Lucky is a character from
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish writer of novels, plays, short stories, and poems. Writing in both English and French, his literary and theatrical work features bleak, impersonal, and Tragicomedy, tra ...
's ''
Waiting for Godot
''Waiting for Godot'' ( or ) is a 1953 play by Irish writer and playwright Samuel Beckett, in which the two main characters, Vladimir (Waiting for Godot), Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters w ...
''. He is a
slave
Slavery is the ownership of a person as property, especially in regards to their labour. Slavery typically involves compulsory work, with the slave's location of work and residence dictated by the party that holds them in bondage. Enslavemen ...
to the character
Pozzo.
Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue). Lucky suffers at the hands of Pozzo willingly and without hesitation. He is "tied" (a key theme in ''Godot'') to Pozzo by a ridiculously long rope in the first act, and then a similarly ridiculous short rope in the second act.
Both tie around his neck. When he is not serving Pozzo, he usually stands in one spot drooling, or sleeping if he stands there long enough. His props include a
picnic basket, a coat, and a suitcase full of sand.
Interpretation
Lucky's place in ''Waiting for Godot'' has been heavily debated. Even his name is somewhat elusive. Some have marked him as "lucky" because he is "lucky in the context of the play." He does not have to search for things to occupy his time, which is a major pastime of the other characters. Pozzo tells him what to do, he does it, and is therefore lucky because his actions are determined absolutely. Beckett asserted, however, that he is lucky because he has "no expectations".
Lucky and Vladimir
Lucky is often compared to
Vladimir (just as Pozzo is
compared to
Estragon) as being the intellectual, left-brained part of his character duo (i.e. he represents one part of a larger, whole character, whose other half is represented by Pozzo). Read this way, Pozzo and Lucky are simply an extreme form of the relationship between Estragon and Vladimir (the hapless impulsive and the intellect who protects him). He philosophises, like Vladimir, and is integral to Pozzo's survival, especially in the second act. In the second act, Lucky becomes mute. Pozzo mourns this, despite the fact that it was he who silenced Lucky in the first act.
The monologue
Lucky is most famous for his speech in Act I. The monologue is prompted by Pozzo when the tramps ask him to make Lucky "think". He asks them to give him his hat: when Lucky wears his hat, he is capable of thinking. The monologue is long, rambling word salad, and does not have any apparent end; it is only stopped when Vladimir takes the hat back. Within the gibberish Lucky makes comments on the arbitrary nature of
God
In monotheistic belief systems, God is usually viewed as the supreme being, creator, and principal object of faith. In polytheistic belief systems, a god is "a spirit or being believed to have created, or for controlling some part of the un ...
, man's tendency to pine and fade away, and towards the end, the decaying state of the earth. His ramblings may be loosely based around the theories of the Irish philosopher
Bishop Berkeley
George Berkeley ( ; 12 March 168514 January 1753), known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland), was an Anglo-Irish philosopher, writer, and clergyman who is regarded as the founder of "immaterialism", a philos ...
.
References
External links
A source of various interpretations Pozzo and Lucky
{{Beckett
Samuel Beckett characters
Theatre characters introduced in 1953
Fictional slaves
Male characters in theatre