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The Kuleshov effect is a
film editing Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital ...
( montage) effect demonstrated by Russian film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.


Kuleshov's experiment

Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a bowl of soup, a girl in a coffin, a woman on a
divan A divan or diwan (, ''dīvān''; from Sumerian ''dub'', clay tablet) was a high government ministry in various Islamic states, or its chief official (see ''dewan''). Etymology The word, recorded in English since 1586, meaning "Oriental cou ...
). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending on whether he was "looking at" the bowl of soup, the girl in the coffin, or the woman on the divan, showing an expression of hunger, grief, or desire, respectively. The footage of Mosjoukine was actually the same shot each time.
Vsevolod Pudovkin Vsevolod Illarionovich Pudovkin ( rus, Всеволод Илларионович Пудовкин, p=ˈfsʲevələt ɪl(ː)ərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn; 28 February 1893 – 30 June 1953) was a Soviet film director, screenwriter and acto ...
(who later claimed to have been the co-creator of the experiment) described in 1929 how the audience "raved about the acting ... the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead child, and noted the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same." Kuleshov used the experiment to indicate the usefulness and effectiveness of film editing. The implication is that viewers brought their own emotional reactions to this sequence of images, and then moreover attributed those reactions to the actor, investing his impassive face with their own feelings. Kuleshov believed this, along with montage, had to be the basis of cinema as an independent art form. The experiment itself was created by assembling fragments of pre-existing film from the Tsarist film industry, with no new material. Mosjoukine had been the leading romantic "star" of Tsarist cinema, and familiar to the audience.


Impact

Kuleshov demonstrated the necessity of considering montage as the basic tool of cinema. In Kuleshov's view, the cinema consists of fragments and the assembly of those fragments, the assembly of elements which in reality are distinct. It is therefore not the content of the images in a film which is important, but their combination. The raw materials of such an art work need not be original, but are prefabricated elements which can be disassembled and reassembled by the artist into new juxtapositions. The montage experiments carried out by Kuleshov in the late 1910s and early 1920s formed the theoretical basis of Soviet montage cinema, culminating in the famous films of the late 1920s by directors such as
Sergei Eisenstein Sergei Mikhailovich Eisenstein; (11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. Considered one of the greatest filmmakers of all time, he was a pioneer in the theory and practice of montage. He is no ...
,
Vsevolod Pudovkin Vsevolod Illarionovich Pudovkin ( rus, Всеволод Илларионович Пудовкин, p=ˈfsʲevələt ɪl(ː)ərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn; 28 February 1893 – 30 June 1953) was a Soviet film director, screenwriter and acto ...
and Dziga Vertov, among others. These films included '' The Battleship Potemkin'', ''
October October is the tenth month of the year in the Julian and Gregorian calendars. Its length is 31 days. The eighth month in the old calendar of Romulus , October retained its name (from Latin and Greek ''ôctō'' meaning "eight") after Januar ...
'', ''
Mother A mother is the female parent of a child. A woman may be considered a mother by virtue of having given birth, by raising a child who may or may not be her biological offspring, or by supplying her ovum for fertilisation in the case of ges ...
'', '' The End of St. Petersburg'', and '' The Man with a Movie Camera''. The effect has also been studied by
psychologist A psychologist is a professional who practices psychology and studies mental states, perceptual, cognitive, emotional, and social processes and behavior. Their work often involves the experimentation, observation, and explanation, interpretatio ...
s and is well known among modern film-makers.
Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English film director. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featu ...
refers to the effect in his conversations with
François Truffaut François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a ...
, using actor
James Stewart James Maitland Stewart (May 20, 1908 – July 2, 1997) was an American actor and military aviator. Known for his distinctive drawl and everyman screen persona, Stewart's film career spanned 80 films from 1935 to 1991. With the strong morali ...
as the example. In the famous "Definition of Happiness" interview which was part of the
CBC CBC may refer to: Media * Cadena Baja California or Grupo Cadena, a radio and television broadcaster in Mexico * Canadian Broadcasting Corporation, Canada's radio and television public broadcaster ** CBC Television ** CBC Radio One ** CBC Music ** ...
''
Telescope A telescope is a device used to observe distant objects by their emission, Absorption (electromagnetic radiation), absorption, or Reflection (physics), reflection of electromagnetic radiation. Originally, it was an optical instrument using len ...
'' program, Hitchcock also explained in detail many types of editing to
Fletcher Markle Fletcher Markle (March 27, 1921 – May 23, 1991) was a Canadian actor, screenwriter, television producer and Film director, director. Markle began a radio career in Canada, then worked in radio, film and television in the United States. Early y ...
. The final form, which he calls "pure editing", is explained visually using the Kuleshov effect. In the first version of the example, Hitchcock is squinting, and the audience sees footage of a woman with a baby. The screen then returns to Hitchcock's face, now smiling. In effect, he is a kind old man. In the second example, the woman and baby are replaced with a woman in a
bikini A bikini is a two-piece swimsuit primarily worn by women that features one piece on top that covers the breasts, and a second piece on the bottom: the front covering the pelvis but usually exposing the navel, and the back generally covering ...
, Hitchcock explains: "What is he now? He's a dirty old man."


Research

The Kuleshov effect has been studied by psychologists only in recent years. Prince and Hensley (1992) recreated the original study design but did not find the alleged effect. The study had 137 participants but was a single-trial between-subject experiment, which is prone to noise in the data. Dean Mobbs et al. did a within-subject
fMRI Functional magnetic resonance imaging or functional MRI (fMRI) measures brain activity by detecting changes associated with blood flow. This technique relies on the fact that cerebral blood flow and neuronal activation are coupled. When an area o ...
study in 2006 and found an effect for negative, positive, or neutral valence. When a neutral face was shown behind a sad scene, it seemed sad; when it was shown behind a happy scene, it seemed happy. In 2016, Daniel Barratt et al. tested 36 participants using 24 film sequences across five emotional conditions (happiness, sadness, hunger, fear, and desire) and a neutral control condition. Again, they showed that neutral faces were rated in accordance with the stimuli material, confirming the 2006 findings of Mobbs et al. Thus, despite the initial problems in testing the Kuleshov effect experimentally, researchers now agree that the context in which a face is shown has a significant effect on how the face is perceived. To find out whether the Kuleshov effect can also be induced auditorily, Andreas M. Baranowski and Heiko Hecht intercut different clips of faces with neutral scenes, featuring happy music, sad music, or no music at all. They found that the music significantly influenced participants’ emotional judgments of facial expression.


See also

* Creative geography was another Kuleshov experiment demonstrating the usefulness of montage. * Neurocinema *
Uncanny valley The effect is a hypothesized psychological and aesthetic relation between an object's degree of resemblance to a human being and the emotional response to the object. The uncanny valley hypothesis predicts that an entity appearing almost huma ...


References


Further reading

*


External links

* ("Kuleshov effect. The importance of film editing") {{Continuity editing Cinema of the Soviet Union Film editing Cinematic techniques Concepts in film theory Articles containing video clips Cognitive psychology