Klaus Peter Brehmer (12 September 1938 in Berlin, Germany – 16 December 1997 in

Hamburg Hamburg (, ; ), officially the Free and Hanseatic City of Hamburg,. is the List of cities in Germany by population, second-largest city in Germany after Berlin and List of cities in the European Union by population within city limits, 7th-lar ...

, Germany), was a German painter, graphic artist and filmmaker. From 1971 to 1997 he was professor at the

Hochschule für bildende Künste Hamburg The , also known as HFBK Hamburg, is an arts university in Hamburg, in northern Germany. It dates to 1767, when it was called the ; later it became known as . The main building, in the Uhlenhorst quarter of Hamburg-Nord borough, was designed by ...

. Most of his works can be considered as political art or the visualization of political trends.

Biography

Brehmer was born 1938 in

Berlin Berlin ( ; ) is the Capital of Germany, capital and largest city of Germany, by both area and List of cities in Germany by population, population. With 3.7 million inhabitants, it has the List of cities in the European Union by population withi ...

After school he graduated from 1957 to 1959 as a process engraver and as early as 1959 he first made etchings. The training was followed from 1959 to 1961 by the study of graphics at the Werkkunstschule Krefeld, now in the class of, a disciple of . Beginning in 1961, he started using photographic films, radiograms, and block prints, and further studied graphics at the

Kunstakademie Düsseldorf The Kunstakademie Düsseldorf is the academy of fine arts of the state of North Rhine Westphalia at the city of Düsseldorf, Germany. Notable artists who studied or taught at the academy include Joseph Beuys, Gerhard Richter, Blinky Palermo, Ma ...

, where he worked until 1963 with Coester. After a year's residence in Paris at the studio of

Stanley William Hayter Stanley William Hayter (27 December 1901 – 4 May 1988) was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers ...

, he returned to Berlin, and dedicated himself to various types of graphic design. In this time his folded graphics, stamps series, colors and scales, different demographics and film works were produced. In 1971 he became professor at the Hochschule für bildende Künste Hamburg and in 1987 and 1988, he was a guest lecturer at the

China Academy of Art The China Academy of Art (CAA; ) is a provincial public college of fine arts in Hangzhou. Zhejiang, China. It is affiliated with the Province of Zhejiang. The academy is part of the Double First-Class Construction The World First-Class Un ...

Hangzhou Hangzhou, , Standard Mandarin pronunciation: ; formerly romanized as Hangchow is a sub-provincial city in East China and the capital of Zhejiang province. With a population of 13 million, the municipality comprises ten districts, two counti ...

Works

In the earliest works using photomechanical reproduction techniques (block prints, screen printing and offset printing), soon "real" objects such as architectural, technical and organic elements were added to the abstract motifs. Influenced by the emerging new definitions of art and direction as the pop art around 1960, but also by the political rebellion of the younger generation of the 60s, Brehmer defined a new form of language, which, in opposition to abstract art of the 50s, served realistic motifs. Thus arose around 1963 so-called trivial graphics, as the cliché pressure (a high-technology, also known as "Rasterätzung" or Autotypie) were exported. Brehmer used "everyday" motifs from advertising and the mass media, like naked women, cars or spacemen. he finally overcome with the construction of boxes and the limited dimensionality of printmaking. In the mid-60s he took advantage of a new motif: the stamp, which can be defined as authoritative body with cultural definition of power. Sometimes he combined these individual graphics to album pages or stamp-bags. With his work since the mid-60s Brehmer was, along with Konrad Lueg,

Sigmar Polke Sigmar Polke (13 February 1941 – 10 June 2010) was a German painter and photographer. Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, ...

Gerhard Richter Gerhard Richter (; born 9 February 1932) is a German visual artist. Richter has produced Abstract art, abstract as well as photorealistic paintings, photographs and Glass art, glass pieces. He is widely regarded as one of the most important con ...

and

Wolf Vostell Wolf Vostell (14 October 1932 – 3 April 1998) was a German painter and sculptor, considered one of the early adopters of video art and installation art and pioneer of Happenings and Fluxus. Techniques such as blurring and Dé-coll/age are ...

