Laibach

Laibach () is a Slovenian and Yugoslav avant-garde music group associated with the industrial, martial, and neoclassical genres. Formed in 1980 in the mining town of Trbovlje, Slovenia, at the time a constituent republic within Socialist Federal Republic of Yugoslavia, Laibach represents the musical wing of the Neue Slowenische Kunst (NSK) artist collective, a group which Laibach co-founded in 1984.

From the early days, the band was subject to controversies and bans due to their use of iconography with parodies and pastiches of elements from totalitarianism, nationalism and militarism, a concept they have preserved throughout their career. Censored in Yugoslavia, receiving a dissident status and a cult following in their home country, the band embarked on international tours and gradually acquired international fame, which led to wider acceptance by Yugoslav public and to attention of the country's mainstream media. After Slovenia became independent in 1991, Laibach's status in the country has turned from rejection by a part of the public to promotion into a national cultural icon.

Early Laibach albums were industrial-oriented, marked by heavy rhythms and roaring vocals. Later in the mid-1980s, their sound became more richly layered, featuring samples from pop and classical music. The band's lyrics, variously written in Slovene, German and English, are usually delivered by the deep bass vocals of lead vocalist Milan Fras. Initially the lyrics handled war and military themes; later, the focus turned to any highly charged political issue of the moment, sending intentionally ambiguous messages. They recorded a number of cover versions of popular songs, often turning light melodies into sinister-sounding gothic tunes.

The band has seen numerous line-up changes, with Milan Fras (lead vocals), Dejan Knez (bass guitar, keyboads, drums), Ervin Markošek (drums, keyboards, electronics) and Ivan "Jani" Novak (stage effects) forming the best-known line-up. They have worked with a number of collaborators and guest musicians. During their career, Laibach have also recorded film and theatre music and produced works of visual arts, while the band members have embarked on a number of side projects.

History

The beginnings: Laibach with Tomaž Hostnik (1980–1982)

Laibach evolved from the band Salto Mortale, formed by Dejan Knez in 1978 in a mining industry town of Trbovlje. Laibach was officially formed on 1 June 1980. The members chose 1 June as the official date of the band's formation as it was Trbovlje's official holiday, marking the 1924 violent clashes between Trbovlje workers and the Organization of Yugoslav Nationalists. The name ''Laibach'', adopted after a suggestion from Knez's father, well-known painter Janez Knez, is the German language name of the Slovenian capital Ljubljana, a name used during the period when Slovenia was a part of the Habsburg monarchy, as well as during the World War II occupation of Yugoslavia. Initially, the members of the band did not reveal their names, but during its initial phases, the band consisted of Dejan Knez (bass guitar, keyboards, drums, megaphone), Tomaž Hostnik (vocals), Ivan "Jani" Novak (stage effects, credited as " engineer of the human soul"), Andrej Lupinc (bass guitar), Srećko Bajda (synthesizer), Marko Košnik (synthesizer) and Marjan Benčina (synthesizer). In later interviews, the members stated that the band formation was sparked off by the suicide of Joy Division vocalist Ian Curtis, the death of Yugoslav president Josip Broz Tito and the beginning of the dissolution of Yugoslavia.

Since its formation, Laibach had been preparing a multimedia project ''Rdeči revirji'' (''Red District''), a piece intended to challenge and provoke the political authorities in Trbovlje. The project was scheduled to be presented in the Workers' Hall in Trbovlje. However, the group's use of Kazimir Malevich's black crosses on their posters was determined by the authorities to be "improper and irresponsible", leading to considerable negative reaction in the media and the cancellation of the performance of ''Red District''.

The band's first live appearance and an exhibition entitled ''Žrtve letalske nesreče'' (''Victims of an Air Accident'') took place in January 1982 at the Ljubljana club FV. It was followed by performances in Zagreb, in Lapidarij club, and in Belgrade, in Students' Cultural Center's foyer. For their live performances they used gramophones, radio devices and electronic instruments that they had built themselves, and the group's musical style was characterized by the Yugoslav music press as industrial rock. Instead of dry ice as a source of theatrical smoke, the group used original military smoke bombs, which was as unpleasant for themselves as for the audience. At a concert in Belgrade, the smoke forced part of the audience to escape through the venue's windows. In Zagreb, the use of smoke bombs on stage caused a search of the band's equipment conducted by the Yugoslav People's Army. The band stated that they used smoke bombs because they were "dealing with military subjects", which satisfied the officers in charge of the search. At this early stage of their career, Laibach's visuals employed mining iconography; eventually, the group would add such symbols as Triglav, deer horns and the Malevich's black cross encircled with a gear to their imagery.

