Joe Sinnott

Joseph Leonard Sinnott (; October 16, 1926 June 25, 2020) was an American comic book artist. Working primarily as an inker, Sinnott is best known for his long stint on Marvel Comics' ''Fantastic Four'', from 1965 to 1981 (and briefly in the late 1980s), initially over the pencils of Jack Kirby. During his 60 years as a Marvel freelance artist and then remote worker salaried artist, Sinnott inked virtually every major title, with notable runs on '' The Avengers'', '' The Defenders'', and ''Thor''.

In the mid-2000s, Stan Lee cited Sinnott as the company's most in-demand inker, saying jocularly, " ncilers used to hurl all sorts of dire threats at me if I didn't make certain that Joe, and only Joe, inked their pages. I knew I couldn't satisfy everyone and I had to save the very most important strips for im To most pencilers, having Joe Sinnott ink their artwork was tantamount to grabbing the brass ring." Sinnott's art appeared on two US Postal Service commemorative stamps in 2007, and he continued to ink ''The Amazing Spider-Man'' Sunday comic strip until his retirement in 2019.

Early life and career

Joseph Leonard Sinnott' was born October 16, 1926, in Saugerties, New York. He was one of seven children to Edward and Catherine McGraw Sinnott; his siblings were Edward and five who predeceased him: Ann / Anne, Frank, John a.k.a. Jack, Leonard and Richard.Joe Sinnott
(official site). . He grew up in a boarding house that catered primarily to schoolteachers, some of whom inspired in the young Sinnott a love of drawing. His childhood comics influences include the comic strip ''Terry and the Pirates'' and the comic book characters Batman, Congo Bill, Hawkman and Zatara. Sinnott attended the schools St. Mary of the Snow and Saugerties High School.

Following the death in action of his brother Jack, a member of the United States Army's Third Division, in 1944, Sinnott acceded to his mother's wishes not to be drafted into the Army himself, and he enlisted in the U.S. Navy in the autumn of that year. After serving with the Seabees in Okinawa during World War II, driving a munitions truck, he was discharged in May 1946 and awarded the Asiatic–Pacific Campaign Medal, the World War II Victory Medal, and the Navy Occupation Service Medal. After working three years in his father's cement-manufacturing plant, he was accepted into the Cartoonists and Illustrators School (later the School of Visual Arts) in New York City in March 1949, attending on the GI Bill.

Sinnott's first solo professional art job was the backup feature "Trudi" in the St. John Publications humor comic ''Mopsy'' #12 (Sept. 1950).

Cartoonists and Illustrators School instructor Tom Gill asked Sinnott to be his assistant on Gill's freelance comics work. With classmate Norman Steinberg, Sinnott spent nine months drawing backgrounds and incidentals on, initially, Gill's Western-movie tie-in comics for Dell Comics.Irving, p. 27 Sinnott recalled in 1992 "taking the Long Island Rail Road every weekend and working all day Saturday and Sunday." He said in 2003, "Tom was paying us very well. I was still attending school and worked for Tom at nights and nweekends,"Pe
"Joe Sinnott Timely/Marvel/Atlas Credits"
at AtlasTales.com, Sinnott worked uncredited with Gill on at least Atlas Comics' ''Red Warrior'' #1 (Jan. 1951) and ''Kent Blake of the Secret Service'' (May 1951 – Jan. 1952)
Archived
from the original on January 2, 2011. with night work added after he tired of commuting to Long Island and "began working nmy room on 75th Street for $7 a week."

Sinnott in 1992 recalled his earliest work for Gill being the Western comic ''Red Warrior'' and later including ''Kent Blake of the Secret Service'', both for Atlas Comics, a predecessor of Marvel Comics. "Tom would do all of the heads. We'd do everything else. We'd do the backgrounds and the figures, but since they were Tom's accounts, he'd do the heads so it looked like his work. I did this for about nine months. It was great learning," he said,"The Joe Sinnott Interview" p. 21 adding, "I can never have enough good to say about Tom Gill. He gave me my start."

Timely/Atlas

Branching out professionally, Sinnott in 1951 met with editor Stan Lee at Marvel Comics' 1950s forerunner Atlas Comics, having reasoned, he recalled, "'Gee, Stan can't turn me down because he's accepting all the work we bring in'. So I went over to see Stan and he gave me a script right away...." Due to creator credits not generally being given at the time, sources differ on Sinnott's first non-Gill Atlas assignment. One standard source gives two stories published the same month: the four-page Western filler "The Man Who Wouldn't Die" in ''Apache Kid'' #8 (Sept. 1951), and the two-page "Under the Red Flag" in ''Kent Blake of the Secret Service'' #3 (Sept. 1951).

Regardless, Sinnott would go on to draw a multitude of stories in many genres for the company throughout the decade: horror, science-fiction and supernatural-fantasy stories for ''Adventures into Terror'', ''Astonishing'', '' Marvel Tales'', '' Menace'', ''Journey into Mystery'', ''Strange Tales'', '' Uncanny Tales'' and others; war-comics stories for ''Battle'', ''Battle Action'', ''Battlefield'', ''Battlefront'', ''Combat'', ''Navy Combat'' and others, including historical war stories in ''Man Comics''; biblical stories in ''Bible Tales for Young Folk''; Westerns in ''Frontier Western'', ''Gunsmoke Western'', ''Two Gun Western'', ''Western Outlaws'', ''Wild Western'' and others, co-creating with unknown writers the titular heroes of ''The Kid from Texas'' and ''Arrowhead'', the latter starring a Native American warrior; and the occasional crime story (''Caught'' ) and romance tale (''Secret Story Romances'').

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