, an important representative of the

capitalist realism The term "capitalist realism" has been used, particularly in Germany, to describe commodity-based art, from Pop Art in the 1950s and 1960s to the commodity art of the 1980s and 1990s. When used in this way, it is a play on the term " socialist ...

style. Today, the capitalist realism works are often attributed to the European Pop Art, with a particular political remark. At the same time Brehmer tried to democratize the art and to infiltrate the structures of the commercial exploitation of art with incorrectly declared unlimited editions, proofs or special editions. In the'70s, a new group of works – the so-called "diagrammatic work" in which colors, maps and statistics have been processed had been created. The political character came out even stronger. Brehmer dealt with the interpretation and significance of color as a symbol (Farbengeografien, Ideale Landschaft, Farbmuster) and created oversized charts and maps to Fascism (Hitler's Rede, 1973), the communist threat (Lokalisierung von Rotwerten, 1972), environmental damage ( Skyline, 1972) and war (Lokalisierung Rot/Rosa, 1972 My Lai). The best-known work of this group is a rigged German Flag (Korrektur der Nationalfarben, 1972), wherein the three colours black – red – gold valued in different sizes are defined by the distribution of wealth in West Germany. This flag was hoisted in front of the documenta 5. From the late'70s Brehmer – in addition to the continued production of graphics and drawings – he began to paint. The motives are collected from scientific journals thermography, sonogram, etc.. Besides the graphics, panel paintings and drawings Brehmer produced films (such as "walking" 16 mm, 20 min., B / w, sound, ''Kleistfilm'', 16 mm, 9 min., Color, sound, several documentaries on performances by J. Beuys, Moorman C., A. Kaprow, A. Koepcke, P. Polke and others) and compositions based on graphical templates (''Seele und Gefühl eines Arbeiters'', 1978; ''Composition No. 3'' ''(In Form eines Spitzkleeblattes)'', 1983, etc.) The visualization of social developments and political trends can be seen as the "common" thread in his art.

Solo exhibitions

* 1964 Graphisches Kabinett der Freien Galerie, Berlin * 1965 Klaus Peter Brehmer: Trivialgrafik, Galerie

René Block René (''born again'' or ''reborn'' in French) is a common first name in French-speaking, Spanish-speaking, and German-speaking countries. It derives from the Latin name Renatus. René is the masculine form of the name (Renée being the feminine ...

, Berlin (K) * 1971 KP Brehmer. Produktion 1962–1971, Kunstverein Hamburg (K) / Galerie Baecker, Bochum * 1972 Galerie Bama, Paris (Frankreich) / Galerie René Block, Berlin * 1975 Bilder einer Ausstellung, René Block Gallery, New York (USA) * 1976 KP Brehmer. Gesamte Druckgrafik,

Museum Wiesbaden The Museum Wiesbaden is a two-branch museum of Art museum, art and Natural history museum, natural history in the Hesse, Hessian capital of Wiesbaden, Germany. It is one of the three Hessian State museums, in addition to the museums in Hessian ...

(K) * 1977 Time, College of Art, Philadelphia (USA) * 1985 KP Brehmer. ''Wie mich die Schlange sieht. Wie ich die Schlange sehe'', DAAD-Galerie, Berlin (K), Stadtgalerie, Saarbrücken; Büro Orange, München (K) * 1989 KP Brehmer. ''30 Jahre Arbeit in Kunst''. Trivialgrafik, Aufsteller, Schachteln, 1959–1970, Galerie Vorsetzen, Hamburg (mit Stephan von Huene) * 1993 KP Brehmer, ''Schamanismus'', Galerie Vorsetzen, Hamburg (mit Bogomir Ecker) * 1994 KP Brehmer – ''Briefmarken 1966–1972'', Galerie Bernd Slutzky, Frankfurt am Main (K) * 1995 KP Brehmer, DG HYP-Ausstellungsforum, Hamburg (K) * 1998 KP Brehmer – ''Alle Künstler lügen'',

Fridericianum The Fridericianum is a museum in Kassel, Germany. Built in 1779, it is one of the oldest public museums in Europe.

, Kassel (K) * 2000 KP Brehmer – ''Das Gefühl zwischen den Fingerkuppen'', Galerie Bernd Slutzky, Frankfurt am Main * 2004 KP Brehmer – ''Nationale Werte'', Städtische Galerie Bietigheim-Bissingen * Ständige Ausstellung seit 1998 im Sockelgeschoß der

Hamburger Kunsthalle The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. It consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and ...

