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Legong ( Balinese: ) is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.
Traditionally, legong dancers were girls who have not yet reached puberty. They begin rigorous training from about the age of five. These dancers are regarded highly in the society and usually become wives of royal personages or wealthy merchants. After marriage they would stop dancing. However, in present Indonesia dancers may be of all ages; performances by men in women's costumes are also recorded.
File:Bali-Danse 0703a.jpg
90th anniversary of Ganjuran Church, Bantul, Yogyakarta, 2014-05-03 12.jpg
Tari Legong Kuntul.jpg
Dayu, oil on canvas, 80 x 100 cm, 2012.JPG
Gerard Pieter Adolfs - 1944 Nr14 Lègong Bali OOC 80 60.JPG
La balinese (Barong dancer).jpg
Garuda Legong Dance - oil painting by Noella Roos.jpg
Romualdo Locatelli - Legong Dancer.jpg
Legong KeratonLegong danceTari Legong Lasem part 1
{{Authority control Balinese culture Dances of Bali
Origins
Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukawati fell ill and had a vivid dream in which two maidens danced togamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. ...
music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the '' sanghyang dedari'', a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals. Excerpts from Legong dance dramas are put on for tourists.
Dancers
Traditionally, legong dancers were girls who have not yet reached puberty. They begin rigorous training from about the age of five. These dancers are regarded highly in the society and usually become wives of royal personages or wealthy merchants. After marriage they would stop dancing. However, in present Indonesia dancers may be of all ages; performances by men in women's costumes are also recorded.
Story
Classical Legong enacts several traditional stories. The most common is the tale of the East Javanese king of Lasem from the ''Malat,'' a collection of heroic romances. He is at war with another king, the father (or brother) of Princess Rangkesari. Lasem wants to marry the girl, but she detests him and tries to run away. Becoming lost in the forest, she is captured by Lasem, who imprisons her and goes out for a final assault against her family. He is attacked by a monstrous raven, which foretells his death. The dramatics are enacted in elaborate and stylized pantomime. The two little actresses are accompanied by a third dancer called a '' condong'' or attendant. She sets the scene, presents the dancers with their fans and later plays the part of the raven.Types
Traditionally, fifteen types of ''legong'' dance were known. The duration, movement, and narrative of each type differed. Some, for instance, could last for an hour. These types included: * ''Legong Bapang Saba'' * ''Legong Jebog'' * ''Legong Kraton'' * ''Legong Kuntir'' * ''Legong Lasem'' * ''Legong Raja Cina'' * ''Legong Semarandana'' * ''Legong Sudasarna''Gallery
See also
* Balinese dances * Legong: Dance of the Virgins, a 1935 film * Dance of IndonesiaIn popular culture
Legong is mentioned in "I've Been To Bali Too", the single by Australian folk-rock bandRedgum
Redgum were an Australian folk and political music group formed in Adelaide in 1975 by singer-songwriter John Schumann, Michael Atkinson on guitars/vocals, Verity Truman on flute/vocals; they were later joined by Hugh McDonald on fiddle and ...
from their 1984 album Frontline.
References
External links
Legong Keraton
{{Authority control Balinese culture Dances of Bali