Khamaj () is a

Hindustani classical Music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...

raga within the Khamaj thaat which is named after it. Many

ghazal ''Ghazal'' is a form of amatory poem or ode, originating in Arabic poetry that often deals with topics of spiritual and romantic love. It may be understood as a poetic expression of both the pain of loss, or separation from the beloved, and t ...

s and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance. This raga has been explored more in the lighter forms of Hindustani Classical Music such as Thumri, Tappa etc. Having said that, many compositions in Dhrupad and Khayal are found as well. Harikambhoji is the equivalent rāgam in Carnatic music.

Arohana: Avroha: Vadi Swar: Samavadi Swar:

Compositions

In Dhrupad, Sadra, Khayal, Thumri & Tappa styles : *Sudhi Bisara Gayi...( Sadra form – in 10 beat cycle of Jhaptal. Sung by Abdul Karim Khan of Kirana Gharana) *"Ban Ban Dhunda liyo banvari......"(Set in TeenTal, composed by Acharya Dr Pandit Gokulotsavji Maharaj) *"nand ghar aaj baje badhai......"(Set in TeenTal, composed by Acharya Dr Pandit Gokulotsavji Maharaj) *Piya Tori Tirchhi Najar Laage Pyaari Re... (''Bol Banav Ki Thumri'' form. Sung by Faiyaz Khan of Agra Gharana) *Koyaliyan Kuhuk/Kook Sunaave... (Khayal/Bandishi Thumri form – in 16 beat cycle of Teentala. Sung by Nisar Hussain Khan of Rampur Gharana, Ajoy Chakrabarty of Patiala Gharana *Shyaam Rang Daari... ( Dhrupad form – in 14 beat cycle of Dhamar Tala. Sung by N. Zahiruddin Dagar & F. Wasfuddin Dagar) *Ab Maan Jao Saiyaan...(Dadra) sung by Ustad Ghulam Abbas Khan of Rampur Sahaswan Gharana *Sudh Naa Lini Jabse Gaye... ( Dadra form – Sung by Faiyaz Khan of Agra Gharana and also Mentioned in Vishnu Narayan Bhatkhande's Kramik Pustak Malika Vol. 2) Hindi Film Songs based on Raga Khamaj: * Bada natkhat hai...ka kare yashoda maiya, "Kuchh Toh Log Kahenge" and ''Raina Beet Jaye (with Todi in mukhara)'' – '' Amar Prem'' * Ayo kahanse ghanashyam – Buddha Mil Gaya * Vo na aenge palatkar – Devdaas * A dilse dil mila le – '' Navrang'' * Dhal chuki shame Gam – Kohinoor * Khat likha de savariyake nam babu * Mere to giridharagopala – Meera * Tere bina sajna lage na jiya hamar – Aarti * Tere mere milan ki ye raina – Abhimaan * Khamaj – Fuzön sung by Shafqat Amanat Ali * Mitwa – Kabhi alvida na kehna The Narsinh Bhajan " Vaishnav jan to" is also based on Khamaj. The Sargam Geet is as follows: set to teentaal, that is sixteen beats: This is the Prelude to the Sargam Geet, the underscore signifies the avagraha i.e. prolongation of the immediate previous note by one beat for one _ and
three beats in case of _ _ _

Film Songs

Language : Hindi

Language: Tamil

Notes

Notable songs

#Kuch To Log Kahenge #Tere Mere Milan Ki Ye Raina #Mora Saiyyan Mose Bole # Vaishnava Jana To(in Mishra Khamaj)

References

Sources

* * * http://www.tanarang.com/english/khamaj_eng.htm * https://www.parrikar.org/hindustani/khamaj/

External links

More details about raga Khamaj
{{Rāgas as per Performance Time Hindustani ragas

Theory aag Shashtra/h1> Arohana: Avroha: Vadi Swar: Samavadi Swar: