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''Lips Tullian'' (or ''Lips Tullian, nejobávanější náčelník lupičů'') (in
English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national id ...
: ''Lips Tullian, the Most Redoubtable Leader of Bandits'') is a comic series written by Jaroslav Weigel and drawn by
Kája Saudek Kája Saudek (born Karel Saudek; 13 May 1935 – 26 June 2015) was a Czech comics illustrator and graphic artist. He was considered one of the best artists of Czech comics. Malá (2004), p. 268. He has been called the "King of Czech comic book ...
in 1972. It is set in the 17th century and features an eponymous highwayman. The series was published by the popular
Czechoslovak Czechoslovak may refer to: *A demonym or adjective pertaining to Czechoslovakia (1918–93) **First Czechoslovak Republic (1918–38) **Second Czechoslovak Republic (1938–39) **Third Czechoslovak Republic (1948–60) **Fourth Czechoslovak Repub ...
weekly magazine '' Mladý svět''. The plot is based on romantic adventure stories by Kvidon of Felses (in
Czech Czech may refer to: * Anything from or related to the Czech Republic, a country in Europe ** Czech language ** Czechs, the people of the area ** Czech culture ** Czech cuisine * One of three mythical brothers, Lech, Czech, and Rus' Places *Czech, ...
: Kvidon z Felsů), published in the late 19th century. The comic won wide acclaim from the readership in Czechoslovakia. In a 1973 letter to his friend Pavel Nosek, Saudek notes that the circulation of the magazine increased by 105,000 during the period of publishing of Lips Tullian. Prokůpek (2010), p. 124 The series was only published for one year; it was banned by communist censorship in December 1972. In 2010, thirty-eight years after its creation, the complete series was published as a book. In a poll organized in 2009, the Czech comics server ''Komiksarium'' selected Lips Tullian as the third most significant Czech comic in the history of the genre.


Background

Saudek won his first recognition in 1966, as the creator of special effects and illustrations for the film '' Kdo chce zabít Jessii?'' (Who Wants to Kill Jessie?). However, the promising start of his career was complicated by the events of the
Prague Spring The Prague Spring ( cs, Pražské jaro, sk, Pražská jar) was a period of political liberalization and mass protest in the Czechoslovak Socialist Republic. It began on 5 January 1968, when reformist Alexander Dubček was elected First Se ...
and subsequent "
normalization Normalization or normalisation refers to a process that makes something more normal or regular. Most commonly it refers to: * Normalization (sociology) or social normalization, the process through which ideas and behaviors that may fall outside of ...
" of Czechoslovak society. The official cultural apparatus considered Saudek's style too "American", and some of his critics labelled his work as an example of bourgeois
kitsch Kitsch ( ; loanword from German) is a term applied to art and design that is perceived as naïve imitation, overly-eccentric, gratuitous, or of banal taste. The avant-garde opposed kitsch as melodramatic and superficial affiliation wi ...
. His early mature works were banned and published only after the fall of the communist regime. Diesing (2009), p. 269 In the late 1960s, Saudek met and befriended the journalist Rudolf Křesťan, an editor in Mladý svět. Křesťan enabled him to publish a part of his album '' Muriel a andělé'' (Muriel and Angels) in the magazine. Prokůpek (2010), p. 123 In 1971, Saudek became a regular contributor to Mladý svět. However, the first significant opportunity to work for the magazine only came a year later. Diesing (2009), p. 298 At the beginning of 1972, Saudek began collaborating on a new series with Jaroslav Weigel, a member of the ''
Jára Cimrman Jára Cimrman or Jára da Cimrman (officially Jaroslav Cimrman) (), also known as "the Master", is a fictional Czech polymath, created by Ladislav Smoljak, Jiří Šebánek and Zdeněk Svěrák. The fictional personality is presented as a univ ...
Theatre''. The series, titled ''Lips Tullian, nejobávanější náčelník lupičů'', was published weekly as a part of the magazine. During the period of "normalization" in Czechoslovakia, comics were considered potentially damaging to young people. The creators and the editorial board attempted to select a non-controversial topic in order to "keep the balance between the attractiveness of the magazine and the political pressure". For that purpose, Weigel paraphrased the stories from the popular novelettes depicting the adventures of the highwayman Filip of Mengenstein, alias Lips Tullian. According to the Czech comics expert Tomáš Prokůpek, the series achieved "phenomenal success" and a long queues of impatient readers crowded in front of newsstands each Wednesday (the day of publishing of ''Mladý svět''). However, the success of the comics attracted the attention not only of readers, but also of the communist censors and the official media. The first problems came in the summer of 1972. In reaction, the editorial board of the magazine attempted to protect the series by publishing an interview with Saudek in which he resolutely repudiated any association with Western comics. Paradoxically, the interview provoked another seditious campaign against the series. Despite the protests of readers and fans, Lips Tullian had to vanish from the pages of ''Mladý svět'' in December, 1972. In 1973, the editorial board of ''Mladý svět'' made a covert attempt to resurrect the series. The hero was renamed Černý Filip (Black Filip) and the plot was moved to another period of Czech history. However, the intention was disclosed and the renewed series was banned again without an explanation. Only six episodes were published. Prokůpek (2010), p. 127 Lips Tullian later appeared in other of Saudek's works, most notably in the albums ''Stříbrný poklad'' (Silver Treasure, 1982) and ''Konec Sahrbergovy bandy'' (The End of the Sahrberg Bunch, 1985). The disfavour of the censors didn't prevent the continuing popularity of the series in Czechoslovakia; the original pages of the series are a valuable collector's artifact. The comics series Lips Tullian is considered an example of creative freedom in communist Czechoslovakia.


Style

Working on Lips Tullian was an unusual task for Saudek. Up to that time, he had mainly depicted the contemporary world or visions of the future. The historical theme of the series required a different approach and technique. Another problem was the lack of space intended for a large amount of plot and text in each episode. Gradually, he managed to adapt the format to his own style. Saudek's style changed significantly from the previous period ( Muriel albums), however, he has retained one of the most characteristic elements of his style: the need to paraphrase and cite his previous works in a new and surprising associations. Additionally, the series utilizes "innumerable"
double entendres A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, of which one is typically obvious, whereas the other often conveys a message that would be too socially a ...
, jokes and hidden meanings (in the text as well as in the illustrations) in each episode. Lips Tullian, a highwayman from the 17th century, bears closer resemblance to modern
superheroes A superhero or superheroine is a stock character that typically possesses ''superpowers'', abilities beyond those of ordinary people, and fits the role of the hero, typically using his or her powers to help the world become a better place, ...
than to a historical character. As a defender of the poor and tormented, he doesn't hesitate to help anywhere; however, his efforts focus mainly on rescuing beautiful women from the hands of evil villains. Eroticism and reflection of female beauty is another important element, characteristic throughout the whole of Saudek's oeuvre. The plot is naïve (based on
kitsch Kitsch ( ; loanword from German) is a term applied to art and design that is perceived as naïve imitation, overly-eccentric, gratuitous, or of banal taste. The avant-garde opposed kitsch as melodramatic and superficial affiliation wi ...
y 19th-century novels) and the main theme of the series is, in Saudek's words: "revenge and love in many variations, the topic still living".


Notes


References

* * {{Kája Saudek Czech comics Czech comics titles 1972 comics debuts 1972 comics endings Comics set in the 17th century Underground comix Romance comics Adventure comics Fictional swordfighters in comics Fictional Czech people Czech comics characters Comics characters introduced in 1972 Censorship in the Soviet Union