Kokilapriya (''The one dear to the koel'') is a

raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...

m in

Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...

(musical scale of South Indian classical music). It is the 11th ''

Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melaka ...

'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 11th rāgam in

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar) (, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer, veena player, and a prolific composer of Indian classical music. He was the youngest member of what is re ...

school of Carnatic music is called Kokilāravam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Structure and Lakshana

It is the 5th rāgam in the 2nd ''chakra Netra''. The mnemonic name is ''Netra-Ma''. The mnemonic phrase is ''sa ra gi ma pa dha na''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (this scale uses the notes ''shuddha rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''

Suvarnangi Suvarnangi (pronounced , meaning ''the golden bodied one'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 47th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ...

'', which is the 47th ''melakarta''.

Asampurna Melakarta

Kokilāravam is the 11th ''Melakarta'' in the original list compiled by

Venkatamakhin Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his ''Chaturdandiprakashika'' in which he explicates the Melakarta (asampurna scheme), melakarta system of classifying rag ...

. The notes used in the scale are the same, but the scales are ''vakra'' (zig-zag in phrases of the scale). It is an ''shadava-sampurna'' raga (6 notes in ascending scale, while full 7 are used in descending scale).Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai * : * :

''Janya'' rāgams

''Kokilapriya'' has a few minor ''

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a vari ...

'' rāgams (derived scales) associated with it. See List of ''janya'' rāgams for full list of rāgams associated with this scale.

Compositions

Here are a few common compositions sung in concerts, set to ''Kokilapriya''. *''Dasarathe Dayasaradhe'' by

Thyagaraja Sadguru Tyagaraja Swami ( Telugu: సద్గురు త్యాగరాజ స్వామి; 4 May 1767 – 6 January 1847), also known as Tyagayya, and in full as Kakarla Tyagabrahmam ( Telugu: కాకర్ల త్యాగబ ...

*''Vadamela Radha Manohara'' by Dr. M. Balamuralikrishna *''Neeke abhimanamu'' by

Mysore Vasudevachar Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...

*''kOdanDarAmam anisham'' in Kokilāravam by

*''male nin'', by S Ramanathan

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Kokilapriya's'' notes when shifted using ''

Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic (music), Tonic note (''Śruti (music), śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani cl ...

'', yields '' Rishabhapriya'' ''melakarta'' rāgam. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer '' Graha bhedam on Kokilapriya''.

Notes

References

{{Janya, state=collapsed Melakarta ragas