At the time of their concerts in Ljubljana, Belgrade and Zagreb, the name Laibach and the posters with black crosses caused controversy, with some seeing this as a direct reference to the occupation of the country in World War II. The newspaper ''Delo'' published a reader's letter which stated: "Is it possible that someone has allowed in Ljubljana, the first Yugoslav city to be awarded the Order of the People's Hero, some youth group to carry a name which forcibly tries to revoke the name Laibach?". The band used this question as the opening for their performance on the Novi rock (''New Rock'') festival in Ljubljana, held on 10 September 1982. For their performance at the festival, frontman Tomaž Hostnik wore a military uniform, and despite being hit in the face by a bottle, causing him serious injuries, managed to bring the performance to an end. A part of the Yugoslav music press described the concert as the "symbolic end of punk rock".

On 11 December 1982, at the YU Rock Moment festival in Zagreb, the band held the performance entitled ''Dotik zla'' (''Touch of Evil''). It was Hostnik's last performance with Laibach. Ten days later, he committed a ritual suicide by hanging himself from a hayrack—one of the Slovenian national symbols—near his hometown of Medvode. Laibach disapproved of his act of suicide and posthumously "expelled" Hostnik from the group. Despite this, the group would in the future often refer to him and dedicate various projects to him, including an installation entitled ''Apologia Laibach'', created around Hostnik's self-portrait.

Dissident status in Yugoslavia (1983–1985)

The group resumed its activities at the beginning of 1983, when they held an exhibition in the Prošireni mediji (''Expanded Media'') gallery in Zagreb. After a number of complaints, the management of the gallery attempted to persuade members of Laibach to remove part of the pieces, which they refused, and only four days after the opening, the management decided to close the exhibition. The band continued their concert activities with the vocalist Milan Fras. The group held a concert in Ljubljana's Freedom Hall, featuring guest performances by the English bands Last Few Days and 23 Skidoo. The 30-minutes long recording of dogs barking and snarling were used as the concert intro. The day after the performance, the group received considerable media coverage for a concert at the Zagreb Biennale entitled ''Mi kujemo bodočnost'' (''We Forge the Future''), during which the group used simultaneous projections of the propaganda film ''Revolucija še traja'' (''The Revolution is Still Going On'') and a pornographic film. After the simultaneous appearance of late Josip Broz Tito and a penis on the screens, the performance was interrupted by the police, and the members of the band were forcibly removed from the stage.

Following the performance at the Zagreb Biennale, the band published their "manifesto", entitled "Akcija v imenu" ("Action in the Name Of"), in the '' Nova revija'' literary magazine, largely thanks to Taras Kermauner, a philosopher, literary historian and one of the magazine editors. In the "manifesto" the band quoted Stalin (" Artists are engineers of the human soul") and Hitler ("Art is sublime, leading to fanaticism"). The subsequent debut television appearance on 23 June 1983, in the informative-political program ''TV tednik'' (''TV Weekly''), caused major negative reactions by the public. The members of the band appeared in the program sitting motionlessly, wearing army uniforms and armbands with black crosses. The host of ''TV tednik'' Jure Pengov stated: "Maybe now someone will react and ban, exterminate this danger, these horrible ideas and beliefs". After Laibach's appearance in ''TV tednik'', they were officially banned from using the name Laibach on their records and live appearances, the decision even being printed in the Official Gazette of SR Slovenia. The scandal even led to some of the group members hiding in Pleterje Charterhouse for a short period of time.

The group then, together with Last Few Days, started the international Occupied Europe Tour '83, which included sixteen dates in eight West European and Eastern Bloc countries. The performances provoked a lot of interest in the European media, especially with the band's totalitarian musical and visual style. The socialist background, effective live appearances and a dissident status in their home country provided the group with a swift increase of interest in the Western countries. By combining the imagery of socialist realism, Nazism—which provoked the Slovene WW2 Veteran Organization in Yugoslavia—and Italian futurism, the group created a unique aesthetic style which could not pass unnoticed by the public. In Poland, they provoked the public by declaring themselves the sympathizers of Wojciech Jaruzelski. The statement provoked someone to present them with feces rolled into newspapers during the press conference in Warsaw. At the time of the tour, the song lyrics were mostly in German, but having included cover versions of English language songs, the group would start focusing more on the latter.

