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Lawrence Chenault (November 23, 1877 – December 27, 1943)Wintz, Cary D. and Paul Finkelman. Encyclopedia of the Harlem Renaissance. Ebook, Taylor & Francis group. 2004 was an American vaudeville performer and silent film actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering African-American filmmaker
Oscar Micheaux Oscar Devereaux Micheaux (; January 2, 1884 – March 25, 1951) was an author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled ...
. His brother, Jack Chenault (September 26, 1888 – May 22, 1925), was also a film actor.


Early life

Lawrence Chenault was born on November 23, 1877, in Mt. Sterling, Kentucky, to Mollie Mitchell and William O. Chenault. They later moved to Cincinnati, Ohio, where Chenault became a soloist for the Allen Temple Church. In 1888, Chenault's mother Mollie Mitchell married Ambrose Saunders. Because of this, Chenault became Saunders' stepson and was listed in the 1900 US Census as Lawrence Saunders."Chenault, Lawrence E. · Notable Kentucky African Americans Database". ''nkaa.uky.edu''. Retrieved 2021-11-06.


Acting career

Chenault joined multiple acting troupes throughout his life, the first one being Al G. Field's Negro Minstrels in 1895. One of the more famous groups he took part in were the Lafayette Players, where he would become one of their leading men. Chenault also was an actor in several films from 1920 to 1934. His debut was in Oscar Micheaux's ''The Brute'' in 1920, with other standouts from his career being the all-Black western ''The Crimson Skull'' and ''Body and Soul''. Chenault was heavily associated with the race film movement, both from his recurring roles in Micheaux's films as well as the close association between the Lafayette Players and Reol Productions, another well-known studio for creating films aimed for African-American audiences. His role in Micheaux's ''Body and Soul'' reflects the director's choice of casting Black actors as both heroes and villains in his films. Chenault's acting style on camera was noted to be much more impacted by his time with the Lafayette Players than his earlier career in minstrel shows.Petro, Patrice, et al. “African American Stardom Inside and Outside of Hollywood; Ernest Morrison, Noble Johnson, Evelyn Preer, and Lincon Perry.” Idols of Modernity: Movie Stars of the 1920s. Rutgers University Press, 2010, pp. 227-249 Chenault's role in ''Ten Nights in a Ball Room'' (1926) was noted to be ironic, as the film is a temperance film and Chenault was allegedly well known for his drinking habits.


Collapse

On the week of August 8, 1928, Chenault made his debut appearance on the stage of the Harlem Alhambra, alongside Billy Andrews and George Randall. A short while later, however, on August 17, Chenault collapsed shortly after completing a performance. The source of his trouble is related to the passing of a friend of his, Johnnie Woods, who he had shared a room with for many years."Collapsed on the Alhambra Stage: Lawrence Chenault Suffers Breakdown Last Friday Afternoon." The New York Amsterdam News (1922-1938), Aug 22 1928, p. 7.


Selected filmography

*'' The Brute'' (1920) *'' The Symbol of the Unconquered'' (1920) *''
The Gunsaulus Mystery ''The Gunsaulus Mystery'' is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank for the murder of Mary Phagan. The film is now beli ...
'' (1921) *''
The Crimson Skull ''The Crimson Skull'' is a 1922 American silent film, silent Western (genre), Western film that was produced by the Norman Film Manufacturing Company. The six-reel film was made on location in Boley, Oklahoma and was made along with ''The Bull ...
'' (1922) *'' A Son of Satan'' (1924) *'' Body and Soul'' (1925) *'' The Devil's Disciple'' (1926) *''
The Conjure Woman ''The Conjure Woman'' is a collection of short stories by African-American fiction writer, essayist, and activist Charles W. Chesnutt. First published in 1899, ''The Conjure Woman'' is considered a seminal work of African-American literature compo ...
'' (1926) *'' The Scar of Shame'' (1927) *'' The House Behind the Cedars'' (1927) *'' Veiled Aristocrats'' (1932) sound remake of ''The House Behind the Cedars'' *'' Ten Minutes to Live'' (1932)


References


External links

*
NYPL Digital Gallery, African American Motion Picture Actors and Actresses, (Laurence Chenault)
(*relinked) {{DEFAULTSORT:Chenault, Lawrence 1877 births 1943 deaths African-American male actors American male silent film actors American male film actors American male stage actors Vaudeville performers 20th-century American male actors People from Mount Sterling, Kentucky Male actors from Kentucky 20th-century African-American people Federal Theatre Project people