* 2009 KP Brehmer – Milliken Gallery, Stockholm (Schweden) * 2011 KP Brehmer – ''A TEST EXTENDING BEYOND THE ACTION'' Centro Andaluz de Arte Contemporáneo Sevilla (Spanien) * 2013 ''KP Brehmer und die Grafik des Kapitalistischen Realismus.''

Neue Nationalgalerie The Neue Nationalgalerie (New National Gallery) at the Kulturforum is a museum for modern art in Berlin, with its main focus on the 20th century. It is part of the National Gallery of the Berlin State Museums. The museum building and its sculpt ...

. * 2014 KP Brehmer Real Capital – Production

Raven Row Raven Row is a free art exhibition centre in Spitalfields. It was constructed from numbers 56 and 58, Artillery Lane. These properties were built about 1690. The area was formerly used for testing artillery and this portion of the lane was ...

London London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ...

. * 2015 KP Brehmer ''Scheinbar abstrakte Kunst'' Vorsetzen, Hamburg * 2019 KP Brehmer – ''Kunst≠Propaganda''

Gemeentemuseum Den Haag The Kunstmuseum Den Haag is an art museum in The Hague in the Netherlands, founded in 1866 as the Museum voor Moderne Kunst. Later, until 1998, it was known as Haags Gemeentemuseum, and until the end of September 2019 as Gemeentemuseum Den Haag. I ...

The Hague The Hague ( ) is the capital city of the South Holland province of the Netherlands. With a population of over half a million, it is the third-largest city in the Netherlands. Situated on the west coast facing the North Sea, The Hague is the c ...

Neues Museum Nürnberg Neues Museum Nürnberg (NMN) is a museum for modern and contemporary art and design in Nuremberg. Architecture In 1990 the Bavarian government decided to build a 20th-century museum. The building in which the museum is located was designed b ...

(2018/19);

(2019); und ARTER,

Istanbul Istanbul is the List of largest cities and towns in Turkey, largest city in Turkey, constituting the country's economic, cultural, and historical heart. With Demographics of Istanbul, a population over , it is home to 18% of the Demographics ...

Turkey Turkey, officially the Republic of Türkiye, is a country mainly located in Anatolia in West Asia, with a relatively small part called East Thrace in Southeast Europe. It borders the Black Sea to the north; Georgia (country), Georgia, Armen ...

(2020) * 2023 KP Brehmer – ''Welt im Kopf orld in Mind' curated by Elisa R. Linn and Lennart Wolff, Petzel Gallery and Maxwell Graham Gallery, New York (USA)

Group exhibitions

„''KP Brehmer hatte es gar nicht so sehr auf Einzelausstellungen angelegt. Ihm erschienen Gruppenausstellungen wegen des künstlerischen Austausches interessanter''“. (Zitat Monika Brehmer) * 1964 Neodada, Pop Decollage, Kapitalistischer Realismus, Galerie René Block, Berlin * 1966 Kritische Grafik. Brehmer – Staeck – Vostell, Graficky kabinety, Brno (Tschechoslowakei) * 1967 ''Hommage à Lidice'', Galerie René Block, Berlin; Spala Galerie, Prag (Tschechoslowakei) / New multiple art,

Whitechapel Art Gallery The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the fir ...

, London (Großbritannien) * 1971 ''Metamorphose des Dinges. Kunst und Antikunst 1910–1970'', Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Berlin * 1972

documenta 5 documenta 5 was the fifth edition of documenta, a quinquennial contemporary art exhibition. It was held between 30 June and 8 October 1972 in Kassel, West Germany. The artistic director was Harald Szeemann. The title of the exhibition was: Befr ...

. ''Befragung der Realität. Bildwelten heute'',

Kassel Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in North Hesse, northern Hesse, in Central Germany (geography), central Germany. It is the administrative seat of the Regierungsbezirk Kassel (region), Kassel and the d ...