In 1984, the band members moved to Great Britain, where they worked as labourers in London, worked at a pier in Belfast and appeared as extras in Stanley Kubrick's ''Full Metal Jacket''. Through the Belgian record label L.A.Y.L.A.H. Anitrecords, the group released their debut record, a 12" single with Slovene language songs "Boji" ("Fights"), "Sila" ("Force") and "Brat moj" ("My Brother"). At the time, the band also appeared on the various artists album ''World National Anthems'' released by TRAX International, with their version of the Yugoslav national anthem "Hej, Sloveni". The band returned to Yugoslavia to prepare an exhibit at Ljubljana's Students' Cultural Center, entitled ''The Occupied Europe Tour Documents'', which opened on 5 May 1984. Simultaneously, the band released the live audio cassette ''Vstajenje v Berlinu'' (''Resurrection in Berlin'').

On 7 October 1984, Laibach officially founded the informal art collective Neue Slowenische Kunst (German for ''New Slovene Art'') with visual arts group IRWIN and Scipion Nasice Sisters and Rdeči Pilot (''Red Pilot'') theatre groups. They were later joined by Novi kolektivizam (''New Collectivism'') design studio, Graditelji (''Builders'') architecture bureau, Retrovizija (''Retrovision'') film group and the Odeljenje za čisto in praktično filozofijo (''Section for Clean and Practical Philosophy'') group. The band also started two musical side projects, Germania and 300.000 V.K. On 21 December 1984, Laibach held a concert dedicated to the late Hostnik at the Malči Belič Hall in Ljubljana. Due to the fact that they were still banned from using the name Laibach, they announced the concert with posters featuring only a black cross, the initials of the hall, and date and time of the concert.

The following year, the group released their debut studio album, '' Laibach'', through the Ljubljana Students' Cultural Center's label Ropot. Due to the ban of the name Laibach, the cover featured the group's trademark black cross without any text. On one of the album tracks, the band used a sample from a speech by Josip Broz Tito, however, it was removed by the state censors. During the same year, the German label WUS released Laibach compilation album ''Rekapitulacija 1980–1984'' (''Recapitulation 1980–1984''). The recording of their performance at the Neu Konservatiw festival in Hamburg on 15 June 1985 was released on the live album '' Neu Konservatiw''. At the end of the year, the band once more held a number of performances in West Germany, this time under the title ''Die erste bombardierung – Laibach über dem Deutschland'' (''The First Bombing – Laibach Over Germany''). The concerts featured hunting imagery, like axes and trophy antlers, and during the concerts, the band members sawed wood on stage, surrounded by live tranquilized rabbits.

On 6 February 1986, with the Scipion Nasice Sisters Theatre, the group premiered their own play ''Krst pod Triglavom'' (''Baptism Under Triglav'') at the Ljubljana's Cankar Hall. The performance was followed by a round table about the ban of the name Laibach, organized in Ljubljana. The discussion featured academics, representatives of political organizations and authorities, including the president of the Assembly of the City of Ljubljana Tina Tomlje. In a TV interview, Tomlje stated that she was informed of the quality of the band's works and of the success they had achieved abroad, but that they would not be allowed to perform in Ljubljana under the name Laibach. Soon after, the group released their second studio album, ''Nova Akropola'' (''The New Acropolis''), via British independent record label Cherry Red Records. After the album release, the League of Socialist Youth of Slovenia on their 12th congress demanded the ban on the usage of the name Laibach to be lifted. The ban was officially lifted on 4 April 1985, and the group performed their first legal concert in Slovenia under the name Laibach already on the following day, in Hum, entitled ''Krvava gruda, plodna zemlja'' (''Bloody Land, Fertile Soil''). On the Yugoslav Youth Day, the League of Socialist Youth of Slovenia awarded Neue Slowenische Kunst with a plaque, and the League's official magazine ''Mladina'' awarded the collective with the Zlata ptica (''The Golden Bird'') award.

International breakthrough, acceptance and wide popularity in Yugoslavia (1986–1991)

Laibach's following release was the live album ''The Occupied Europe Tour 1985'', featuring a choice of recordings from their concerts in Ljubljana, Hamburg and London. In June 1986, the band held four concerts in England, the mini-tour being entitled ''Laibach Over America''. During their staying in London, they recorded three songs for a John Peel session, and performed with the Michael Clark dance company in London and Manchester, in the company's play ''No Fire Escape from Hell''. On 10 October 1986, the group performed in Graz, Austria, on the festival entitled Concert for the Abolishment of Fascist Trade Unions.

