Jenni Kemarre Martiniello (born 1949) is an
Australian Aboriginal
Aboriginal Australians are the various indigenous peoples of the Mainland Australia, Australian mainland and many of its islands, excluding the ethnically distinct people of the Torres Strait Islands.
Humans first migrated to Australia (co ...
(
Arrernte) glass artist. She is best known for making glass vessels inspired by woven forms traditionally made by
Indigenous peoples
There is no generally accepted definition of Indigenous peoples, although in the 21st century the focus has been on self-identification, cultural difference from other groups in a state, a special relationship with their traditional territ ...
.
She is also known for her advocacy for and support of Indigenous artists.
Early life
Jenni Kemarre Martiniello was born in
Adelaide
Adelaide ( , ; ) is the list of Australian capital cities, capital and most populous city of South Australia, as well as the list of cities in Australia by population, fifth-most populous city in Australia. The name "Adelaide" may refer to ei ...
,
Australia
Australia, officially the Commonwealth of Australia, is a country comprising mainland Australia, the mainland of the Australia (continent), Australian continent, the island of Tasmania and list of islands of Australia, numerous smaller isl ...
. Her father was of
Aboriginal and
Chinese descent, and her mother, a mezzo-soprano and accomplished pianist, was of Anglo-Celtic descent.
They met while working at
John Martin & Co. and got married, a potentially controversial union for a mixed-race couple at the time.
Martiniello had an early interest in art. While in high school, she took night classes at the
Adelaide School of Art. However, after she graduated from high school, she decided to join the navy. She spent two years in the service, first as a radar plotter and later as a weapons assessor. She eventually left, dissatisfied with the way service members were treated. She then met and married her husband, an Italian migrant, and they settled in
Canberra
Canberra ( ; ) is the capital city of Australia. Founded following the Federation of Australia, federation of the colonies of Australia as the seat of government for the new nation, it is Australia's list of cities in Australia, largest in ...
in the late 1960s. The two had multiple children together, but ended up getting a divorce ten years into their relationship.
After her divorce, Martiniello returned to school, this time studying sculpture at the Canberra School of Art (now the
Australian National University School of Art). While there, she experimented with many different mediums, including drawing, printmaking, and photography. She graduated with a
Bachelor of Arts
A Bachelor of Arts (abbreviated B.A., BA, A.B. or AB; from the Latin ', ', or ') is the holder of a bachelor's degree awarded for an undergraduate program in the liberal arts, or, in some cases, other disciplines. A Bachelor of Arts deg ...
degree in 1985, then studied philosophy and art history (also at ANU).
Career
Teaching and writing
Martiniello taught professional and community education at the
University of Canberra
The University of Canberra (UC) is a public university, public research university with its main campus located in Bruce, Canberra, Australian Capital Territory. The campus is from Belconnen Town Centre, and from Canberra's Civic, Australian ...
, and indigenous art history at the Yurauna Centre (part of the
Canberra Institute of Technology
The Canberra Institute of Technology (CIT) is a vocational education provider with five campuses located in Canberra, Australian Capital Territory. CIT is the largest Technical and Further Education ( TAFE) provider in the Australian Capital Te ...
). During this time she continued sculpting and drawing.
In 1999, Martiniello founded the ACT Indigenous Writers Group. She published several volumes of poetry, and in 2003 she was named an ACT Creative Arts Fellow for Literature.
Advocacy and education
In 2003, Martiniello and fellow artist Lyndy Delian founded the Indigenous Textiles and Glass Artists (ITAG) organization. The group advocates for Indigenous artists and helps them connect with other arts organisations. They help to mitigate any barriers due to historic colonization and discrimination of indigenous peoples. ITAG also hosts exhibitions and offers workshops for artists. Martiniello and Delian have also collaborated to create the Honouring Cultures program, which, in partnership with
Canberra Glassworks, gives regional artists the chance to develop their glassmaking skills and international artists the opportunity to participate in skills exchange and collaborative work programs.
Martiniello founded Kemarre Arts in 2006. It was the
Australian Capital Territory
The Australian Capital Territory (ACT), known as the Federal Capital Territory until 1938, is an internal States and territories of Australia, territory of Australia. Canberra, the capital city of Australia, is situated within the territory, an ...
