Jiggle Television

Jiggle television is a term coined by NBC executive Paul Klein to criticize ABC's television production and marketing strategy under Fred Silverman.

Description

Klein referred to ABC's programs as "porn" in order to tap into the 1970s moral panic and anxiety over the spread of pornography, using the neologism to describe the use of female television celebrities moving in loose clothing or underwear in a way in which their breasts or buttocks could be seen to shake, or "jiggle". An American invention, it was used to refer to programs such as ''Charlie's Angels'', ''Wonder Woman'' and ''Three's Company'',Censoring Sex: A Historical Journey Through American Media. John E. Semonche, Rowman & Littlefield, 15 Aug 2007 which used the sexuality of young women as appeal to their audiences.

Characteristics

The programs' plots were often full of innuendo and suggestive language, and unrealistic in nature. Producers of such series would make sure that its lead actresses would appear in a bikini, one-piece swimsuit, négligée, underwear, or naked under a towel, in each show. Angie Dickinson, star of NBC's '' Police Woman'' (1974–1978), which preceded and influenced ''Charlie's Angels'', said that although "essentially a woman’s job is being a woman", by the show's last season she was tired of scenes "where the phone rings while I'm taking a bath". Due to censorship standards of the time, however, programs made for U.S. television that fell into the "jiggle television" category were not allowed to move beyond innuendo or slight suggestiveness, with actual nudity and sexual content generally not allowed.

Reception and legacy

At the time, the ABC target audience was 18 to 35 years old. Jiggle was also called " tits & ass television" or "T&A" for short and in the 1970s the amount of sex on television increased, as did its ratings, creating social controversies and consequences.

James T. Aubrey produced a TV movie about the Dallas Cowboys Cheerleaders, which ''Variety'' later said "aired on ABC to huge ratings at the height of its T&A phase". The concept was later taken to new extremes by the late 1980s and throughout the 1990s and early 2000s on such television shows as ''Baywatch'', '' She Spies'', and numerous USA Network series.

The term has been used to describe the dramatic television series of Aaron Spelling such as ''The Love Boat'', ''Fantasy Island'', ''Charmed'' and others. Jiggle TV is seen as trashy and escapist entertainment.Television Everywhere: How Hollywood Can Take Back the Internet and Turn Digital Dimes Into Dollars. Andrei Jezierski. i2 Partners LLC, 12 Oct 2010 Programs or female performers are often judged by their "jiggle factor"America's Favorite Radio Station: Wkrp in Cincinnati. Michael B. Kassel. Popular Press, 15 Jun 1993 and many, such as Pamela AndersonPoints of View. Rex Murphy. McClelland & Stewart, 23 Sep 2003 had their bodies surgically modified to increase it. The term " jiggle-o" is used to describe a character which uses jiggle factor and "jiggle syndrome" is used to discuss the phenomenon as a whole.

See also

* Sexploitation film
* Network era
* ''Playboy''

References

{{Reflist, 35em

History of television in the United States
Neologisms
Television terminology
Pejorative terms related to technology
1970s in television
1980s in television
1990s in television
2000s in television