* 1973 ''Kunst im politischen Kampf. Aufforderung – Anspruch – Wirklichkeit'', Kunstverein Hannover * 1974 ''Art in Society. Society into Art'', Institute of Contemporary Arts, London (Großbritannien) * 1975 ''Druckgrafik der Gegenwart'', Nationalgalerie, Berlin / Boites, ARC 2, Musée d´Art Moderne de la ville de Paris (Frankreich) * 1976 Künstler drucken, Leipzig (DDR) / Working Party, Whitechapel Art Gallery, London (Großbritannien) * 1977

documenta 6 documenta 6 was the sixth edition of documenta, a quinquennial contemporary art exhibition. It was held between 24 June and 2 October 1977 in Kassel, West Germany. The artistic director was Manfred Schneckenburger Manfred Schneckenburger (1 De ...

/ ''13° E. Eleven Artists working in Berlin'', Whitechapel Art Gallery, London (Großbritannien) * 1978 ''Eremit? Forscher? Sozialarbeiter? Das veränderte Selbstverständnis von Künstlern'', Kunstverein und Kunsthaus, Hamburg / Kunst von 1960 bis heute, Berlinische Galerie, Berlin / Realisten, Kunsthalle Rostock (DDR); Moskau (Russland) * 1979 ''Für Augen und Ohren. Von der Spieluhr zum akustischen Environment'', Akademie der Künste, Berlin / ''Écouter par les yeux'', ARC, Musée d´Art Moderne de la ville de Paris (Frankreich) / '' Cartes de la terre'', Centre Pompidou, Paris (Frankreich) * 1984 ''Zugehend auf eine Biennale des Friedens''. Hamburger Wochen für Bildende Kunst 1985, Kunsthaus und Kunstverein, Hamburg * 1985 ''Vorsatz 1'', Galerie Vorsetzen, Hamburg * 1987 1961 Berlin art 1987, Museum of Modern Art, New York (USA) * 1988 China & The West Calligraphy & Painting Harmony, Art Gallery, Hangzhou (VR China) * 1989 ''Broken Music''. Artists' Recordworks, DAAD-Galerie, Berlin; Gemeentemuseum, Den Haag (Niederlande); Magasin, Grenoble (Schweiz) * 1990 ''The Readymade Boomerang'' / 8th Biennale of Sydney (Australien) * 1991 ''Fluxus & Concept-art''. Sammlung Beck, Wilhelm-Hack-Museum, Ludwigshafen / ''Umwandlungen'', National Gallery of Korea, Seoul (Südkorea) / ''Mit dem Kopf durch die Wand''. Sammlung Block, Statens Museum for Kunst, Kopenhagen; Kunsthalle, Nürnberg * 1992 ''KP Brehmer, K.H. Hödicke, Konrad Lueg, Wolf Vostell, Sigmar Polke, Gerhard Richter, Grafik des Kapitalistischen Realismus'', Galerie Bernd Slutzky, Frankfurt am Main (K) * 1993 Mediale Hamburg * 1997 ''PRO LIDICE – 52'' Künstler aus Deutschland, Tschechisches Museum für Bildende Künste, Prag (Tschechien) * 1999 ''Pop Impressions''. Europe/USA, The Museum of Modern Art, New York (USA) / ''EuroPop. A Dialogue with the US'', Arken Museum for Moderne Kunst, Kopenhagen (Dänemark)/ ''Chronos und Kairos''. Die Zeit in der zeitgenössische Kunst, Fridericianum Kassel * 2000'' Das XX. Jahrhundert. Ein Jahrhundert Kunst in Deutschland''. Nationalgalerie Berlin / Hamburger Bahnhof (K) * 2002 ''Shopping. 100 Jahre Kunst und Konsum''. Kunsthalle Schirn, Frankfurt am Main, Tate Gallery Liverpool (Großbritannien) * 2003 ''Berlin-Moskau. 