's first "independent Aboriginal-run social enterprise."
The organization supports artists in many ways, including through: grant writing, professional development programs, publishing, and product and pricing guidance. In 2012, Kemarre Arts won the ACT
NAIDOC Award for Most Outstanding Agency.
Glassmaking
Martiniello first began to work in the medium of glass alongside Delian in 2008. They applied for a grant to teach indigenous artists glassmaking through a series of workshops at Canberra Glassworks, and were able to learn skills alongside roughly 20 other artists.
In 2011, Martiniello was an artist-in-residence at the Thomas Foundation. While there, she began experimenting with weaving patterns in glass.
She took her inspiration from the Aboriginal tradition of weaving. As a child she had seen woven vessels such as
fish trap
A fish trap is a animal trapping, trap used for fishing, catching fish and other aquatic animals of value. Fish traps include fishing weirs, lobster trap, cage traps, fish wheels and some fishing net rigs such as fyke nets.
The use of traps ar ...
s and bags in museums, displayed as if they were "relics from a dead past of extinct cultural practices.”
She was also able to watch women, including her Arrante grandmother, weave items such as eel traps, fish traps,
dilly bags, bicornual baskets, and
message sticks.
Martiniello combines this childhood inspiration with her newer knowledge of glass, using the Venetian technique of canework to imitate woven forms in glass. She experiments with colours to achieve a palette with references from the Australian landscape. She works with a team of people to realise her pieces, which continues a practice common among glass artists and also parallels Indigenous weaving circles. In both cases these groups of artists pass knowledge and skills down to the younger generation through demonstration and experience.
In 2013, Martiniello was awarded the
National Aboriginal & Torres Strait Islander Art Award
The National Aboriginal & Torres Strait Islander Art Award (NATSIAA) is Australia's longest running Indigenous art award. Established in 1984 as the National Aboriginal Art Award by the Museum and Art Gallery of the Northern Territory in Darw ...
for her piece ''Golden Brown Reeds Fish Trap''.
The Australian award is the most prestigious prize for Indigenous art. The piece was inspired by woven fish traps from northeast
Arnhem Land
Arnhem Land is a historical region of the Northern Territory of Australia. It is located in the north-eastern corner of the territory and is around from the territorial capital, Darwin, Northern Territory, Darwin. In 1623, Dutch East India Compa ...
and
Cape York, and took a team of seven artists to make.
Other selected awards and honors include the Canberra Critics Circle Award for Visual Arts (2011, 2013),
the Wollotuka Acquisitive Art Prize (University of Newcastle, 2012),
the Aboriginal and Torres Strait Islander Arts Visual Arts Fellowship (2013-2015),
and the Bay of Fires Art Prize (2016).
She was awarded the Medal of the
Order of Australia
The Order of Australia is an Australian honours and awards system, Australian honour that recognises Australian citizens and other persons for outstanding achievement and service. It was established on 14 February 1975 by Elizabeth II, Monarch ...
(OAM) in the
2022 Queen's Birthday Honours.
Her work is in several major collections, including the
National Gallery of Australia
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in th ...
,
the
National Museum of Australia
The National Museum of Australia (NMA), in the national capital Canberra, preserves and interprets Australia's social history, exploring the key issues, people and events that have shaped the nation. It was formally established by the ''Nation ...
,
the
Canberra Museum and Gallery,
the
Tasmanian Museum and Art Gallery, the
Australian Parliament House Collection, the
National Art Glass Gallery, the
Belau National Museum, the
Corning Museum of Glass
The Corning Museum of Glass is a museum in Corning (city), New York, Corning, New York, United States, dedicated to the art, history, and science of glass. It was founded in 1951 by Corning Incorporated, Corning Glass Works and currently has a ...
,
the
Kluge-Ruhe Aboriginal Art Collection of the University of Virginia,
and the
British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
.
References
Further reading
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External links
Sabbia Gallery artist profile
{{DEFAULTSORT:Martiniello, Jenni Kemarre
1949 births
Living people
Arrernte people
Artists from Adelaide
Australian Aboriginal artists
Recipients of the Medal of the Order of Australia
Australian people of Chinese descent
Australian glass artists
Women glass artists
20th-century Australian women artists
20th-century Australian artists
21st-century Australian women artists
21st-century Australian artists