Having signed for Mute Records, Laibach started recording their third studio album, ''Opus Dei'', working with composer Slavko Avsenik Jr. The inner sleeve of the cover featured a swastika consisting of four bloodied axes designed by John Heartfield, an anti-Nazi artist. The record was sold secretly in some European countries, as the meaning of the cover was not recognized. The group achieved commercial success with the cover versions of " Live Is Life" by Opus, entitled "Life Is Life", and "One Vision, entitled "Geburt einer Nation" ("Birth of a Nation"), which would mark the direction of their future releases. The track "How the West Was Won" was also well-received by the audience. The usage of the name ''Opus Dei'' caused the Catholic institution of the same name to sue the group, but the case was eventually decided in favor of Laibach. Following the album release, the group embarked on the United States of Europe Tour, during which they stated at a press conference in France that their influences are Tito, Toto, and Tati. On 7 April 1987, they recorded three more songs for a John Peel session. During May, they once again performed in Clark's company ''No Fire Escape from Hell'' play, in Brighton and Leicester. On 28 July, they presented the work of Neue Slowenische Kunst at the London International Festival of Theatre. With Clark's company they performed in Los Angeles, holding three performances in September 1987. In the United States they were invited to a reception hosted by the British ambassador. They appeared on the reception wearing their uniforms, and the actor Walter Gotell (known for his role of General Gogol in James Bond film series), who was also present on the reception, saw this as a provocation. In Yugoslavia, the play was performed at the Belgrade International Theatre Festival, however, performance by Laibach and Tito's speeches were omitted. In September 1987, the band also performed in Hamburg's Deutsches Schauspielhaus production of ''Macbeth'', for which they also wrote the music. The music from the play would be released two years later on the album ''Macbeth''.

In Yugoslavia, ''Opus Dei'' was released in November 1987 by the state-owned major label ZKP RTLJ. The release was followed by the double album '' Krst pod Triglavom – Baptism'', featuring the music from the play of the same title. The members of the band were invited to a meeting with Jože Osterman, Secretary of the League of Socialist Working People of Ljubljana, who tried to persuade them to change their name to Ljubljana, as, despite the lifting of the ban on the name Laibach, the group's name still sparked occasional controversies in their home country. Despite them, the band held a sold-out concert in Ljubljana entitled ''Svoji ka svojim'' (''To Their Own''), and Yugoslav lifestyle and entertainment magazine ''Start'' pronounced members of the group the fourth on the list of Best Dressed Men in Yugoslavia. After the performance in Ljubljana, the band went on another European tour, during which they appeared at the end of every concert with horned helmets. On their performance at the Vienna Festival, they provoked the audience with the intro: "Austrians, You Are Germans", which almost forced organizers to interrupt the concert. Their performance in Amsterdam was a part of European Capital of Culture program. During the band's performance on a five-meter–high stage, the performance crew roasted an ox on a stake on the hall's balcony.

In October 1988, the group released the album ''Let It Be'', featuring cover versions of all the songs from the Beatles album of the same name, with the exception of the title track, which they did not record owing to lack of studio time, and " Maggie Mae"; under the title "Maggie Mae", the band released their versions of German folk songs " Auf der Lüneburger Heide" and " Was Gleicht Wohl Auf Erden". Their version of "Across the Universe" featured Anja Rupel of the Ljubljana-based synth-pop band Videosex on vocals. A part of the recorded material from the album would be broadcast by Paul McCartney before his concerts.

In 1989, the band went on a North American tour. On their concert in Toronto, they were joined by Austrian artist and art theoretician Peter Weibel, who appeared on stage half-naked with a horned helmet on his head. After their return from North America, they went on a Yugoslav tour, starting with a sold-out concert in Ljubljana's Tivoli Hall. Their performance in Zagreb started with the traditional Serbian instrument gusle, and in Belgrade, the NSK philosopher Peter Mlakar held a speech which was a cynical parody of Slobodan Milošević's speeches in SAP Kosovo.