1950–2000'', Berliner Festspiele / Martin-Gropiusbau Berlin * 2004 ''Moskau-Berlin 1950–2000''. Staatliches Historisches Museum, Moskau (Russland) / ''Behind the Facts. Interfunktionen 1968-75''. Miró Foundation, Barcelona (Spanien); Porto (Portugal) / ''Two and One.Printmaking in Germany 1945–1990'', Kunsthalle zu Kiel / ''Krieg Medien Kunst''. Städtische Galerie Bietigheim-Bissingen * 2006 ''Art Salon Belgrade – ART, LIFE & CONFUSION'', Belgrad (Serbien) / ''Eye on europe. Prints, books & multiples 1960 to know'', The Museum of Modern Art, New York (USA) / ''Far West. Vier Künstler zwischen Deutschland und China'', Kunsthaus Hamburg, verschiedene Stationen in China (2007) Shanghai u.a. * 2007 ''FAR WEST'', Mingyan Artcenter, Shanghai (VR China) * 2008 ''Europop'', Kunsthaus Zürich (Schweiz) * 2008 ''True Romance. Allegorien von der Renaissance bis heute'', Kunsthalle Wien,(Österreich) Villa Stuck, München, Kunsthalle zu Kiel / ''Europop'' Ausstellung im Kunsthaus Zürich / ''German Angst'', Der Neue Berliner Kunstverein / ''Art Basel'', Galerie Milliken * 2009 ''Flagge zeigen? Die Deutschen und ihre Nationalsymbole'', Haus der Geschichte der Bundesrepublik Deutschland / ''Quartett – Vier Biennalen im Spiegel grafischer Blätter'', Tanas, Berlin / ''Werke aus der Sammlung Block'', Neues Museum in Nürnberg / ''Bilder einer Ausstellung'', Edition Block Berlin / ''Bilderschlachten – 2000 Jahre Nachrichten aus dem Krieg'', Museum Industriekultur / ''The Armory Show 2009'', New York, Milliken Gallery / ''1968. Die große Unschuld'', Kunsthalle Bielefeld / ''Time as Matter. MACBA Collection. New acquisitions'', Museu d'Art Contemporani de Barcelona / ''Red Thread – Ein Prolog zur 11. Internationalen Istanbul Biennale'' Tanas Berlin / ''11. Biennale Istanbul'' / ''Kunst und Kalter Krieg – Deutsche Positionen 1945–1989'', Deutsches Historisches Museum Berlin * 2010 ''Vom Ursprung der Welten'', Künstlerhaus Hamburg e.V. FRISE / ''Kapitalistischer Realismus. Grafik aus der Sammlung Block'', Die Feininger Galerie Quedlinburg * 2011 ''modell/stadt/muster/stadt'', Centre d'art passerelle Brest (Frankreich)/ ''travaille(r) la réalité !'' Centre d'art passerelle Brest (Frankreich) / ''GRAFIK DES KAPITALISTISCHEN REALISMUS'', Edition Block Berlin / ''All I Can See is the Management'', Gasworks (London/Grossbritannien)/ ''6th MOMENTUM Bienal'', Norwegen / ''Museum of Affects. In the framework of L'Internationale''Museum of Contemporary Art Metelkova, Slowenien / ''Belvedere – Warum ist Landschaft schön?'' Arp Museum Bahnhof Rolandseck in Remagen * 2012 ''Doppelte Ökonomien – Vom Lesen eines Fotoarchivs aus der DDR (1967–1990)'', Halle14 – Zentrum für zeitgenössische Kunst, Leipziger Baumwollspinnerei / ''Hungry City. Landwirtschaft in der zeitgenössischen Kunst'', Kunstraum Kreuzberg / Bethanien, Berlin / ''Erhöhte Temperatur. Kunst und Klima'', Salzburger Kunstverein (Österreich) / ''Abstraktion und Alltag'', Galerie Nord – Kunstverein Tiergarten, Berlin / ''Capitalist Realism, Early prints of KP Brehmer, Karl Horst Hödicke, Konrad Lueg, Sigmar Polke, Gerhard Richter, Wolf Vostell'', Kunsthal 44 Møen / ''Pi – π Verwandlungen des Kreises'', Landdrotei Pinneberg * 2013 ''55th International Art Exhibition at the Venice Biennale'', Venedig (Italien)

