Lawrence Chenault (November 23, 1877 – December 27, 1943)Wintz, Cary D. and Paul Finkelman. Encyclopedia of the Harlem Renaissance. Ebook, Taylor & Francis group. 2004 was an American

vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a drama ...

performer and

silent film A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, w ...

actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering

African-American African Americans, also known as Black Americans and formerly also called Afro-Americans, are an American racial and ethnic group that consists of Americans who have total or partial ancestry from any of the Black racial groups of Africa. ...

filmmaker

Oscar Micheaux Oscar Devereaux Micheaux (; January 2, 1884 – March 25, 1951) was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and c ...

. His brother, Jack Chenault (September 26, 1888 – May 22, 1925), was also a film actor.

Early life

Lawrence Chenault was born on November 23, 1877, in Mt. Sterling, Kentucky, to Mollie Mitchell and William O. Chenault. They later moved to Cincinnati, Ohio, where Chenault became a soloist for the Allen Temple Church. In 1888, Chenault's mother Mollie Mitchell married Ambrose Saunders. Because of this, Chenault became Saunders' stepson and was listed in the 1900 US Census as Lawrence Saunders."Chenault, Lawrence E. · Notable Kentucky African Americans Database". ''nkaa.uky.edu''. Retrieved 2021-11-06.

Acting career

Chenault joined multiple acting troupes throughout his life, the first one being Al G. Field's Negro Minstrels in 1895. One of the more famous groups he took part in were the Lafayette Players, where he would become one of their leading men. Chenault also was an actor in several films from 1920 to 1934. His debut was in Oscar Micheaux's ''The Brute'' in 1920, with other standouts from his career being the all-Black western ''The Crimson Skull'' and ''Body and Soul''. Chenault was heavily associated with the race film movement, both from his recurring roles in Micheaux's films as well as the close association between the Lafayette Players and Reol Productions, another well-known studio for creating films aimed for African-American audiences. His role in Micheaux's ''Body and Soul'' reflects the director's choice of casting Black actors as both heroes and villains in his films. Chenault's acting style on camera was noted to be much more impacted by his time with the Lafayette Players than his earlier career in minstrel shows.Petro, Patrice, et al. “African American Stardom Inside and Outside of Hollywood; Ernest Morrison, Noble Johnson, Evelyn Preer, and Lincon Perry.” Idols of Modernity: Movie Stars of the 1920s. Rutgers University Press, 2010, pp. 227-249 Chenault's role in ''Ten Nights in a Ball Room'' (1926) was noted to be ironic, as the film is a temperance film and Chenault was allegedly well known for his drinking habits.

Collapse

On the week of August 8, 1928, Chenault made his debut appearance on the stage of the Harlem Alhambra, alongside Billy Andrews and George Randall. A short while later, however, on August 17, Chenault collapsed shortly after completing a performance. The source of his trouble is related to the passing of a friend of his, Johnnie Woods, who he had shared a room with for many years."Collapsed on the Alhambra Stage: Lawrence Chenault Suffers Breakdown Last Friday Afternoon." The New York Amsterdam News (1922-1938), Aug 22 1928, p. 7.

Selected filmography

*'' The Brute'' (1920) *'' The Symbol of the Unconquered'' (1920) *'' The Gunsaulus Mystery'' (1921) *'' The Crimson Skull'' (1922) *'' A Son of Satan'' (1924) *'' Body and Soul'' (1925) *'' The Devil's Disciple'' (1926) *'' The Conjure Woman'' (1926) *'' The Scar of Shame'' (1927) *'' The House Behind the Cedars'' (1927) *'' Veiled Aristocrats'' (1932) sound remake of ''The House Behind the Cedars'' *''

Ten Minutes to Live ''Ten Minutes to Live'' is a 1932 American pre-Code film directed by Oscar Micheaux. It starred Lawrence Chenault, A. B. DeComathiere, Laura Bowman, and Willor Lee Guilford. One of the characters is deaf and much of the dialogue was dubbed offs ...

'' (1932)

References

External links

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NYPL Digital Gallery, African American Motion Picture Actors and Actresses, (Laurence Chenault)
(*relinked) {{DEFAULTSORT:Chenault, Lawrence 1877 births 1943 deaths 20th-century African-American male actors American male silent film actors American male film actors American male stage actors American vaudeville performers 20th-century American male actors People from Mount Sterling, Kentucky Male actors from Kentucky Federal Theatre Project people