The following year, the group released ''Sympathy for the Devil'', an album of different cover versions of the Rolling Stones song of the same name. The release was followed by European and North American tour. Upon returning to Yugoslavia, the group embarked on a tour across industrial regions of Slovenia. Their concert in Šentjurje was visited by only five people due to poor promotion, but the band nevertheless performed the whole set. The band celebrated their tenth anniversary with a concert held on 21 December 1990 in Trbovlje, at the town's thermal power station, which was their first concert in their hometown. At -15°C, the visitors of the concerts were welcomed by a brass band and majorettes. 16 years later Chris Bohn of ''The Wire'' magazine proclaimed this show as one of the 60 most powerful concerts of all times. After this concert, the group undertook a tour of Bosnia and Herzegovina.

Slovenian independence and beyond: new releases and new controversies (1991–present)

In 1992, the group released '' Kapital'', an album dealing with materialism in contemporary society. The band released the album on vinyl record, audio cassette and compact disc, recording different versions of the same songs for each format of the album. During the same year, they proclaimed the State of NSK, promoting its flag, money, postage stamps and passports. The following year, Mute Records released the ''Ljubljana–Zagreb–Beograd'' live album, featuring recordings from the 1982 concerts in the three cities, presenting a document of politically active rock from the group's early career, especially with the songs "Tito-Tito", "Država" ("The State"), and "Rdeči molk" ("Red Silence").

In 1994, they released the album ''NATO'', which commented on the current political events in Eastern Europe, former Yugoslavia and the actions of the NATO pact, filtered through their blend of techno and pop. The album featured cover versions of Europe's " The Final Countdown", Bolland & Bolland's " In the Army Now", Don Fardon's "Indian Reservation" (renamed to "National Reservation"), and Stanislav Binički's composition " Marš na Drinu" ("March on the Drina"). During the same year, the band also recorded the song "Zrcalo sveta (Das Spiegelglas der Welt)" ("Mirror of the World") for the Kraftwerk tribute album ''Trans Slovenia Express'', featuring songs by Slovenian acts. The group went on the Occupied Europe NATO Tour 1994-95, provoking the audience in Zagreb and Sarajevo with their performances of "Marš na Drinu", a Serbian World War I patriotic march. The tour resulted in the box set comprising a live CD and a VHS tape, which featured a selection of recordings from the two-year tour, including the performance in Sarajevo on the date of the signing of the Dayton Agreement. In 1995, the group for a while considered splitting into several simultaneous lineups so that they could perform in different places at the same time, but the idea was abandoned.

The following year, the group released '' Jesus Christ Superstars'', featuring their version of Andrew Lloyd Webber's rock opera ''Jesus Christ Superstar''. The group promoted the album in the United States with an eighteen-date tour, followed by a tour across Germany. On 15 May 1997, the band performed with the Slovenian Symphony Orchestra, conducted by Marko Letonja, and the Tone Tomšič Choir, for the opening ceremony of the Ljubljana European Month of Culture, presenting orchestral versions of their earliest material, which they rarely performed live, arranged by Uroš Rojko and Aldo Kumar with the members of the group. During the same year, the live album ''M.B. 21 December 1984'' was released, featuring recordings from the 1984 secret concert in Ljubljana's Malči Belič Hall, the February 1985 concert at the Berlin Atonal festival, and the April 1985 performance at the Zagreb club Kulušić. The performances had featured guest appearance by Jože Pegam on clarinet and trumpet, and some songs included samples of Tito's speeches. On 14 November 1997, at a concert in Belgrade, another Peter Mlakar speech received a decidedly mixed audience reaction, in which he asked the audience to "eat the pig and digest it once and for all", referring to the then-president of the Federal Republic of Yugoslavia Slobodan Milošević.

In 2003, the group released the album ''WAT'' (an acronym for ''We Are Time''), which, alongside new material, featured the song "Tanz mit Laibach" (German for "Dance with Laibach"), inspired by the song "Der Mussolini" by the German band D.A.F. Part of the album lyrics were written by Peter Mlakar, and part of the music was composed by the album producer Iztok Turk (former member of Videosex) and the DJs Umek, Bizzy and Dojaja. In 2003, one of the forming members of the group, Dejan Knez, left Laibach. In 2004, the group released the double compilation album ''Anthems'', featuring a career-spanning selection of material, as well as the previously unreleased cover of Drafi Deutscher song "Mama Leone" and remixes of Laibach songs by Random Logic, Umek, Octex, Iztok Turk and others. The compilation also features a thorough group biography written by Alexei Monroe. In 2004, the band released two DVDs: the first, entitled ''Laibach'', featured music videos and ''A Film about WAT'', directed by Sašo Podgoršek, and the second, entitled ''2'', featured a recording from the Occupied Europe NATO Tour concert in Ljubljana held on 26 October 1995 and the documentary film ''A Film from Slovenia'', directed by Daniel Landin and Peter Vezjak.

