Karen Pearlman
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Karen Pearlman is a film scholar, known for her pioneering work in articulating underlying principles concerning what rhythm in film is and the purpose it serves in modulating cycles of tension and release for viewers. Film Ink, "Cutting Shapes" Currently Associate Professor in Screen Production and Practice at
Macquarie University Macquarie University ( ) is a Public university, public research university in Sydney, New South Wales, Australia. Founded in 1964 by the New South Wales Government, it was the third university to be established in the Sydney metropolitan area. ...
, she is the author of ''Cutting Rhythms, Shaping the Film Edit'' (Focal Press, 2009) and its second edition ''Cutting Rhythms, Intuitive Film Editing'' (Focal Press, 2016). The focus of Pearlman's research, first developed when Head of Screen Studies at the
Australian Film, Television and Radio School The Australian Film Television and Radio School (AFTRS), formerly Australian Film and Television School, is Australia's national screen arts and broadcast school. Opened to students in 1973 as Film and Television School (FTS), after accredita ...
, is on the connection of film theory and practice by making conceptual thinking accessible and useful to practitioners. UTS: Postgraduate, "Cutting Rhythms" She co-directs The Physical TV Company with
Richard James Allen Richard James Allen (born 1960) is a contemporary Australian poet, dancer, actor and filmmaker. The former artistic director of the Poets Union Inc, and founding director of the Australian Poetry Festival, Allen was co-artistic director with Kar ...
.Memorabletv.com, "Cutting Rhythms" In 2009 Dr Pearlman was elected President of The
Australian Screen Editors Australian Screen Editors (ASE) was founded in 1996 by Henry Dangar (who became its first president) and Jenny Ward. The guild is "dedicated to the pursuit and recognition of excellence in the arts, sciences and technology of motion picture and ...
Guild (ASE).


Background influences

Many of Pearlman's ideas about rhythm, editing, and affect derive from her career as a professional dancer with the Bill T. Jones/Arnie Zane Dance Company; dancing and choreographing in the theaters, lofts and experimental dance venues of Australia, the US and in Europe. As well as using her understanding of
kinesthetic Proprioception ( ) is the sense of self-movement, force, and body position. Proprioception is mediated by proprioceptors, a type of sensory receptor, located within muscles, tendons, and joints. Most animals possess multiple subtypes of propri ...
empathy in her theorizing, she applies her choreographic sensibility to her own editing and dramaturgy.


Books

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External links


Dr Karen Pearlman at the Macquarie University''Cutting Rhythms: Intuitive Film Editing''Karen Pearlman Filmmaking Blog
* ttp://www.physicaltv.com.au The Physical TV Companybr>The Physical TV Channel on YouTubeThe Physical TV Company Website selected for preservation by Pandora, Australia's Web Archive, at the National Library of Australia
* ttps://web.archive.org/web/20091024171445/http://www.physicaltv.com.au/ReviewsAndArticlesByDrKarenPearlman_539_1122_3_0.html Reviews, Articles and Books by and Interviews with Dr Karen Pearlmanbr>Karen Pearlman at the Manuscripts Collection, the State Library of New South WalesKaren Pearlman at the National Film and Sound Archive
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Portrait of Karen Pearlman at the National Library of Australia


References

{{DEFAULTSORT:Pearlman, Karen 1960 births Australian female dancers American female dancers Dancers from Missouri Australian editors American editors Australian choreographers American choreographers Australian women choreographers American women choreographers Australian women film directors Film directors from Missouri Australian film producers Film producers from Missouri Living people Writers from St. Louis American women film producers American women editors Australian women editors Australian documentary film directors Australian women film producers 21st-century American women Australian women documentary filmmakers