Life
Kim Dong-in, born on October 2, 1900 in Pyeongyang, Pyeongannam-do was a pioneer of realism and naturalism in Modern Korean literature. A son of a wealthy landowner, like many other young Korean intellectuals Kim took his higher education in Japan, attending the Meiji Academy in Tokyo and entering the Kawabata School of Fine Arts. Kim dropped out when he decided to pursue writing as a career. In 1919, Kim and other advocates for "art-for-art's-sake-literature," launched the influential but transitory journal ''Creation'' (Changjo) in Japan along with Joo Yohan, Jeon Yeongtaek, Choi Seungman, and Kim Hwan. ''Creation'' took a stand against the didactic literature ("national literature" to put it another way) proposed by Yi Kwang-su,Modern Korean Fiction: An Anthology, p. 13 In ''Creation'' Kim published his debut story, “The Sorrows of the Weak” (Yakhanjaui seulpeum). In 1925, Kim published one of his most famous works, "Potato," which was a breakthrough in Korean "realist" fiction and a further salvo in his ongoing literary war with Yi Kwang-su. Kim lived an extravagant lifestyle (thanks to the inheritance received from his father) until 1930, at which point his finances began to fail. Kim's financial situation led him to depression and drug abuse. Until this point, Kim had been a purist (colloquial and realistic) but he now turned to popular serials, which he had previously spurned. Among these were a number of historical novels (listed below). In 1934, Kim published, somewhat ironically considering their different stances on literature, the first in-depth study ofWork
Kim Dong-in is best known for his short stories that combine exquisite aesthetic sensibilities with succinct prose style and objective perspective. He first drew attention with the publication of such naturalist stories as “Distinguished Statement” (''Myeongmun'', 1924), “Hwang the Rustic” (''Sigol Hwangseobang'', 1925) and “Potato” (''Gamja'', 1921). In particular, “Potato,”a story of a woman who gradually loses all sense of decency and degenerates into a common prostitute as she tries to overcome economic hardships, is noted for the author’s use of realism and deterministic viewpoint to defy traditional morality and the didactic use of literature advocated by Yi Kwang-su’s enlightenment movement. In an era dominated by Proletarian Movement and New Tendency School of Thought, when art was utilized to further ideological debates and social changes, Kim Dong-in upheld the vision of pure aestheticism and the autonomy of literature as art. This view is reflected in his aestheticist fiction such as “Sonata Appassionato” (''Gwangyeom sonata'', 1930) and “Gwanghwasa Temple” (''Gwanghwasa'', 1930) which feature mad artists in pursuit of artistic perfection. Many of Kim's stories have been adapted to film. Fellow Korean author Kim Seungok wrote the screenplay and directed the first adaptation of "Potato" which was released in 1968. The story was adapted again in 1987 by directorWorks in English
*''Sweet Potato: Collected Short Stories by Kim Tongin'' (2017), 14 stories translated by Grace Jung, published by Honford Star *"Potato" in ''Modern Korean Fiction: An Anthology'' *"The Rock" in ''Meetings and Farewells: Modern Korean Stories'' *''The Post Horse'' in ''Meetings and Farewells: Modern Korean Stories'' *"The Red Hills: A Doctor's Diary" in ''Modern Korean Short Stories'' *"The Seaman's Chant" in ''The Rainy Spell and Other Korean Stories'' *"The Photograph and the Letter" in ''A Ready-Made Life: Early Masters of Modern Korean Fiction''Works in Korean (Partial)
Historical Novels: *''The Young Ones'' (''Jeolmeun geudeul'', 1930–1931) *''Spring at Unhyeongung Palace'' (''Unhyeongungui bom'', 1933) *''The Decline of the Dynasty'' (''Wangbuui nakjo'', 1935) *''Great Prince Suyang'' (''Dae Suyang'', 1941) Collections: *''Life'' (''Moksum'', 1924) *''Potato'' (''Gamja'' 1935) *''Short Stories of Kim Dong-in'' (''Kim Dong-in danpyeonjip'', 1939) *''The Sunset of the Palace'' (1941) *''Roaming'' (''Baehoe'', 1941) *''Identical Toes'' (''Balgaragi dalmatda'', 1948) *''A Weak Man's Sorrow'' (''Yakhan ja-ui seulpeum'' 1919) *''Baettaragi'' (1921) *''Flogging'' (''Taehyeong'' 1922) *''The Wedding'' (''Gyeolhonsik'' 1931) *''Traitor'' (''Banyeokja'' 1946) *''Popularity of a Ruined Nation'' (''Manggukin-gi'' 1947)See also
*References
{{DEFAULTSORT:Kim, Dong-In 1900 births 1951 deaths Korean writers Korean novelists Korean male poets People from Pyongyang 20th-century novelists 20th-century Korean poets 20th-century male writers