü Ban. The film portrays the reunion of a beloved Republican-era screen com ...
'', another satirical comedy, itself banned before its release and described both as notorious and "perhaps the most accomplished hinesefilm made in the 17 years between 1949 and the
Cultural Revolution The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a Social movement, sociopolitical movement in the China, People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until his de ...
".


Biography

Lü Ban studied in the Film Actor Training School of the
United Photoplay Service The United Photoplay Service Company () was one of the three dominant production company, production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of ...
, and subsequently worked as an actor and a comedian in leftist theater and cinema in
Shanghai Shanghai, Shanghainese: , Standard Chinese pronunciation: is a direct-administered municipality and the most populous urban area in China. The city is located on the Chinese shoreline on the southern estuary of the Yangtze River, with the ...
in the 1930s. He made his debut as an actor in ''
Crossroads Crossroads is a junction where four roads meet. Crossroads, crossroad, cross road(s) or similar may also refer to: Film and television Films * ''Crossroads'' (1928 film), a 1928 Japanese film by Teinosuke Kinugasa * ''Cross Roads'' (film), a ...
'' (Shizi jietou, 1937). He quickly gained fame, and has been even called "the Oriental
Chaplin Chaplin may refer to: People * Charlie Chaplin (1889–1977), English comedy film actor and director * Chaplin (name), other people named Chaplin Films * ''Unknown Chaplin'' (1983) * Chaplin (film), ''Chaplin'' (film) (1992) * Chaplin (2011 fi ...
". In 1948 he joined the
Northeast Film Studio Northeast Film Studio or Northeastern Film Studio () was one of the first formally established movie production company in the northeast part of China. It was the communist party's first full-function film studio. Early history Following Japan's ...
and the following year he was involved in the production of ''
Bridge A bridge is a structure built to Span (engineering), span a physical obstacle (such as a body of water, valley, road, or railway) without blocking the path underneath. It is constructed for the purpose of providing passage over the obstacle, whi ...
'', the first feature film of the post-war, communist China. His first films were revolutionary
melodramas A melodrama is a dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dial ...
: in 1950 he co-directed with Yi Lin the '' Heroes of Lüliang Mountain'' (''Lüliang yingxiong'', 1950); in 1951, with Shi Dongshan, '' New Heroes and Heroines'' (''Xin ernü yingxiong zhuan''); 1952 he directed ''
Gate No. 6 A gate or gateway is a point of entry to or from a space enclosed by walls. The word is derived from Proto-Germanic ''*gatan'', meaning an opening or passageway. Synonyms include yett (which comes from the same root word) and portal. The conc ...
'' (''Liu hao men''); in 1954, ''
A Heroic Driver A, or a, is the first letter and the first vowel letter of the Latin alphabet, used in the modern English alphabet, and others worldwide. Its name in English is '' a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient ...
'' (Yingxiong siji), and in 1955 a musical, ''
Chorus of the Yellow Chorus may refer to: Music * Chorus (song), the part of a song that is repeated several times, usually after each verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which ...
'' (''Huangheda hechang''). However, his most influential and discussed works were the three satirical comedies released during the period of lessened censorship in 1956–57 (known as the
Hundred Flowers Campaign The Hundred Flowers Campaign, also termed the Hundred Flowers Movement ( zh, s=百花齐放, p=Bǎihuā Qífàng) and the Double Hundred Movement ( zh, labels=no, s=双百方针, p=Shuāngbǎi Fāngzhēn), was a period from 1956 to 1957 in the ...
). Those three comedies have been described as some of the sharpest criticisms, at least in the film media of that period, of the contemporary Chinese society. One of the distinguishing feature of his movies of that period was the novelty or using fellow, socialist Chinese citizens as the subjects of satire, instead of the previously common, and safer, "corrupt GMD officials and snobbish urban socialites." The works released during that brief period departed from the state-sanctioned topics aiming to legitimize the new state, offering "moral edification and celebrating the triumph of revolutionary virtue over reactionary villainy". '' The Man Who Doesn't Bother about Trifles'' (''Buju xiaojie de ren'', 1956) was the least controversial of the trio, likely due to "its trivial subject matter and mild satirical style". However, Lü Ban's other two movies proved to be much more problematic. '' Before the New Director Arrives'' (''Xin ju zhang dao lai zhi qian'', 1956), described as "the first satirical film to be made in the
PRC China, officially the People's Republic of China (PRC), is a country in East Asia. With a population exceeding 1.4 billion, it is the second-most populous country after India, representing 17.4% of the world population. China spans the e ...
", made fun of inefficient low ranking officials and exposed the hierarchical relationships occurring between the cadres, but led to Lü Ban being accused of "attacking the Party", while his next film, ''
The Unfinished Comedy ''The UnfinisheComedy' ( zh, 没有完成的喜剧, ''Méiyǒu wánchéng de xǐjù'') is a 1957 Chinese sound film directed by actor-turned-director Lü Ban (director), Lü Ban. The film portrays the reunion of a beloved Republican-era screen com ...
'' (''Meiyou wancheng de xiju,'' 1957), critically dealing among others with the sensitive topic of
film censorship Film censorship is the censorship of motion pictures, either through the excising of certain frames or scenes, or outright banning of films in their entirety. Film censorship typically occurs as a result of political or moral objections to a fi ...
, and since described as notorious, was labelled as a "poisonous weed" during the
Anti-Rightist Movement The Anti-Rightist Campaign () in the People's Republic of China, which lasted from 1957 to roughly 1959, was a political campaign to purge alleged " Rightists" within the Chinese Communist Party (CCP) and the country as a whole. The campaign wa ...
and banned before its release. Lü Ban was accused of "mocking new persons and new things in a new Chinese society in the name of comedy" and in general, undermining socialist morality and attacking the Party. ''The Unfinished Comedy'' ended Lü Ban's career as shortly afterward, Lü Ban himself was banned from directing for life and sentenced to internal exile; he had to abandon work on film-making, leaving behind several unfinished projects, and died in 1976 without being allowed to work on another film. Lü Ban's fate was one of the reasons for other Chinese film makers putting more effort into self-censorship and abandoning the genre of satirical comedy (the next one would not appear in Chinese theaters until the mid-80s); for years to come, the dominant model of comedy in China became one that avoided conflict, and presented safe stories involving "model socialist citizens" learning how to better live in the "harmonious socialist society".


See also

*
Film censorship in China Film censorship in China involves the banning of films which are deemed unsuitable for release and it also involves the editing of such films and the removal of content which is objected to by the governments of China. In April 2018, films were r ...


References


External links

* {{DEFAULTSORT:Lu, Ban 1913 births 1976 deaths Chinese film directors Chinese communists Chinese male comedians Chinese exiles 20th-century Chinese comedians