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Jean-Baptiste David (called Jules David; 1808–1892) was a French painter and lithographer.
His illustrations appeared in many books and magazines.
He was particularly known for his illustrations of contemporary Parisian fashions.
Achille Devéria introduced David to the ''Journal des demoiselles'' and the ''Journal des jeunes personnes'', for which he produced lithographs from 1839 to 1842.
David's albums were often published as a supplement to women's magazines.
He drew all the plates for the ''Le Moniteur de la Mode'' for fifty years.
About 2,600 of David's fashion plates were first published in the '' Moniteur de la Mode'', and then republished in other magazines in France, Germany, Britain, Spain and America.
He was a pioneer in introducing contemporary backgrounds in his plates.
In 1860 Samuel Orchart Beeton, husband of Mrs Beeton and publisher of the ''Englishwoman's Domestic Magazine'', began to include hand-colored fashion plates by David.
These let his readers see the latest styles and colors from Paris, the world fashion center at the time.
Beeton included paper patterns, which let owners of the newly introduced domestic sewing machines make their own dresses.
Jean-Baptiste David died in 1892.
In 1987 his sketchbooks were shown in an exhibition called ''Fashion drawings of Jules David (1808–1892) and his time'' at the Salon du Vieux-Colombier, town hall of the sixth arrondissement, Paris.
During his long career, the fashionable figure was transformed.
The delicate Dresden figurine of 1870, dressed in a modest, elaborate and very feminine style, was displaced by the "seven foot beauty with the ten inch waist" of 1893. The modern woman of 1893 was much more self-confident and her dress much more revealing and sophisticated than would have been suitable twenty years earlier.
File:Her Majesty Empress Eugénie dressed as an amazon (in riding dress) by Jules David (Château de Compiègne).jpg, Her Majesty Empress Eugénie in riding dress
File:Don Quixote and Sancho Panza by Jules David.png, Don Quixote and Sancho Panza
File:Fashion illustration from La Moniteur de la Mode.jpg, Fashion illustration from La Moniteur de la Mode
File:L'ELEGANCE PARISIENNE. Gravure de Mode colorée à la main.jpg, Parisian Elegance
Early years
Jean-Baptiste David was born in 1808. He was a pupil ofPierre Duval Le Camus
Pierre Duval Le Camus, known as Camus le père (13 February 1790, Lisieux - 29 July 1854, Saint-Cloud) was a French painter and lithographer who specialized in portraits and Genre art, genre scenes. His son, Jules-Alexandre Duval Le Camus, also b ...
, who painted moralistic subjects.
Duval was in turn a pupil of the famous painter Jacques-Louis David.
Jean-Baptiste David began work in 1824, using his power of observation and facility of drawing to produce a variety of landscapes and interiors in Gothic style for publishers.
During the July Monarchy
The July Monarchy (french: Monarchie de Juillet), officially the Kingdom of France (french: Royaume de France), was a liberal constitutional monarchy in France under , starting on 26 July 1830, with the July Revolution of 1830, and ending 23 ...
(1830–1848) David also published caricatures.
He belonged to the ''mouvement'' party, and wanted to implement the ideals of liberty and the French republic.
He derided the ''juste milieu
''Juste milieu'' (meaning "middle way" or "happy medium") is a term that has been used to describe centrist political philosophies that try to find a balance between extremes, and artistic forms that try to find a middle ground between the traditi ...
'' of King Louis Philippe
Louis Philippe (6 October 1773 – 26 August 1850) was King of the French from 1830 to 1848, and the penultimate monarch of France.
As Louis Philippe, Duke of Chartres, he distinguished himself commanding troops during the Revolutionary Wa ...
as a trick to prevent these ideals being achieved.
A caricature by David appeared in '' La Caricature'' of 31 May 1831. The king is depicted as an illusionist who uses the ''juste milieu'' and some ''poudre de non-intervention'' to make liberty and revolution vanish.
David's lithographs often attacked political tyranny, and religious hypocrisy.
David exhibited in the Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art ...
of 1834.
He was working for the editor Jeannin in 1836 when he won a 2,000 franc prize from Delessert, president of the Savings Bank of Paris, for a work about the triumph of Virtue.
His album ''Vice and Virtue'' illustrated in twelve lithographs a good or bad action in each stage of life.
Six plates were dedicated to vice and six to virtue.
The one series showed the criminals arrested, taken to prison and on the scaffold. The other series showed scenes of work, study and so on.
The work was praised for the quality of the drawings but criticized for its tendentious moralization.
