Justin Summerton
   HOME

TheInfoList



OR:

Justin Summerton is a New Zealand artist and writer, who lives in
Dunedin Dunedin ( ; ) is the second-most populous city in the South Island of New Zealand (after Christchurch), and the principal city of the Otago region. Its name comes from ("fort of Edin"), the Scottish Gaelic name for Edinburgh, the capital of S ...
, New Zealand.


Early life and development

Justin Summerton was born in
Wirral Peninsula The Wirral Peninsula (), known locally as the Wirral, is a peninsula in North West England. The roughly rectangular peninsula is about long and wide, and is bounded by the Dee Estuary to the west, the Mersey Estuary to the east, and Liverpo ...
, in North West England. In 1972, when he was four years old, his family emigrated to New Zealand, where he lives presently. Summerton spent the next couple of decades in Dunedin. He completed a Bachelor of Commerce degree (1987) and a Bachelor of Arts degree (1993) at the
University of Otago The University of Otago () is a public university, public research university, research collegiate university based in Dunedin, Otago, New Zealand. Founded in 1869, Otago is New Zealand's oldest university and one of the oldest universities in ...
. In 1990, Summerton got a studio flat at St Clair Esplanade, in Dunedin, where he did some of his early experiments with oils, working mainly with seascapes. The following year, he had his first solo exhibition, at O'Brooks Gallery in Dunedin.


Travelling and street painting

In 1992, Summerton travelled to Liverpool. He rented a studio at the
Bluecoat Chambers Built in 1716–17 as a charity school, Bluecoat Chambers in School Lane is the oldest surviving building in central Liverpool, England. Following the Liverpool Blue Coat School's move to another site in 1906, the building was rented from 1907 ...
and worked on Liverpool cityscapes. He then went to paint and explore Paris, and then Copenhagen, in Denmark, where he was commissioned to paint a mural. Two years later, he went to the United States. There, he exhibited in Detroit and began " live painting" in
Central Park Central Park is an urban park between the Upper West Side and Upper East Side neighborhoods of Manhattan in New York City, and the first landscaped park in the United States. It is the List of parks in New York City, sixth-largest park in the ...
in New York City. He then continued with street painting in
Nice Nice ( ; ) is a city in and the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly one millionCôte d'Azur The French Riviera, known in French as the (; , ; ), is the Mediterranean coastline of the southeast corner of France. There is no official boundary, but it is considered to be the coastal area of the Alpes-Maritimes department, extending fr ...
, South of France. In 1995, he worked in a log cabin in Mendocino, Northern California. At that time, he exhibited his
photomontage Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final imag ...
projects and
oil on canvas Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel, or copper for several centuries. ...
at the International Art Café, in
Haight-Ashbury Haight-Ashbury () is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called the Haight and the Upper Haight. The neighborhood is known as one of the main centers of the countercultu ...
, San Francisco. A year later, he was working at a studio in Redfern, in Sydney, Australia. While living there, he exhibited in a group show at the Darlinghurst Gallery, and he contributed with a photomontage study to the first Australian auction of contemporary photography at the Wemyss Gallery. In 1997, Summerton did paintings and photomontage studies of
Tenerife Tenerife ( ; ; formerly spelled ''Teneriffe'') is the largest and most populous island of the Canary Islands, an Autonomous communities of Spain, autonomous community of Spain. With a land area of and a population of 965,575 inhabitants as of A ...
(
Canary Islands The Canary Islands (; ) or Canaries are an archipelago in the Atlantic Ocean and the southernmost Autonomous communities of Spain, Autonomous Community of Spain. They are located in the northwest of Africa, with the closest point to the cont ...
), Spain, Portugal, and London (live painting at
Leicester Square Leicester Square ( ) is a pedestrianised town square, square in the West End of London, England, and is the centre of London's entertainment district. It was laid out in 1670 as Leicester Fields, which was named after the recently built Leice ...
). From 1997 to 1999, Summerton was based in Dunedin, working on his technique and basing his work around the St Clair seascape. In 1999, being a keen surfer, he based himself in Karekare, west of Auckland, living initially at Bob Harvey's bach. He is currently based in St Clair, Dunedin.