During 2006, the group released the album ''Volk'' (the title meaning ''Wolf'' in Slovene and ''People'' in German), featuring cover versions of national anthems, including the NSK "state anthem" "Das Lied der Deutschen", originally written in 1797 and used as German national anthem during the Weimar Republic. Each cover featured a guest vocalist singing the anthem in their own language, with the exception of the cover of the "State Anthem of the Russian Federation", which was entitled "Rossiya" and featured a choir composed mostly of the children of Russian and Ukrainian diplomats in Slovenia. During the same year, on 1 June, the group performed J. S. Bach's "The Art of Fugue" in Bach's hometown Leipzig, and their interpretation of the work was released on the album '' Laibachkunstderfuge'' in 2008. In 2007, the group released the DVD ''Live at the CC Club'', featuring the recording of their London concert held on 16 April 2007. The 2008 DVD ''Volk Dead in Trbovlje'' featured the recording of the band's performance held in Trbovlje's Worker's Hall on 23 March 2007, as well as music videos for the songs from ''Volk'' and a documentary about the tour entitled ''Volk Tour Medley'', all directed by Sašo Podgoršek.

In 2011, the group released the box set ''Gesamtkunstwerk – Dokument 81–82'' (''Total Work of Art – Document 81–82''), featuring five vinyl records and a DVD with unreleased studio recordings from the early phases of their career. The compilation was released in a limited number of 600 copies only. During the same year, the band recorded a cover of Bob Dylan's " Ballad of a Thin Man", recorded for the tribute album ''Projekt Bob Dylan: Postani prostovoljec!'' (''Project Bob Dylan: Become a Volunteer!''), commissioned by the American Embassy in Ljubljana in honor of Dylan's 70th birthday. The band was hired by director Timo Vuorensola to compose music for his science fiction comedy film '' Iron Sky'', and it was released on the soundtrack album ''Iron Sky'' in 2012. The double album ''Iron Sky Director's Cut'' featured their music originally composed for ''Iron Sky'', but eventually not used in the film. On 14 April 2012, in the Tate Modern Turbine Hall the band held a concert which was envisioned as the recreation of their 1983 concert at Zagreb Biennalle, with guest appearances by some of the group's early members. The recording of the concert was released on the double live album ''Monumental Retro-Avant-Garde''.

In 2014, Laibach released the album ''Spectre'', the title referring to the first line of ''The Communist Manifesto''. The band dedicated the album songs "Eurovision", "The Whistleblowers" (musically based on "Colonel Bogey March"), "We Are Millions and Millions Are One" (featuring new member Mina Špiler on lead vocals) and "No History" to Julian Assange and Edward Snowden. The deluxe edition of the album featured four bonus tracks, including a cover of Blind Lemon Jefferson's "See That My Grave Is Kept Clean" and Serge Gainsbourg's " Love on the Beat", and a book entitled ''Spectre Playbook'', a Laibach "manifesto" with a goal of uniting social activists from around the world. The album ''Spectremix'', released in 2015, featured ''Spectre'' songs remixes by Marcel Dettmann, Gramatik, Iztok Turk and other artists. During 2014, the band was invited by National Cultural Centre of Poland to record music for the commemoration of the 70th anniversary of the outbreak of the Warsaw Uprising. The band released the material on the EP ''1 VIII 1944 Warszawa'', featuring a version of the classic song of the insurgency "Warszawskie Dzieci" ("Children of Warsaw"),

In August 2015, on the initiative of Norwegian director Morten Traavik, the band performed in Pyongyang, North Korea. The band held two concerts, on 19 and 20 August, at Kim Won Gyun Musical Conservatory in Nampo-dong, Pyongyang, to coincide with the 70th anniversary of the end of Japanese rule of Korea. The concerts saw large attention of the Western media, a part of which described Laibach's upcoming performance as the first performance of a Western rock band in North Korea, although this was later revealed to be a misinformation. The concerts were the subject of the documentary film ''Liberation Day'' by Morten Traavik and Uģis Olte, which premiered in 2016. In 2017, the band performed in South Korea, becoming the only musical band in the world to have performed in both countries.

In July 2017, Laibach released the album ''Also Sprach Zarathustra