Lwów Subdialect

The Lwów dialect ( pl, gwara lwowska, ua, Львівська говірка, translit=L’vivs’ka hovirka) is a subdialect (''gwara'') of the Polish language characteristic of the inhabitants of the city of Lviv ( pl, Lwów, uk, Львів), now in Ukraine. Based on the substratum of the Lesser Polish dialect, it was heavily influenced by borrowings (mostly lexical) from other languages spoken in Galicia, notably Ukrainian ( Ruthenian), German and Yiddish, but also by Czech and Hungarian.

One of the peculiarities of the Lwów dialect was its popularity. Unlike many other Polish dialects, it was seen by its speakers as neither inferior to standard Polish nor denoting people of humble origin. That caused it to be used both by common people and university professors alike. It was also one of the first Polish dialects to be properly classified and to have a dictionary published. Despite that, the best known form of the Lwów dialect was the '' bałak'', a sociolect of the lower class ('' batiars''), street hooligans and youngsters.

History

The Lwów dialect emerged in the 19th century and gained much popularity and recognition in the 1920s and 1930s, in part due to countrywide popularity of numerous artists and comedians using it. Among them were Marian Hemar, Szczepcio, and Tońcio, the latter two being authors of the highly acclaimed weekly broadcast in the Polish Radio. Emanuel Szlechter, the screenwriter of many popular films, such as '' The Vagabonds'' and songwriter of Polish pre-war hits, wrote some of his songs in the Lwów dialect ("Ni ma jak Lwów" "Nothing is like Lwow", a song from ''The Vagabonds'').

The dialect is one of the two main sources of galicisms ( – words originating from the Kingdom of Galicia and Lodomeria) in standard Polish. Some words of the dialect have entered into the vocabulary of modern Polish language, and many others were adopted by other regional and social varieties of Polish, notably the . Some elements of the dialect remain in use in contemporary Ukrainian spoken in modern Lviv.

In 1939, the city of Lwów was annexed by the Soviet Union and in the turbulent decade that followed the pre-war population structure of the city changed dramatically. With most of the Polish population expelled, the number of speakers of the dialect sharply declined, but the modern language of the members of Polish minority in Ukraine living in Lviv still resembles the prewar Lwów dialect. It is also cultivated by émigré circles abroad.Kazimierz Schleyen, op.cit., pages 18-19 It remained not only a part of popular culture in post-war Poland thanks to numerous artists and writers, notably Witold Szolginia, Adam Hollanek, and Jerzy Janicki, but also part of the language of many notable personalities who were born in Lwów before the war. Speakers of the Lwów dialect can be found in such cities as Wrocław and Bytom, where the majority of the expelled Polish inhabitants of Lwów settled.

Phonology

Vowels

Among the most characteristic phonological features of the Lwów dialect were the changes in vowel quality influenced by word stress. For example:

* unstressed ''ie, e'' merging into ''i, y'':
** in syllables before the stressed syllable: Standard Polish ''człowiekowi'' → Lwów dialect ''człuwikowi, wielbłądy'' → ''wilbłondy, kieliszkami'' → ''kiliszkami, ciekawy'' → ''cikawy, elektryczny'' → ''iliktryczny''
** in syllables after the stressed syllable: Standard Polish ''człowiek'' → Lwów dialect ''człowik, nawet'' → ''nawyt, majątek →'' ''majontyk''
** at the end of a word: Standard Polish ''ale'' → Lwów dialect ''ali'', ''ciągle'' → ''wciągli'', ''w Polsce'' → ''w Polscy, wasze piękne miasto'' → ''waszy pienkny miastu''
* unstressed ''o'' merging into ''u'':
** in syllables before the stressed syllable: Standard Polish ''oferma'' → Lwów dialect ''uferma, godzina →'' ''gudzina, kobita'' → ''kubita, doprowadził'' → ''dupruwadził''
** in syllables after the stressed syllable: Standard Polish ''czegoś'' → Lwów dialect ''czeguś, ogon'' → ''ogun, ściskając'' → ''ściskajunc''
** at the end of a word: Standard Polish ''jutro'' → Lwów dialect ''jutru''

In songs, the vowels of some words were pronounced inconsistently. Differing musical rhythms could change which syllable of a word was stressed, which is why, for example, one could hear both ''policaj'' and ''pulicaj'' ("police") in the same song.

Consonants

Younger speakers of the Lwów dialect often pronounced the consonant as a semivowel (u̯) syllable-finally and word-finally. Unlike today's Standard Polish, however, the older articulation as a denti-alveolar ( ɫ) was preserved before vowels (in words like ''pudełeczko'' ("box", diminutive) and ''łuk'' "bow").

The consonant before , and before other vowels, was pronounced as ɲ. For example, Standard Polish ʲutwas pronounced as ɲut

Phonological changes

In the Lwów dialect, as in other dialects, there were various phonological changes including assimilation, dissimilation and consonant cluster simplification.

References

External links

Short dictionary of Lwów dialect on Polish Wiktionary

Włóczęgi, a popular Polish film from 1939, which takes place in Lwów, and in which all characters speak the Lwów dialect (youtube link)

{{DEFAULTSORT:Lwow Dialect
History of Lviv
Polish dialects
Languages of Ukraine
City colloquials