In 1839 the ''Histoire de France'' by Théodose Burette was published with 500 drawings by David, engraved by V. Chevin.
''L'Artiste'' announced the book, saying the illustrations would make the book "doubly popular". The next year ''L'Artiste'' gave a six-page review of the book, with reproductions of twelve of the illustrations, saying it was one of the most remarkable publications to have appeared for a long time.
Six plates published by Jeannin in 1844 titled ''Le Moyen-Age. Moeurs et Coutumes'' (''The Middle Ages, Customs and Costumes'') depicted nobles absorbed in religion and beggars living on charity.
David's compositions were lively and often humorous, in the style of Victor Adam
Jean Victor Adam (28 January 1801 – 30 December 1866) was a French painter and lithographer.
Life
Adam was born in Paris in 1801, the son of Jean Adam (engraver), Jean Adam, an engraver. He studied at the École des Beaux-Arts in 1814– ...
and François Grenier
François () is a French masculine given name and surname, equivalent to the English name Francis.
People with the given name
* Francis I of France, King of France (), known as "the Father and Restorer of Letters"
* Francis II of France, King o ...
.
They were published until around 1855 in the ''Musée de l'amateur'', the ''Revue des peintres'' and ''L'Artiste''.
His best known works are the series of ''The Wandering Jew'' and ''The Mysteries of Paris'', and the illustrations of ''Morality in Action'' and the ''History of Napoleon''.
He also made lithographs for many romance titles.
Fashion illustrations
Achille Devéria introduced David to the ''Journal des demoiselles'' and the ''Journal des jeunes personnes'', for which he produced lithographs from 1839 to 1842.
David's albums were often published as a supplement to women's magazines.
He drew all the plates for the ''Le Moniteur de la Mode'' for fifty years.
About 2,600 of David's fashion plates were first published in the '' Moniteur de la Mode'', and then republished in other magazines in France, Germany, Britain, Spain and America.
He was a pioneer in introducing contemporary backgrounds in his plates.
In 1860 Samuel Orchart Beeton, husband of Mrs Beeton and publisher of the ''Englishwoman's Domestic Magazine'', began to include hand-colored fashion plates by David.
These let his readers see the latest styles and colors from Paris, the world fashion center at the time.
Beeton included paper patterns, which let owners of the newly introduced domestic sewing machines make their own dresses.
Jean-Baptiste David died in 1892.
In 1987 his sketchbooks were shown in an exhibition called ''Fashion drawings of Jules David (1808–1892) and his time'' at the Salon du Vieux-Colombier, town hall of the sixth arrondissement, Paris.
During his long career, the fashionable figure was transformed.
The delicate Dresden figurine of 1870, dressed in a modest, elaborate and very feminine style, was displaced by the "seven foot beauty with the ten inch waist" of 1893. The modern woman of 1893 was much more self-confident and her dress much more revealing and sophisticated than would have been suitable twenty years earlier.
Selected work
David illustrated the following works, among many others: *''Histoire populaire, anecdotique et pittoresque de Napoléon et de la grande armée'', 1 vol. (650 p.) 1843 Paris G. Kugelmann *''Léonie'', valse brillante 3 p.: cover illustration; 35 cm Edition : 848Paris Veuve Launer *''Oeuvres complètes de Molière'' 1 vol. (384 p.) Edition: 870Paris Librairie du "Petit journal" by Molière (1622-1673) *''Histoire de Don Quichotte'' 1 vol. (100 p.) DL 1887 Paris Garnier frères by Miguel de Cervantes Saavedra (1547-1616), translated by Jean-Pierre Claris de Florian (1755-1794) *''Départ des paysans'' fantaisie pour piano 4 p.: illustration; 897Paris Veuve E. Benoît Some of his lithographs include: *''Le Comte de Paris'' 1 est.: 18,8 x 15,2 cm *''Eugénie Impératrice des Français''. 30 Janvier 1853 1 est. monochrome 29,5 x 21,7 cm *''Mgr l'Archevêque de Paris, blessé mortellement au Fg Saint-Antoine (25 Juin) Que mon sang soit le dernier versé !..'' 1 est. 24,5 x 36,3 cm *''Le Peuple au Palais des Tuileries. 24 Février'' 1 est. monochrome; 28,6 x 42,1 cm *''Philippe 1er'' 1 est. 39 x 25,6 cmReferences
Citations Sources * * * * * * * * * {{DEFAULTSORT:David, Jules 1808 births 1892 deaths French cartoonists