Themes and technique

Summerton is a surrealist painter who depicts a dreamlike world in his work, often presenting New Zealand as a primeval landscape. In his work, Summerton reveals a fascination with New Zealand natural elements, such as the sea, volcanic cones, mountains and cloud formations, which constitute the basis of all his work. His latest paintings have been described as inhabiting "a strange milieu halfway between representational landscape and surrealist dreamscape." The artist makes the landscapes his own, by rearranging and/or adapting them to his vision, obeying to symbolic or allegorical purposes. The surrealist painter favours a utopian New Zealand: "Most of my art is related to the ecology of the world," Summerton says. "I'm not a hippy, greenie painter who rants on, but maybe I am an environmentalist. New Zealand is a bit of an oasis like that and I've had that theme running through my work for a while." "Summerton's works harness the raw energy of New Zealand landforms and coast lines through the texture of his paint. He captures and intensifies this power with layers upon layers of dense oils, culminating in a landscape that is far from traditional, and so referring to New Zealand landscape with a fresh perspective." At a recent solo show of his paintings, his technique was described as "scrumbling", a "brushstroke technique to build layers of colour and texture onto the canvas surface. This approach tends to modify rather than obscure the previous layer and creates stark contrast between dark and light pigments. The overall result is a fresh and vibrant new view of the New Zealand landscape." Summerton has been identified as one of the New Zealand contemporary artists whose work is being thrown into the investment fine art market within only a few years of being produced. He has one work in a public collection – the Aigantighe Art Gallery of
Timaru Timaru (; ) is a port city in the southern Canterbury Region of New Zealand, located southwest of Christchurch and about northeast of Dunedin on the eastern Pacific Ocean, Pacific coast of the South Island. The Timaru urban area is home to peo ...
, New Zealand – and another work (''Lamp on a Pedestal'', 2002) – in New Zealand's largest private collection, the Wallace Arts Trust Collection. Summerton exhibits at the Warwick Henderson Gallery in Parnell, Auckland, and sells work regularly through the International Art Centre in Parnell, Auckland, New Zealand. Numerous works by the artist have been sold at auction, including ''Cape Byron Lighthouse'' (2008), sold at the International Art Centre 'Fine Art Auction' in 2009.


Books

*2013 – ''The Last Secret Wave'' (Kindle e-book)


Awards

*1999 Mainland Art Awards – Merit prize for "White Island, Night"''Dominion'', Wellington, New Zealand, 2 Aug 1999: 27
/ref>


References


Further reading

* Caughey, E. M. (2002). ''Art New Zealand Today: Sixty Exhibiting New Zealand Artists''. Auckland, NZ: Saint Publishing. * Cranmer, U.; Pearson, H.; Martin, M. & Braddock, G. (2008). ''Landforms in Contemporary Art''. Whangaparaoa, NZ: Integrated Education. * Daly-Peoples, J. (2002). "Representational Dreamscapes", in ''The National Business Review'', 1 February 2002, p. 23. * Harvey, B. (2003). ''Rolling Thunder: The Spirit of Karekare''. New Zealand: Exisle Publishing. * Harvey, B. (2004). ''Westies: Up Front Out There''. New Zealand: Exisle Publishing. * Robinson, D. (2008). ''New Zealand's Favourite Artists 2''. Auckland, NZ: Saint Publishing. * Topp, A. (2009). ''Creating Waves''. New Zealand: HarperCollins Publishers.


External links


Justin Summerton’s Official Website (archive)

Warwick Henderson Gallery – Artists: Justin Summerton

The Wallace Arts Trust
{{DEFAULTSORT:Summerton, Justin Year of birth missing (living people) Living people New Zealand surrealist artists New Zealand painters Artists from Dunedin