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Laban Notation Symbols generally refers to the wide range of notation symbols (or signs) developing from the original work of
Rudolf Laban Rudolf von Laban, also known as Rudolf Laban (German; also ''Rudolph von Laban'', hu, Lábán Rezső János Attila, Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian, German and British dance artist, choreographer and ...
and used in many different types of Laban Movement Study such as
Labanotation Labanotation (the grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement. The inventor was Rudolf von Laban (1879-1958), a central figure in European modern dance, who ...
and Laban Movement Analysis for graphically representing human body positions and movements.


History

see
Rudolf Laban Rudolf von Laban, also known as Rudolf Laban (German; also ''Rudolph von Laban'', hu, Lábán Rezső János Attila, Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian, German and British dance artist, choreographer and ...


Notation staff

The concept of a "staff" is borrowed from music and the
musical staff In Western musical notation, the staff (US and UK)"staff" in the Collins ...
. It provides the basic framework for notating.


Body symbols


Spatial symbols

Several different methods have developed for notating space.


General spatial changes


Direction symbols

In
Labanotation Labanotation (the grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement. The inventor was Rudolf von Laban (1879-1958), a central figure in European modern dance, who ...
the direction symbols are organized as three levels: high, middle, and low (or deep):
In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the
octahedron In geometry, an octahedron (plural: octahedra, octahedrons) is a polyhedron with eight faces. The term is most commonly used to refer to the regular octahedron, a Platonic solid composed of eight equilateral triangles, four of which meet at e ...
,
cube In geometry, a cube is a three-dimensional solid object bounded by six square faces, facets or sides, with three meeting at each vertex. Viewed from a corner it is a hexagon and its net is usually depicted as a cross. The cube is the on ...
(
hexahedron A hexahedron (plural: hexahedra or hexahedrons) or sexahedron (plural: sexahedra or sexahedrons) is any polyhedron with six faces. A cube, for example, is a regular hexahedron with all its faces square In Euclidean geometry, a square is a re ...
), and the
icosahedron In geometry, an icosahedron ( or ) is a polyhedron with 20 faces. The name comes and . The plural can be either "icosahedra" () or "icosahedrons". There are infinitely many non- similar shapes of icosahedra, some of them being more symmetric ...
.


Vector motion symbols

In his early German publication ''Choreographie'',Rudolf Laban. ''Chorographie'' (1926), translated by Evamaria Zierach and Jeffrey Scott Longstaff
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Rudolf Laban Rudolf von Laban, also known as Rudolf Laban (German; also ''Rudolph von Laban'', hu, Lábán Rezső János Attila, Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian, German and British dance artist, choreographer and ...
used a different group of spatial directional signs which represented orientation of lines of motion (rather than orientations of limb positions).
These signs were translated into modern-day Labanotation signs, and referred to as "vector signs".Longstaff, Jeffrey (2001). Translating ‘vector symbols’ from Laban’s (1926) ''Choreographie''. In ''Proceedings of the twenty-second biennial conference of the International Council of Kinetography Laban'', 26 July - 2 August (pp. 70-86). Ohio State University, Columbus, Ohio. USA: ICKL.


Symbols for quality or dynamics


Symbols for relationships

"Relationships"' is used in a broad sense to refer to interactions amongst two or more bodies, for example awareness, focus, nearness, contact, physical weight support. Many fine distinctions have been deciphered. These have some relationship to
Proxemics Proxemics is the study of human use of space and the effects that population density has on behaviour, communication, and social interaction. Proxemics is one among several subcategories in the study of nonverbal communication, including haptic ...
.


Notes and references


Further reading

* Hutchinson, Ann. (1970). ''Labanotation or Kinetography Laban: The System of Analyzing and Recording Movement''. 3rd revised edition (1977). New York: Theatre Arts Books. (First published 1954). * Hutchinson-Guest, Ann (1983). ''Your move: A New Approach to the Study of Movement and Dance''. New York: Gordon and Breach. * Hutchinson-Guest, Ann (1989). ''Choreo-Graphics; A Comparison of Dance Notation Systems from the Fifteenth Century to the Present''. New York: Gordon and Breach. * Knust, Albrecht. (1948a). The development of the Laban kinetography (part I). ''Movement''. 1 (1): 28–29. * Knust, Albrecht (1948b). The development of the Laban kinetography (part II). ''Movement''. 1 (2): 27-28. * Knust, Albrecht (1979a). ''Dictionary of Kinetography Laban (Labanotation); Volume I: Text''. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans. * Knust, Albrecht. (1979b). ''Dictionary of Kinetography Laban (Labanotation); Volume II: Examples''. Translated by A. Knust, D. Baddeley-Lang, S. Archbutt, and I. Wachtel. Plymouth: MacDonald and Evans. * Laban, Rudolf. (1926). ''Choreographie'' (German). Jena: Eugen Diederichs. * Laban, Rudolf (1975). ''Laban’s Principles of Dance and Movement Notation''. 2nd edition edited and annotated by Roderyk Lange. London: MacDonald and Evans. (First published 1956.) * Preston-Dunlop, V. (1969). ''Practical Kinetography Laban''. London: MacDonald and Evans. Laban movement analysis Dance research {{Dance-stub