Biennale di Venezia The Venice Biennale ( ; ) is an international cultural exhibition hosted annually in Venice, Italy. There are two main components of the festival, known as the Art Biennale () and the Architecture Biennale (), which are held in alternating ye ...

* 2014 ''Playtime'',

Städtische Galerie im Lenbachhaus The Lenbachhaus () is a building housing the Städtische Galerie (English: Municipal Gallery) art museum in Munich's ''Kunstareal''. The building The Lenbachhaus was built as a Florentine-style villa for the painter Franz von Lenbach between ...

, München / ''GERMAN POP'' Schirn Kunsthalle, Frankfurt (Main) * 2015 ''Office Space'' Yerba Buena Center for the Arts, San Francisco (USA)/ ''Adventures of the Black Square'' Whitechapel, London(GB)

Bibliography (selection)

* Réné Block: ''Grafik des Kapitalistischen Realismus.'' 2 volumes. Berlin 1971/1974. * KP Brehmer: ''Wie mich die Schlange sieht...'' Exhibition Catalog, Daad-Galerie, Berlin 1985. * Hubertus Butin: ''KP Brehmer, Briefmarken 1966–1972.'' Exhibition Catalog. Galerie Bernd Slutzky, 1994, ISBN 3-9802923-1-2. * KP Brehmer: ''Alle Künstler lügen.'' Exhibition Catalog.

Fridericianum The Fridericianum is a museum in Kassel, Germany. Built in 1779, it is one of the oldest public museums in Europe.

, Kassel 1998. * Björn Egging: ''Von Pop zu Politik. Studien zur Entwicklung der politisch engagierten Kunst KP Brehmers 2004.'' Staats- und Universitätsbibliothek der freien und Hansestadt Hamburg
Digitalisat
* ''Kapitalistischer Realismus. Grafik aus der Sammlung Block.'' Exhibition Catalog. Kerber Verlag, ISBN 978-3-86678-413-0. * S. D. Sauerbier: ''Welt aus Zeichen – Kodierung des Trivialen.'' �ber das Werk von KP Brehmer.= ''Künstler. Kritisches Lexikon der Gegenwartskunst.'' Edition 46, Heft 9, Munich 1999, . * KP Brehmer: Real Capital-Production. Exhibition Catalog. edited by Doreen Mende und

. KoenigBooks, 2016, ISBN 978-3-96098-065-0 (englisch) * KP Brehmer: ''Kunst≠Propaganda.'' Exhibition Catalog. KoenigBooks 2018, ISBN 978-3-96098-459-7 (deutsch), ISBN 978-3-96098-460-3 (englisch), türkisch * ''Sichtagitation Briefmarke – KP Brehmer – Aby Warburg.'' Michael Glasmeier, Texte Verlag / Campo Bd. 1 (deutsch) ISBN 978-3-86485-234-3. * KP Brehmer: ''Song of Growth.'' edited by Elisa R. Linn, Lennart Wolff. Designed by Anne Stock. Haciendabooks, 2020, ISBN 978-3-907211-03-8. (englisch)

References

* Réné Block: ''Grafik des Kapitalistischen Realismus''. Berlin 1971/1974, 2 vol. * KP Brehmer: ''Wie mich die Schlange sieht...'' Exhibition catalogue, Daad-Galerie, Berlin 1985 * Hubertus Butin: ''KP Brehmer, Briefmarken 1966-1972'' Exhibition catalogue, Galerie Bernd Slutzky 1994. * KP Brehmer: ''Alle Künstler lügen''. Exhibition catalogue, Fridericianum Kassel 1998 * Björn Egging: ''Von Pop zu Politik. Studien zur Entwicklung der politisch engagierten Kunst KP Brehmers'' 2004. Staats- und Universitätsbibliothek der freien und Hansestadt Hambur

* KP Brehmer: Real Capital-Production. Ausstellungskatalog. Ed. von Doreen Mende und Raven Row. KoenigBooks 2016, (Englisch) * KP Brehmer: Kunst≠Propaganda. Ausstellungskatalog. KoenigBooks 2018, (Deutsch), (Englisch) * KP Brehmer: Song of Growth. Ausstellungskatalog. Ed. von Elisa R. Linn und Lennart Wolff. Hacienda Books 2020, (Englisch)

External links

* Literatur of and about KP Brehmer in the catalogue of German National Library (Deutsche Nationalbibliothek) * biography and bibliography IFA database) http://kuenstlerdatenbank.ifa.de/datenblatt.php3?ID=264&NAME=brehmer&ACTION=kuenstler&SUB_ACTION=1%7C8
KP Brehmer Sammlung und Nachlass (KP Brehmer Collection and Estate)
{{DEFAULTSORT:Brehmer, K.P. 1938 births 1997 deaths 20th-century German painters 20th-century German male artists German male painters German political artists