Londesborough Brooch (BM)
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The Londesborough Brooch is a
Celtic Celtic, Celtics or Keltic may refer to: Language and ethnicity *pertaining to Celts, a collection of Indo-European peoples in Europe and Anatolia **Celts (modern) *Celtic languages **Proto-Celtic language *Celtic music *Celtic nations Sports Foot ...
pseudo-
penannular brooch The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especial ...
from Ireland. Dating from the late eighth or early ninth century, it is a particularly elaborate example of a dress fastener dated to Ireland's artistic golden age, when objects such as the
Tara Brooch The Tara Brooch is an Irish Celtic brooch, dated to the late 7th or early 8th century. It is of the pseudo-penannular type (with a fully closed head or hoop), and made from bronze, silver and gold. Its head consists of an intricately decorated ...
and
Ardagh Chalice The Ardagh Hoard, best known for the Ardagh Chalice, is a hoard of metalwork from the 8th and 9th centuries. Found in 1868 by two young local boys, Jim Quin and Paddy Flanagan, it is now on display in the National Museum of Ireland in Dublin. I ...
were produced. Since 1888, it has been part of the
British Museum The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
's collection.


Description

The brooch and pin were cast in
silver Silver is a chemical element; it has Symbol (chemistry), symbol Ag () and atomic number 47. A soft, whitish-gray, lustrous transition metal, it exhibits the highest electrical conductivity, thermal conductivity, and reflectivity of any metal. ...
, though the metal is heavily debased, and tests show it contains about 65% copper, 34% silver, with traces of lead and gold.Youngs, 93 This might reflect an origin in melted-down late Roman coins. The pieces were thickly
gilded Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was tradi ...
on the front, and selectively on parts of the back of the head. The pin was cast in two pieces, head and shank, joined with a
rivet A rivet is a permanent mechanical fastener. Before being installed, a rivet consists of a smooth cylinder (geometry), cylindrical shaft with a head on one end. The end opposite the head is called the ''tail''. On installation, the deformed e ...
. Both head and pin were ornamented with geometric and
zoomorphic The word ''zoomorphism'' derives from and . In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art ...
patterns and inset with
amber Amber is fossilized tree resin. Examples of it have been appreciated for its color and natural beauty since the Neolithic times, and worked as a gemstone since antiquity."Amber" (2004). In Maxine N. Lurie and Marc Mappen (eds.) ''Encyclopedia ...
pieces, some now missing. On the back of the head there are two blue glass studs near where the large terminal joins the hoop. There are many small differences between the decoration of the right and left sides of the head, although the overall impression is one of symmetry. Many details of the decoration recall the earlier Tara Brooch and the Breadalbane Brooch (the latter also in the British Museum). However, unlike most other very elaborate brooches of the type, the Londesborough Brooch lacks any gold
filigree Filigree (also less commonly spelled ''filagree'', and formerly written ''filigrann'' or ''filigrene'') is a form of intricate metalwork used in jewellery and other small forms of metalwork. In jewellery, it is usually of gold and silver, m ...
decoration, and aspects of the decoration recall larger pieces of church metal work such as shrines.


Commission

The intricate decoration on precious metal and the large size of the brooch suggest it was made for a wealthy patron or religious leader in Ireland in the late eighth or early ninth centuries AD.Youngs, 93 The pseudo-penannular form is typical of Irish brooches at this period; in a true penannular brooch there is a gap in the centre of the wide terminals ending the hoop through which the pin can pass. In the pseudo-penannular type the terminal sides are joined, here by two narrow bands, making the brooch less efficient as a fastener.


Provenance

Little is known about the original circumstances of the brooch's discovery before it became part of Lord Londesborough's collection. The British Museum purchased the brooch in 1888. With the Tara Brooch in
Dublin Dublin is the capital and largest city of Republic of Ireland, Ireland. Situated on Dublin Bay at the mouth of the River Liffey, it is in the Provinces of Ireland, province of Leinster, and is bordered on the south by the Dublin Mountains, pa ...
, and the
Hunterston Brooch The Hunterston Brooch is a highly important Celtic brooch of "pseudo-penannular" type found near Hunterston, North Ayrshire, Scotland, in either, according to one account, 1826 by two men from West Kilbride, who were digging drains at the foot o ...
in
Edinburgh Edinburgh is the capital city of Scotland and one of its 32 Council areas of Scotland, council areas. The city is located in southeast Scotland and is bounded to the north by the Firth of Forth and to the south by the Pentland Hills. Edinburgh ...
, it is considered one of the finest of over 50 highly elaborate Irish Celtic brooches to survive.Youngs, 90


Notes


References

*Susan Youngs (ed), ''"The Work of Angels", Masterpieces of Celtic Metalwork, 6th–9th centuries AD'', catalogue #71, 1989, British Museum Press, London, (most of the entry is quoted on the BM page, chopped about)


Further reading

*Harbison, Peter. ''The golden age of Irish art''. London, Thames and Hudson, 1999 {{Insular art Individual brooches Celtic brooches Medieval European objects in the British Museum Silver-gilt objects