Kung Fu (term)

In general, kung fu ( or kungfu ; zh, 功夫, p=gōngfu pronounced ) refers to the Chinese martial arts also called quanfa. In China, it refers to any study, learning, or practice that requires patience, energy, and time to complete. In its original meaning, kung fu can refer to any discipline or skill achieved through hard work and practice, not necessarily martial arts (for example, the discipline of tea making is called the gongfu tea ceremony). The literal equivalent of "Chinese martial art" in Mandarin would be '.

There are many forms of kung fu, such as Shaolin kung fu, Wing Chun, and tai chi, and they are practiced all over the world. Each form of kung fu has its own principles and techniques, but is best known for its trickery and quickness. It is only in the late twentieth century that this term was used in relation to Chinese martial arts by the Chinese community. The ''Oxford English Dictionary'' defines the term "kung-fu" as "a primarily unarmed Chinese martial art resembling karate" and attributes the first use of "kung fu" in print to ''Punch'' magazine in 1966. This illustrates how the meaning of this term has been changed in English. The origin of this change can be attributed to the misunderstanding or mistranslation of the term through movie subtitles or dubbing.

History

Though widely known as a Chinese martial art, several historical interpretations suggest that the origins of Kung Fu may have deep connections with ancient Indian martial traditions, particularly Kalaripayattu, one of the world’s oldest fighting systems.

The central figure in this theory is Bodhidharma, an Indian monk believed to have traveled from the Pallava dynasty in South India to China around the 5th or 6th century CE. Historical Chinese accounts, such as the Luoyang Jialan Ji, refer to a monk named Damo (the Chinese name for Bodhidharma) who arrived at the Shaolin Monastery. While his primary role was to spread Chan (Zen) Buddhism, he is also said to have introduced physical training exercises, now believed to be precursors of Shaolin martial arts.

Bodhidharma’s training methods reportedly included dynamic movements, breath control, and meditative postures designed to strengthen the body and mind of monks who struggled with long hours of meditation. These methods closely resemble Indian yogic and martial practices, especially the blend of combat and spiritual discipline found in Kalaripayattu. Some versions of the legend claim that Bodhidharma taught the monks the Eighteen Hands of Lohan, which evolved into the basis of Shaolin Kung Fu.

Furthermore, the conceptual foundations of Kung Fu, such as internal energy ( Qi), spiritual harmony, and discipline through movement, mirror principles found in Indian yoga, Ayurveda, and martial scripture like the Dhanurveda, which predates many East Asian traditions.

Although modern scholars remain divided over the historical accuracy of Bodhidharma's role, a growing number of historians, cultural researchers, and martial arts schools worldwide now acknowledge the possibility of Indian influence in the early development of Kung Fu. This theory is especially supported in South Indian oral traditions, martial arts communities, and Buddhist historical narratives linking India and China, and has been explored by scholars such as Meir Shahar, Thomas A. Green, and Dr. Trilochan Beura.

While the evolution of Kung Fu in China is undeniably vast and independent in its own right, its early roots may reflect a profound cross-cultural exchange, with India potentially planting the seed that later grew into the towering legacy of Chinese martial arts.

In popular culture

References to the concepts and use of Chinese martial arts can be found in popular culture. Historically, the influence of Chinese martial arts can be found in books and in the performance arts specific to Asia. Recently, those influences have extended to the movies and television that targets a much wider audience. As a result, Chinese martial arts have spread beyond their national roots and have a global appeal.

Martial arts play a prominent role in the literature genre known as ''wuxia''. This type of fiction is based on Chinese concepts of chivalry, a separate martial arts society (武林; ''Wulin'') and a central theme involving martial arts. ''Wuxia'' stories can be traced as far back as the 2nd and 3rd centuries BCE, becoming popular by the Tang dynasty and evolving into novel form by the Ming dynasty. This genre is still extremely popular in much of Asia and provides a major influence for the public perception of the martial arts.

Martial arts influences can also be found in dance, theater and especially Chinese opera, of which Beijing opera is one of the best-known examples. This popular form of drama dates back to the Tang dynasty and continues to be an example of Chinese culture. Some martial arts movements can be found in Chinese opera and some martial artists can be found as performers in Chinese operas.

In modern times, Chinese martial arts have spawned the genre of cinema known as the kung fu film. The films of Bruce Lee were instrumental in the initial burst of Chinese martial arts' popularity in the West in the 1970s, following a famous demonstration of "Chinese Boxing" to the US karate community the Long Beach International Karate Championships in 1964. Martial artists and actors such as Jackie Chan, Jet Li and Donnie Yen have continued the appeal of movies of this genre. Jackie Chan successfully brought in a sense of humor in his fighting style into his movies. Martial arts films from China are often referred to as "kung fu movies" (功夫片), or "wire-fu" if extensive wire work is performed for special effects, and are still best known as part of the tradition of kung fu theater. (see also: ''wuxia'', Hong Kong action cinema).

Influence on early hip hop

In the 1970s, Bruce Lee was beginning to gain popularity in Hollywood for his martial arts movies. The fact that he was a non-white male who portrayed self-reliance and righteous self-discipline resonated with black audiences and made him an important figure in this community. With the release of '' Enter the Dragon'' in 1973, kung fu movies became a hit in America across all backgrounds; however, black audiences maintained the films' popularity well after the general public lost interest. Urban youth from every borough in New York City were attending movies in Manhattan's Times Square every night to watch the latest films.

Among these individuals were those coming from the Bronx where, during this time, hip hop was beginning to take form. One of the pioneers responsible for the development of the foundational aspects of hip-hop was DJ Kool Herc, who began creating this new form of music by taking rhythmic breakdowns of songs and looping them. From the new music came a new form of dance known as b-boying or breakdancing, a style of street dance consisting of improvised acrobatic moves. The pioneers of this dance credit kung fu as one of its influences.

Moves such as the crouching low leg sweep and "up rocking" (standing combat moves) are influenced by choreographed kung fu fights. The dancers' ability to improvise these moves led way to battles, which were dance competitions between two dancers or crews judged on their creativity, skills and musicality. In a documentary, Crazy Legs, a member of breakdancing group Rock Steady Crew, described the breakdancing battle being like an old kung fu movie, "where the one kung fu master says something along the lines of 'hun your kung fu is good, but mine is better,' then a fight erupts."

See also

* Wushu
* '' Neigong''
* Qigong
* Chinese philosophy
* Tai chi

References

External links

{{DEFAULTSORT:Kung fu (term)
Chinese martial arts terminology
Cantonese words and phrases
English words